To connect one part of a story to another

To report events whose details aren't important

To telescope time

To convey an emotional state over an extended period of time

[7]

To vary the rhythm and texture of the writing

[8]

Essay-writing[edit]

According to Frederick Crews, it is traditional and useful to think of essays as falling into four types, corresponding to four basic functions of prose: description, or picturing; narration, or telling; exposition, or explaining; and argument, or convincing.[14] Susan Anker distinguishes between nine different modes of essay writing: narration, or writing that tells stories; illustration, or writing that gives examples; description, or writing that creates pictures in words; process analysis, or writing that explains how things happen; classification, or writing that sorts things into groups; definition, or writing that tells what something means; comparison and contrast, or writing that shows similarities and differences; cause and effect, or writing that explains reasons or results; and argument, or writing that persuades.[15]

Northrop Frye's theory of fictional and thematic types by mode

Literary modes

Anker, Susan (2004), (3rd ed.), Boston: Bedford Books, ISBN 0-312-40521-9

Real Writing with Readings: Paragraphs and Essays for College, Work, and Everyday Life

Aristotle. 1974. "Poetics". Trans. S.H. Butcher. In Dramatic Theory and Criticism: Greeks to Grotowski. Ed. Bernard F. Dukore. Florence, KY: Heinle & Heinle.  0-03-091152-4. p. 31-55.

ISBN

Baldick, Chris (2004), The Concise Oxford Dictionary of Literary Terms, Oxford: , ISBN 978-0-19-860883-7

Oxford University Press

Bickham, Jack M. (1993). . Writer's Digest Books. pp. 12–22, 50–58. ISBN 0-89879-551-6.

Scene & Structure

Browne, Renni; King, Dave (2004). Self-Editing for Fiction Writers: How to Edit Yourself into Print. New York: Harper Resource.  0-06-054569-0.

ISBN

Card, Orson Scott (1988). . Cincinnati, OH: Writer's Digest Books. ISBN 0-89879-307-6.

Character & Viewpoint

Crews, Frederick (1977), (2nd ed.), New York: Random House, ISBN 0-394-31211-2

The Random House Handbook

Elam, Keir (1980), The Semiotics of Theatre and Drama, London and New York: Methuen,  0-416-72060-9

ISBN

Kress, Nancy (August 2003). Writer's Digest. p. 38. {{}}: Missing or empty |title= (help)

cite news

(1998). The Marshall Plan for Novel Writing. Cincinnati, OH: Writer's Digest Books. pp. 143–165. ISBN 1-58297-062-9.

Marshall, Evan

Morrell, Jessica Page (2006). Between the Lines: Master the Subtle Elements of Fiction Writing. Cincinnati, OH: Writer's Digest Books. p. 127.  978-1-58297-393-7.

ISBN

Selgin, Peter (2007). . Cincinnati, OH: Writer's Digest Books. p. 38. ISBN 978-1-58297-491-0.

By Cunning & Craft: Sound Advice and Practical Wisdom for fiction writers