Katana VentraIP

Leading-tone

In music theory, a leading-tone (also called a subsemitone, and a leading-note in the UK) is a note or pitch which resolves or "leads" to a note one semitone higher or lower, being a lower and upper leading-tone, respectively. Typically, the leading tone refers to the seventh scale degree of a major scale (scale degree 7), a major seventh above the tonic. In the movable do solfège system, the leading-tone is sung as ti.

For the lowered seventh degree, see subtonic.

A leading-tone triad is a triad built on the seventh scale degree in a major key (viio in Roman numeral analysis), while a leading-tone seventh chord is a seventh chord built on the seventh scale degree (viiø7). Walter Piston considers and notates viio as V0
7
, an incomplete dominant seventh chord.[1] (For the Roman numeral notation of these chords, see Roman numeral analysis.)

Note[edit]

Seventh scale degree (or lower leading tone)[edit]

Typically, when people speak of the leading tone, they mean the seventh scale degree (scale degree 7) of the major scale, which has a strong affinity for and leads melodically to the tonic.[2] It is sung as ti in movable-do solfège. For example, in the C major scale, the leading note is the note B.

Musica ficta

; Payne, Dorothy (2004). Tonal Harmony (5th ed.). Boston: McGraw-Hill. ISBN 0-07-285260-7. OCLC 51613969.

Kostka, Stefan

and William Alexander Barrett (eds.) (1876). A Dictionary of Musical Terms. London: Novello, Ewer and Co. New and revised edition, London: Novello & Co, 1898.

Stainer, John