Katana VentraIP

Polyphony and monophony in instruments

Polyphony is a property of musical instruments that means that they can play multiple independent melody lines simultaneously. Instruments featuring polyphony are said to be polyphonic. Instruments that are not capable of polyphony are monophonic or paraphonic.

Technical specifications

1-128

An intuitively understandable example for a polyphonic instrument is a (classical) piano, on which the player plays different melody lines with the left and the right hand - depending on music style and composition, these may be musically tightly interrelated or may even be totally unrelated to each other, like in parts of Jazz music. An example for monophonic instruments is a trumpet which can generate only one tone (frequency) at a time, except when played by extraordinary musicians.

Even with only ten fingers, it is possible to play more than ten notes at once. Notes may continue to sound even after a key is released. The synthesizer's resources may still be in use to produce the sound of the previously struck notes tapering off, especially when a sustain pedal is used.

A "sound" (also called a "timbre" or "patch") may be generated by more than one oscillator or sound-source to allow more complicated sounds to be produced. A synthesizer with 16 oscillators may be capable of 16-note polyphony only when simple, single-oscillator sounds are produced. If a particular patch requires four oscillators, then the synthesizer is only capable of four-note polyphony.

Synthesizers may be configured to produce multiple timbres (), particularly necessary when sounds are layered or sequenced. Multitimbral instruments are always polyphonic but polyphonic instruments are not necessarily multitimbral. Some multitimbral instruments have a feature which allows the user to specify the amount of polyphony reserved or allowed for each timbre.

multitimbral

Electronic musical instrument: Polyphony

Monophonic (synthesizers)

Music sequencer

Paraphony

Jenkins, Mark (2007). . Taylor & Francis. ISBN 978-0-240-52072-8.

Analog Synthesizers: Understanding, Performing, Buying: from the Legacy of Moog to Software Synthesis

Keeble, Rob (September 2002). . Sound on Sound. Archived from the original on 2015-12-26.

"30 Years of Emu: The History Of Emu Systems"

Lee, Jay (1981). . Polyphony Magazine. No. November/December 1981.

"Interview of Dave Rossum"

Vail, Mark (2014). The Synthesizer: A Comprehensive Guide to Understanding, Programming, Playing, and Recording the Ultimate Electronic Music Instrument. OUP USA.  978-0-19-539489-4.

ISBN