Midwest emo
Midwest emo (or Midwestern emo[1]) refers to the emo scene and/or subgenre[2] that developed in the 1990s Midwestern United States. Employing unconventional vocal stylings, distinct guitar riffs and arpeggiated melodies,[3] Midwest emo bands shifted away from the genre's hardcore punk roots and drew on indie rock and math rock approaches.[4] According to the author and critic Andy Greenwald, "this was the period when emo earned many, if not all, of the stereotypes that have lasted to this day: boy-driven, glasses-wearing, overly sensitive, overly brainy, chiming-guitar-driven college music."[5] Midwest emo is sometimes used interchangeably with second-wave emo.[6] Although implied by the name, Midwest emo does not solely refer to bands and artists from the Midwestern United States, and the style is played by outfits across the United States and internationally.[7]
Midwest emo
Characteristics[edit]
According to The Chicago Reader critic Leor Galil, the second-wave bands of the Midwest emo scene "transformed the angular fury of D.C. emo into something malleable, melodic, and cathartic—its common features included cycling guitar parts, chugging bass lines, and unconventional singing that sounded like a sweet neighbor kid with no vocal training but plenty of heart."[8]
Incorporating elements from indie rock, the genre also features "gloomy chord progressions"[9] and arpeggiated guitar melodies.[3] Midwest emo is also commonly associated with the use of math rock elements.[4] Texas Is the Reason guitarist Norman Brannon has stated that the 1993 albums The Problem with Me, In on the Kill Taker, and On the Mouth were particularly influential on the development of Midwest emo and have been "name-checked by every second-wave emo band I knew".[10]
The definable traits of the Midwest emo have proven to be easily fused with other genres of underground independent music. Revival bands including The World Is a Beautiful Place & I Am No Longer Afraid to Die mixed the Midwestern emo sound with genres such as post-rock and orchestral music.[11] Other outfits, including Patterns Make Sunrise, The Pennikurvers, and Everyone Asked About You, introduced elements of twee pop and indie pop into the sound of Midwest emo.[12] This proved influential to the aforementioned Emo revival scene, with groups like Dowsing and Empire! Empire! (I Was a Lonely Estate) taking a similar approach.