Los Lobos
Los Lobos (pronounced [los ˈloβos], Spanish for "the Wolves") is a Mexican-American rock band from East Los Angeles, California. Their music is influenced by rock and roll, Tex-Mex, country, zydeco, folk, R&B, blues, brown-eyed soul, and traditional music such as cumbia, boleros and norteños. The band rose to international stardom in 1987, when their version of "La Bamba" peaked at the top of the Billboard Hot 100, and also topped the charts in the United Kingdom, and several other countries. Songs by Los Lobos have been recorded by Elvis Costello, Waylon Jennings, Frankie Yankovic,[1] and Robert Plant.[2] In 2015, they were nominated for induction into the Rock and Roll Hall of Fame.[3] In 2018, they were inducted into the Austin City Limits Hall of Fame. They are also known for performing the theme song for Handy Manny.
For other uses, see Los Lobos (disambiguation).
Los Lobos
1973–present
- Francisco González
- Richard Escalante
- Victor Bisetti
- Cougar Estrada
- Enrique Gonzalez
History[edit]
1973–79: Formation and early releases[edit]
Vocalist and guitarist David Hidalgo and drummer Louie Pérez met at Garfield High School in East Los Angeles, California, and bonded over their mutual affinity for musical acts such as Fairport Convention, Randy Newman and Ry Cooder.[4][5] Pérez recalls, "We're looking at each other, 'You like this stuff? I thought I was the only weird one.' So I went over to his house one day for about a year, which we spent listening to records, playing guitars, and starting to write songs."[4] The two borrowed reel-to-reel recorders from a friend and created multitrack recordings of music spanning from parody songs to free-form jazz.[4] They later enlisted fellow students Frank González, Cesar Rosas and Conrad Lozano to complete the group's lineup, in 1973.[5] Their first album, Los Lobos del Este de Los Angeles, was recorded at two studios in Hollywood in 1977 over a period of about four months. At that time, they all had regular jobs, and it was hard to get together for the sessions. To accommodate that situation, their producer Luis Torres would call the engineer, Mark Fleisher, who owned and operated a high-speed tape duplicating studio in Hollywood, to find a studio when he knew all the band members could get off work that night. Most of the songs were recorded at a studio on Melrose Avenue, located next to the Paramount studios at the time, and a low-priced studio on Sunset Boulevard.
The band members were unsatisfied with playing only American Top 40 songs and began experimenting with the traditional Mexican music they listened to as children.[5] This style of music received a positive reaction from audiences, leading the band to switch genres, performing at hundreds of weddings and dances between 1974 and 1980.[5] "If you were married between 1973 and 1980 in East L.A., we probably played your wedding," said Louie Perez. "They would pay us like $400 for the four of us, a case of beer, and all the mole we could eat..." said David Hidalgo. However, Los Lobos took notice of the popular groups on the Hollywood music scene and added influences of rock to its sound.[5]
Originally, they called themselves Los Lobos del Este (de Los Angeles), which translates to The Wolves of the East (of Los Angeles), a play on the name of the norteño band Los Tigres del Norte. There was another conjunto band at the time named "Los Lobos Del Norte", which had released several albums already. The name was quickly shortened to Los Lobos.[6]
1980–88: How Will the Wolf Survive? and commercial success[edit]
The band's first noteworthy public appearance occurred in 1980 at the Olympic Auditorium in Los Angeles, when they were hired by David Ferguson and CD Presents to open for Public Image Ltd. On September 28, 1983, the band released an extended play entitled ...And a Time to Dance, which was well received by critics but sold only about 50,000 copies. Slash Records/Warner Bros Records was not confident enough in Los Lobos to release a standard 10-song LP. So they released a 7-song debut LP. Seven months after the release, the group won a Grammy Award for Best Mexican American Song in 1984[7] However, the sales of the EP earned the group enough money to purchase a Dodge van, enabling the band to tour throughout the United States for the first time.[7] Los Lobos returned to the studio in the summer of 1984 to record its first major-label album, How Will the Wolf Survive?[8] The album's title and the title song were inspired by a National Geographic article entitled "Where Can the Wolf Survive," which the band members related to their own struggle to gain success in the United States while maintaining their Mexican roots.[7]
Los Lobos were exposed to Rock and Roll audiences when they opened for The Clash, a punk/new wave group, and they later opened for a Los Angeles band the Blasters, with influences in rhythm and blues and rockabilly.[1] Steve Berlin, who was born in Philadelphia, played saxophone for the Blasters then left the group to join Los Lobos. When he joined the band, Berlin spoke about his similar record collection to the other members of Los Lobos, where they shared loves for George Jones and Hank Williams.[1]
The film Colors includes "One Time, One Night" in the opening credits, although the song was not included on the soundtrack album. In 1986, members of Los Lobos appeared alongside Tomata du Plenty in the punk rock musical Population: 1. In 1987, they released a second album, By the Light of the Moon. In the same year, they recorded some Ritchie Valens covers for the soundtrack of the film La Bamba, including the title track, which became a number one single for the band plus "Come On Let's Go" and "Donna" which also charted.
In 1988, they followed with another album, La pistola y el corazón, featuring original and traditional Mexican songs. The album never peaked above #189 in the pop charts, but it did garner Los Lobos their second Grammy Award for Best Mexican American Album in 1990. Also in 1988 they contributed their cover of "I Wan'na Be Like You (The Monkey Song)", to the Disney tribute album Stay Awake: Various Interpretations of Music from Vintage Disney Films.
1988–94: The Neighborhood and Kiko[edit]
In the late 1980s and early 1990s the band toured extensively throughout the world, opening for such acts as Bob Dylan, U2 and the Grateful Dead.
Los Lobos returned with The Neighborhood in 1990, and the more experimental Kiko (produced by Mitchell Froom) in 1992. Kiko sold more units (over 400,000 sold) than the previous two albums and was voted 'Album of the year' by the Los Angeles Times and Chicago Sun-Times. The band contributed a lively cover of "Bertha", a song which they often performed live, to the Grateful Dead tribute–rain forest benefit album Deadicated. In 1994 they also contributed a track, "Down Where the Drunkards Roll", to the Richard Thompson tribute album Beat the Retreat.
On the band's twentieth anniversary in 1993, they released a two-CD collection of singles, outtakes, live recordings and hits, entitled Just Another Band from East L.A.
1995–98: Papa's Dream and Colossal Head[edit]
In 1995, Los Lobos released the prestigious and bestselling record Papa's Dream on Music for Little People Records along with veteran guitarist and singer Lalo Guerrero. The album garnered a Grammy nomination for Best Children's Album. The band also scored the film Desperado. The album track "Mariachi Suite" won a Grammy Award for Best Pop Instrumental Performance and was their 3rd Grammy Award. They have been nominated for Grammy Awards a total of 12 times.
In 1996, they released Colossal Head. In spite of the fact that the album was critically acclaimed, Warner Brothers decided to drop the band from their label. Los Lobos spent the next few years on side projects. The band contributed along with Money Mark to the AIDS benefit album Silencio=Muerte: Red Hot + Latin, produced by the Red Hot Organization, on which they performed "Pepe and Irene."