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Lewis Nash

Lewis Nash (born December 30, 1958) is an American jazz drummer.[1] According to Modern Drummer magazine, Nash has one of the longest discographies in jazz and has played on over 400 records, earning him the honor of Jazz's Most Valuable Player by the magazine in its May 2009 issue.[2]

For the American engineer, see Lewis H. Nash.

Lewis Nash

(1958-12-30) December 30, 1958
Phoenix, Arizona

Musician

Drums

1982–present

In 2012, The Nash Jazz Club,] opened in Phoenix, AZ. Named after Lewis Nash by Jazz in AZ 501(c)(3), The Nash Jazz Club is dedicated to performances and educational programs that promote jazz education.


In 2017, Nash joined the jazz studies faculty at Arizona State University, where he was named the Bob and Gretchen Ravenscroft Professor of Practice in Jazz. In early 2021, the Lewis Nash Scholarship Endowment was created by the university to be awarded annually to a deserving ASU undergraduate or graduate jazz performance student.


Nash is noted for his adaptability to a vast array of genres, as evidenced by his performances with such different musicians as Tommy Flanagan and Don Pullen.[1] Nash has made 5 recordings as bandleader: Rhythm is My Business (1989), It Don't Mean a Thing (2003 Japanese import) and Stompin' at the Savoy (2005 Japanese import), Lewis Nash and the Bebop All-Stars featuring Frank Wess (2008 Japanese Import), and The Highest Mountain (2012). In 2008, Nash became part of The Blue Note 7, a septet formed that year in honor of the 70th anniversary of Blue Note Records.

Rhythm Is My Business (, 1989)

Evidence

It Don't Mean a Thing (, 2003) Japanese import

Pony Canyon

Stompin' at the Savoy (Pony Canyon, 2005) Japanese import

The Highest Mountain (Cellar Live/Planetworks, 2012)

Duologue with Steve Wilson (, 2014)

MCG Jazz