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Morris Fuller Benton

Morris Fuller Benton (November 30, 1872 – June 30, 1948) was an American typeface designer who headed the design department of the American Type Founders (ATF), for which he was the chief type designer from 1900 to 1937.[1][2][3][4]

Morris Fuller Benton

(1872-11-30)November 30, 1872

June 30, 1948(1948-06-30) (aged 75)

Type designer, business executive

Mary Ethel Bottum
(died 1920)
Katrina Ten Eck Wheeler
(m. 1923)

Many of Benton's designs, such as his large family of related sans-serif or "gothic" typefaces, including Alternate Gothic, Franklin Gothic, and News Gothic, are still in everyday use.

Technology[edit]

In addition to his strong aesthetic design sense, Benton was a master of the technology of his day. He read mechanical engineering at Cornell University, graduating in 1896.[9] His father, Linn Boyd Benton, invented the pantographic engraving machine, which was capable not only of scaling a single font design pattern to a variety of sizes while compensating for the size change, but could also condense, extend, and slant the design (mathematically, these are cases of affine transformation, which is the fundamental geometric operation of most systems of digital typography today, including PostScript). Morris used these machines with his father at ATF, during which these machines were refined to an impressive level of precision.[10]


Theo Rehak, the current owner of much ATF typecasting equipment, and author of the definitive treatise Practical Typecasting, explains that the Bentons demanded that any deviation in machining or casting be within two ten-thousandths of an inch.[11] Most modern machine shops are equipped to measure down to one thousandth of an inch. As an advertising device, in 1922 ATF manufactured a piece of type eight points tall (0.11 inch) containing the entire Lord's Prayer in 13 lines of text, using a cutting tool roughly equivalent to a 2000-dpi printer.

Baines, Phil; Haslam, Andrew (2005). Type and Typography. Watson-Guptill Publications.  0-8230-5528-0.

ISBN

Blackwell, Lewis (2004). 20th Century Type. Yale University Press: 2004.  0-300-10073-6.

ISBN

Cost, Patricia (2011). The Bentons: How an American Father and Son Changed the Printing Industry. Cary Graphic Arts Press.  978-1-933360-42-3.

ISBN

Fiedl, Frederich; Ott, Nicholas; Stein, Bernard Stein (1998). Typography: An Encyclopedic Survey of Type Design and Techniques Through History. Black Dog & Leventhal.  1-57912-023-7.

ISBN

Jaspert, W. Pincus; Berry, W. Turner; Johnson, A. F. (1953, 1983). The Encyclopedia of Type Faces. Blandford Press.  0-7137-1347-X.

ISBN

MacGrew, Mac (1993). American Metal Typefaces of the Twentieth Century. New Castle, Delaware: Oak Knoll Books.  0-938768-34-4.

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Macmillan, Neil (2006). An A–Z of Type Designers. Yale University Press.  0-300-11151-7.

ISBN

Meggs, Phillip B. (2002). Revival of the Fittest. RC Publications.  1-883915-08-2.

ISBN

Rollins, Carl Purlington. “American Type Designers and Their Work.” , vol. 4, no. 1.

Print

by Patricia Cost

Morris Benton blog, related to the 2011 book The Bentons: How an American Father and Son Changed the Printing Industry

(PDF)

Linn Boyd Benton, Morris Fuller Benton, and Typemaking at ATF

by Cynthia Jacquette

Morris Fuller Benton history

Morris Fuller Benton

a set of vintage fonts released by the H. P. Lovecraft Historical Society, including several by Benton

HPLHS Font collection

collection of samples of Benton's work, by Luc Devroye

Type Design Information Page