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M. H. Hoffman

Maurice Henry Hoffman (March 21, 1881 – March 6, 1944) was an American studio owner and film producer. In the 1920s and 30s, Hoffman made films for seven different studios.[1] He is particularly associated with Poverty Row where studios he founded -Allied Pictures, Liberty Pictures and Tiffany Pictures produced mainly low-budget B pictures.

M. H. Hoffman

March 21, 1881

March 6, 1944 (aged 62)

Film producer, production company founder

1910–1938 (film)

Early years[edit]

Born in Chicago on March 20, 1881, Hoffman earned a Bachelor of Law degree in 1900 from New York University. He was admitted to the bar in New York, New Jersey, and Massachusetts and practiced law until 1910.[2]

Personal life[edit]

Hoffman and his wife, Mary, had a daughter, Hermine Hoffman Ruskin, and two sons, M. H. Jr. (Paul. E. Hoffman) and George F. (adopted).


On March 20, 1935, the wild yelping of the Hoffman family dog, Mitzi, was credited with saving the lives of Hoffman and five family members from an early morning house fire. All six escaped the fire through a first-floor window. The fire destroyed the Hoffman home, which contained many valuable works of art. [13]


Hoffman died in Los Angeles on March 6, 1944, at age 61. His cremated remains were taken to New York for inurnment.[14]

(1918). M.H. Hoffman Productions. Producer

Suspicion

(1923). Truart Pictures. Co-producer

Broadway Gold

(1923). M.H. Hoffman Inc. Producer

The Drums of Jeopardy

(1923). Carlos Productions and Richard Talmadge Productions. Producer

Let's Go

(1924). M. H. Hoffman Productions. Producer

Daring Love

(1924). Carlos Productions. Producer

In Fast Company

(1925). Truart Pictures. Producer

Pals

(1925). Truart Pictures. Co-producer

Three in Exile

(1927). Tiffany Productions. Producer

Husband Hunters

(1927). Tiffany Productions. Co-producer

One Hour of Love

(1930). Liberty Pictures Corp. Co-producer

Ex-Flame

(1931). Trem Carr Pictures. Co-producer

Forgotten Women

(1931). Allied Pictures. Producer

Hard Hombre

(1931). Liberty Pictures. Co-producer

The She-Wolf

(1932). Allied Pictures. Producer

The Boiling Point

(1932). Allied Pictures. Producer

Officer Thirteen

(1932). Allied Pictures. Producer

A Parisian Romance

(1932). Allied Pictures. Co-producer

The Stoker

(1932). Monogram Pictures Corp. Producer

The Thirteenth Guest

(1932). Allied Pictures. Executive Producer

Unholy Love

(1932). Allied Pictures. Producer

Vanity Fair

(1933). Allied Pictures. Producer

The Eleventh Commandment

(1933). Allied Pictures. Producer

The Fighting Parson

(1933). Allied Pictures. Producer

File 113

(1933) Allied Pictures. Producer

The Iron Master

(1933). Allied Pictures. Producer

The Intruder

(1933). Allied Pictures. Producer

One Year Later

(1933). Allied Pictures. Co-producer

A Shriek in the Night

(1933). Monogram Pictures. Co-producer

West of Singapore

(1934). Liberty Pictures Corp. Producer

Cheaters

(1934). Liberty Pictures Corp. Producer

No Ransom

(1934). Liberty Pictures Corp. Producer

Once to Every Bachelor

(1934). Allied Pictures. Producer

Picture Brides

(1934). Allied Pictures. Producer

Romance in Rhythm

(1934). Liberty Pictures Corp. Producer

School for Girls

(1934). Liberty Pictures Corp. Producer

Take the Stand

(Love Can't Lose) (1934). Liberty Pictures Corp. Producer

Two Heads on a Pillow

(1934). Liberty Pictures Corp. Producer

When Strangers Meet

(1935). Liberty Pictures Corp. Producer

Born to Gamble

(1935). Liberty Pictures Corp. Producer

Champagne for Breakfast

(1935). Liberty Pictures Corp. Producer

The Crime of Dr. Crespi

(1935). Liberty Pictures Corp. Producer

Dizzy Dames

(1935). Liberty Pictures Corp. Producer

The Old Homestead

(1935). Liberty Pictures Corp./ Republic Pictures Corp. Producer

The Spanish Cape Mystery

(1935). Liberty Pictures Corp. Producer

Sweepstake Annie

(Penthouse Party) (1935). Liberty Pictures Corp. Producer

Without Children

(1938). Grand National Pictures. Producer

King of the Sierras

Donald Crafton. The Talkies: American Cinema's Transition to Sound 1926–1931. The University of California Press, 1997.

E.J. Stephens and Marc Wanamaker, Marc. Early Poverty Row Studios. Arcadia Publishing. 2014

Michael R. Pitts. Poverty Row Studios, 1929–1940: An Illustrated History of 55 Independent Film Companies, with a Filmography for Each. McFarland & Company, 2005.

Read, Robert (August 2010). . McGill University. Thesis, Doctor of Philosophy, Department of Art History and Communication StudiesFree access icon

A Squalid-Looking Place: Poverty Row Films of the 1930s

at IMDb

M. H. Hoffman