Katana VentraIP

Live Aid

Live Aid was a multi-venue benefit concert held on Saturday 13 July 1985, as well as a music-based fundraising initiative. The original event was organised by Bob Geldof and Midge Ure to raise further funds for relief of the 1983–1985 famine in Ethiopia, a movement that started with the release of the successful charity single "Do They Know It's Christmas?" in December 1984. Billed as the "global jukebox", Live Aid was held simultaneously at Wembley Stadium in London, attended by about 72,000 people, and John F. Kennedy Stadium in Philadelphia, attended by 89,484 people.[1][2]

For the 2005 benefit concerts, see Live 8.

Live Aid

13 July 1985 (1985-07-13)

72,000 (London)
89,484 (Philadelphia)

On the same day, concerts inspired by the initiative were held in other countries, such as the Soviet Union, Canada, Japan, Yugoslavia, Austria, Australia, and West Germany. It was one of the largest satellite link-ups and television broadcasts of all time; an estimated audience of 1.9 billion, in 150 nations, watched the live broadcast, nearly 40 percent of the world population.[3][4]


The impact of Live Aid on famine relief has been debated for years. One aid relief worker stated that following the publicity generated by the concert, "humanitarian concern is now at the centre of foreign policy" for Western governments.[5] Geldof has said, "We took an issue that was nowhere on the political agenda and, through the lingua franca of the planet – which is not English but rock 'n' roll – we were able to address the intellectual absurdity and the moral repulsion of people dying of want in a world of surplus."[6] In another interview he stated that Live Aid "created something permanent and self-sustaining" but also asked why Africa is getting poorer.[5] The organisers of Live Aid tried to run aid efforts directly, channelling millions of pounds to NGOs in Ethiopia. It has been alleged that much of this went to the Ethiopian government of Mengistu Haile Mariam – a regime the UK Prime Minister Margaret Thatcher opposed[7] – and it is also alleged some funds were spent on guns.[5][8] While the BBC World Service programme Assignment reported in March 2010 that the funds had been diverted, the BBC Editorial Complaints Unit later found "that there was no evidence to support such statements."[9] Brian Barder, British Ambassador to Ethiopia from 1982 to 1986, wrote on his website that "the diversion of aid related only to the tiny proportion that was supplied by some NGOs to rebel-held areas."[10]

Collaborative effort[edit]

The concert began at 12:00 British Summer Time (BST) (7:00 Eastern Daylight Time (EDT)) at Wembley Stadium in the United Kingdom.[21] It continued at John F. Kennedy Stadium (JFK) in the United States, starting at 13:51 BST (8:51 EDT). The UK's Wembley performances ended at 22:00 BST (17:00 EDT). The JFK performances and whole concert in the US ended at 04:05 BST 14 July (23:05 EDT). Thus, the concert continued for just over 16 hours, but since many artists' performances were conducted simultaneously in Wembley and JFK, the total concert's length was much longer.[21]


Mick Jagger and David Bowie intended to perform a transatlantic duet, with Bowie in London and Jagger in Philadelphia.[22] Problems of synchronisation meant the only practical solution was to have one artist, likely Bowie at Wembley, mime along to prerecorded vocals broadcast as part of the live sound mix for Jagger's performance from Philadelphia.[22] Veteran music engineer David Richards (Pink Floyd and Queen) was brought in to create footage and sound mixes Jagger and Bowie could perform to in their respective venues. The BBC would then have had to ensure those footage and sound mixes were in sync while also performing a live vision mix of the footage from both venues. The combined footage would then have had to be bounced back by satellite to the various broadcasters around the world. Due to the time lag (the signal would take several seconds to be broadcast twice across the Atlantic Ocean), Richards concluded there was no way for Jagger to hear or see Bowie's performance, meaning there could be no interaction between the artists, essentially defeating the whole point of the exercise. On top of this, both artists objected to the idea of miming at what was perceived as a historic event. Instead, Jagger and Bowie worked with Richards to create a video of the song they would have performed, a cover of "Dancing in the Street", which was shown on the screens of both stadiums and broadcast as part of many TV networks' coverage.[22]


Each of the two main parts of the concert ended with their particular continental all-star anti-hunger anthems, with Band Aid's "Do They Know It's Christmas?" closing the UK concert, and USA for Africa's "We Are the World" closing the US concert (and thus the entire event itself).[23]


Concert organisers have subsequently said they were particularly keen to ensure at least one surviving member of the Beatles, ideally Paul McCartney, took part in the concert as they felt that having an 'elder statesman' from British music would give it greater legitimacy in the eyes of the political leaders whose opinions the performers were trying to shape. McCartney agreed to perform and has said it was "the management" – his children – who persuaded him to take part. In the event, he was the last performer (aside from the Band Aid finale) to take to the stage and one of the few to be beset by technical difficulties; his microphone failed for the first two minutes of his piano performance of "Let It Be", making it difficult for television viewers and impossible for those in the stadium to hear him.[3] He later joked by saying he had thought about changing the lyrics to "There will be some feedback, let it be".[24]


Phil Collins performed at both Wembley Stadium and JFK, travelling from Wembley by helicopter (piloted by UK TV personality Noel Edmonds) to London Heathrow Airport, then took a British Airways Concorde flight to New York City, before taking another helicopter to Philadelphia.[25] As well as his own set at both venues, he also played the drums for Eric Clapton, and played with the reuniting surviving members of Led Zeppelin at JFK. On the Concorde flight, Collins encountered actress and singer Cher, who was unaware of the concerts. Upon reaching the US, she attended the Philadelphia concert and can be seen performing as part of the concert's "We Are the World" finale.[19] In a 1985 interview, singer-songwriter Billy Joel stated that he had considered performing at the event, but ultimately chose not to because he had difficulties getting his band together and did not want to perform by himself.[26]

Fundraising[edit]

Throughout the concerts, viewers were urged to donate money to the Live Aid cause. The BBC operated three hundred phone lines so that members of the public could make donations using their credit cards. The phone number and an address that viewers could send cheques to were repeated every twenty minutes.


Nearly seven hours into the concert in London, Bob Geldof enquired how much money had been raised so far; he was told about £1.2 million. He is said to have been sorely disappointed by the amount and marched to the BBC commentary position. Pumped up further by a performance by Queen which he later called "absolutely amazing", Geldof gave an interview in which BBC presenter David Hepworth had attempted to provide a postal address to which potential donations could be sent; Geldof interrupted him in mid-flow and shouted "fuck the address, let's get the numbers". Although the phrase "give us your fucking money" has passed into folklore, Geldof has said that it was never uttered.[61] Private Eye magazine made great humorous capital out of this outburst, emphasising Geldof's Irish accent which meant the profanities were heard as "fock" or "focking". After the outburst, donations increased to £300 per second.[62]


Later in the evening, following David Bowie's set, a video shot by the Canadian Broadcasting Corporation was shown to the audiences in London and Philadelphia, as well as on televisions around the world (though neither US feed showed the film), showing starving and diseased Ethiopian children set to "Drive" by the Cars (this would also be shown at the London Live 8 concert in 2005).[63] The rate of donations became faster in the aftermath of the video. Geldof had previously refused to allow the video to be shown, due to time constraints, and had only relented when Bowie offered to drop the song "Five Years" from his set as a trade-off.[64]


Geldof mentioned during the concert that the Republic of Ireland gave the most donations per capita, despite being in the midst of a serious economic recession. The largest donation came from Rashid bin Saeed Al Maktoum, who was part of the ruling family of Dubai, who donated £1m in a phone conversation with Geldof. The next day, news reports stated that between £40 and £50 million had been raised. It is now estimated that around £150 million in total has been raised for famine relief as a direct result of the concerts.

—opened the show and introduced Charles, Prince of Wales and Diana, Princess of Wales

Richard Skinner

—introduced Adam Ant

Harvey Goldsmith

—introduced Sting with Phil Collins

Noel Edmonds

and Mel Smith—introduced Queen

Griff Rhys Jones

and Tommy Vance—introduced U2 and the Who

Jack Nicholson

—introduced Elton John

Billy Connolly

—introduced Freddie Mercury and Brian May

John Hurt

Davis, H. Louise. "Feeding the world a line?: Celebrity activism and ethical consumer practices from Live Aid to Product Red." Nordic Journal of English Studies 9.3 (2010): 89–118.

Westley, Frances. "Bob Geldof and Live Aid: the affective side of global social innovation." Human Relations 44.10 (1991): 1011–1036.

Live Aid: Rockin' All Over the World – BBC2 documentary, recalling the build-up to the day, and the day itself; viewed 18 June 2005.

Live Aid: World Wide Concert Book – Peter Hillmore with Introduction by Bob Geldof,  0-88101-024-3, Copyright 1985, The Unicorn Publishing House, New Jersey.

ISBN

at IMDb

Live Aid

BBC news stories about the Live Aid DVD

Twenty-Five Years on...memories from Herald UK

How Live Aid was saved for history: BBC News

Geldof thwarts 'Live Aid pirate': BBC News

Philly.com: Live Aid Philadelphia Photo Gallery

between Hal Uplinger, producer of the "Live Aid Concert", the United States event, and the National Museum of American History (part of the Smithsonian Institution)

In-depth interview

Full set list, including Philadelphia – JFK Stadium