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Music of Latin America

The music of Latin America refers to music originating from Latin America, namely the Romance-speaking regions of the Americas south of the United States.[1] Latin American music also incorporate the Indigenous peoples of the Americas.[2] Due to its highly syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as cumbia, bachata, bossa nova, merengue, rumba, salsa, samba, son, and tango. During the 20th century, many styles were influenced by the music of the United States giving rise to genres such as Latin pop, rock, jazz, hip hop, and reggaeton.

"Dance and music of Latin America" redirects here. Not to be confused with Latin dance.

Music of Latin America

Geographically, it usually refers to the Spanish and Portuguese-speaking regions of Latin America,[3] but sometimes includes Francophone countries and territories of the Caribbean and South America as well. It also encompasses Latin American styles that have originated in the United States such as, salsa, New Mexico music, Tejano, various forms of country-Western, as well as Chicano rock, Nuyorican rap, and Chicano rap.[1] The origins of Latin American music can be traced back to the Spanish and Portuguese conquest of the Americas in the 16th century, when the European settlers brought their music from overseas.[4] Latin American music is performed in Spanish, Portuguese, and to a lesser extent, French.[5]

Music and society in the Spanish Colonial Americas

Opera in Latin America

Brill, Mark. Music of Latin America and the Caribbean, 2nd Edition, 2018. Taylor & Francis  1138053562

ISBN

Torres, George (2013). Encyclopedia of Latin American Popular Music. ABC-CLIO.  978-0-313-08794-3.

ISBN

Nettl, Bruno (1965). . Prentice-Hall, Inc. ISBN 0-13-323247-6.

Folk and Traditional Music of the Western Continents

Sévigny, Jean-Pierre. Sierra Norteña: the Influence of Latin Music on the French-Canadian Popular Song and Dance Scene, Especially as Reflected in the Career of Alys Robi and the Pedagogy of Maurice Lacasse-Morenoff. Montréal: Productions Juke-Box, 1994. 13 p. N.B. Published text of a paper prepared for, and presented on, on 12 March 1994, the conference, Popular Music Music & Identity (Montréal, Qué., 12–13 March 1994), under the auspices of the Canadian Branch of the International Association for the Study of Popular Music.

Stevenson, Robert (1952). . Thomas Y. Crowell Company. ISBN 1-199-75738-1., cited in Nettl, p. 163.

Music in Mexico

Boieras, Gabriel.; Cattani, Luciana. Maravilhas do Brasil: festas populares. Escrituras Editora, 2006. pp. 108.  8575312367

ISBN

Mularski, Jedrek. Music, Politics, and Nationalism in Latin America: Chile During the Cold War Era. Cambria Press, 2014.  9781604978889.

ISBN

Ellingham, Mark; Duane, Orla; McConnachine, James (2000). World Music: The Rough Guide (2nd ed.). Rough Guides. p. 675.  1858286360.

ISBN

on the Open Directory Project

Latin American Music

Latin American Music and Culture Magazine

Archived 2014-04-07 at the Wayback Machine

Diaz-Ayala Cuban and Latin American Music Collection

The Strachwitz Frontera Collection of Mexican and Mexican American Recordings