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Nashville (film)

Nashville is a 1975 American satirical musical comedy-drama film directed and produced by Robert Altman. The film follows various people involved in the country and gospel music industry in Nashville, Tennessee, over the five-day period leading up to a gala concert for a populist outsider running for president on the Replacement Party ticket.

Nashville

Robert Altman

  • Dennis M. Hill
  • Sidney Levin

  • June 11, 1975 (1975-06-11)

160 minutes[1][2]

United States

English

$2.2 million[3]

$10 million[2]

Nashville is often noted for its scope; the film contains 24 main characters, an hour's worth of musical numbers, and multiple storylines. Its large ensemble cast includes David Arkin, Barbara Baxley, Ned Beatty, Karen Black, Ronee Blakley, Timothy Brown, Keith Carradine, Geraldine Chaplin, Robert DoQui, Shelley Duvall, Allen Garfield, Henry Gibson, Scott Glenn, Jeff Goldblum, Barbara Harris, David Hayward, Michael Murphy, Allan F. Nicholls, Dave Peel, Cristina Raines, Bert Remsen, Lily Tomlin, Gwen Welles, and Keenan Wynn.


The screenplay for Nashville was written by Altman's frequent collaborator Joan Tewkesbury, based partly on her experiences as an outsider visiting the city and observing its local music industry. Several incidents she experienced appear in the finished film, though Altman improvised numerous additional scenes and plot strands during filming. The film was shot on location in Nashville in 1974.


Nashville was released by Paramount Pictures in the summer of 1975, and opened with widespread critical acclaim, praising the ensemble cast (mainly Blakely and Tomlin), mise en scène and soundtrack. It garnered numerous accolades, including five Academy Award nominations, including Best Picture, Best Director, Best Supporting Actress (for both Ronee Blakley and Lily Tomlin), and winning for Best Original Song for Carradine's track "I'm Easy". The film was nominated for a total of 11 Golden Globe Awards, to date the highest number of nominations received by one film. Since then, it has been considered Altman's magnum opus,[4][5] and one of the greatest films of all time. In 1992, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[6][7]

Plot[edit]

Hal Philip Walker, Replacement Party candidate in the 1976 United States presidential election, arrives in Nashville for a fundraising gala. Meanwhile, two recording sessions are taking place in a nearby studio: in one room, country superstar Haven Hamilton records a patriotic song commemorating the Bicentennial, while next door, Linnea Reese, a white gospel singer, records a song with the Jubilee Singers of historically black Fisk University. Opal, an Englishwoman who claims to be working on a documentary for the BBC (though she refers to the British Broadcasting Company), attempts to listen in on the sessions.


Later that day, country singer Barbara Jean returns to Nashville following what the crowd believes was a burn accident (which may actually have been a nervous breakdown and stay at a mental hospital). She is greeted at Berry Field by local industry elites, including Haven and his companion, Lady Pearl, a nightclub owner. Also present are Pfc. Glenn Kelly, who is obsessed with Barbara Jean, and a popular folk trio consisting of married couple Bill and Mary, and guitarist Tom, who are in town to record an album. Meanwhile, Martha, a teen groupie going by the name "L.A. Joan", is picked up by her uncle, Mr. Green, at the airport; she has arrived to visit her dying aunt Esther, but covertly plans to pursue musicians. In the airport cafe, African-American cook Wade Cooley and his co-worker, a waitress named Sueleen, discuss her aspirations to become a singer.


On the tarmac, Barbara Jean collapses from heat exhaustion, and those in attendance depart the airport only to become stranded after a vehicle pile-up occurs. During the commotion, Winifred, an aspiring country singer, runs away from her husband Star; Star then gives a ride to Kenny Frasier, who has just arrived in town carrying a violin case. Opal takes advantage of the traffic jam to interview Linnea, as well as Tommy Brown, an African-American country singer. That night, Sueleen performs at an open mic at Lady Pearl's club, demonstrating no singing ability. Meanwhile, Linnea's husband Del has John Triplette, Walker's political organizer, over for dinner. Throughout the meal, Linnea mainly focuses on communicating with her two deaf children. Tom, who crossed paths with Linnea a few weeks earlier, phones the house to ask Linnea on a date, but she dissuades him. Glamorous singer Connie White performs that night, in lieu of Barbara Jean at the Grand Ole Opry. Mary misses Connie's performance to Bill's dismay, instead having sex with Tom at the hotel. At the hospital, Barbara Jean argues with her manager husband Barnett over Connie replacing her, and he accuses her of having another nervous breakdown.


On Sunday morning, Lady Pearl, Wade, and Sueleen attend a Catholic mass, while Linnea sings in the choir of a black Baptist church. In the hospital chapel, Barbara Jean sings "In the Garden" from her wheelchair while Mr. Green, Pfc. Kelly, and others watch. Opal wanders through a massive auto scrapyard, recording observations on a tape recorder. Haven, Tommy, and their families attend the stock car races, where Winifred unsuccessfully attempts to sing on a small stage. Bill and Mary argue in their hotel room and are interrupted by Triplette, who recruits them to perform at the gala, while Tom tries to get chauffeur Norman to score him drugs.


After Barbara Jean is discharged, she gives a performance at Opryland USA that ends in her being pulled off stage as she rambles between songs. To remediate her poor performance, Barnett pledges her to perform at Walker's gala. Martha meanwhile agitates Kenny, who is renting a room in her uncle's house, when she attempts to open his violin case. At Lady Pearl's club that night, Linnea, Martha, Bill, Mary, Opal, Norman and Wade are among those attending an open mic. Tom sings "I'm Easy" and Linnea, moved, goes back to his room, where they have sex. Tom is accustomed to women becoming clingy and emotional after trysts but Linnea is polite but detached afterwards. She leaves Tom's room oblivious to his blatant attempts to rattle her and make her jealous, frustrating him. Meanwhile, at an all-male Walker fundraiser, Sueleen is booed off stage for singing poorly; Del and Triplette convince her to perform a striptease in exchange for a slot at the gala. A drunken Del later comes onto Sueleen, but Wade rescues her. He tells her that she cannot sing and attempts to persuade her to come to Detroit with him; she refuses, determined to "sing with Barbara Jean".


The next morning, the performers and audience converge at the Parthenon for Walker's gala concert. The lineup consists of Haven, Barbara Jean, Linnea and her choir, Mary and Tom, and Sueleen; Winifred arrives, hoping to sing. Meanwhile, Mr. Green and Kenny arrive at the gala searching for Martha, who has failed to attend her aunt Esther's funeral, and find her accompanying Bill. During Barbara Jean's set on stage, Kenny produces a gun from his violin case, and begins shooting at the stage. Barbara Jean is shot; a bullet grazes Haven's arm. Chaos breaks out. Kelly disarms Kenny. Barbara Jean is carried off the stage, bleeding and unconscious (or dead). Haven tries to calm the crowd by exhorting them to sing, asserting that "This isn't Dallas.” Being wounded, he gives over the mike to Winifred, who haltingly begins singing "It Don't Worry Me", eventually joined by Linnea's gospel choir also on stage.

the film's musical supervisor, wrote several of the songs performed in the film. He has a cameo as Frog, a session musician, appearing in several scenes.

Richard Baskin

as Trout, the owner of a club that has an open-mic talent night that gives Sueleen Gay what she believes is her big break as a singer.

Merle Kilgore

Major characters


Minor characters


There are cameo appearances by Elliott Gould, Julie Christie, Sue Barton, Vassar Clements, and Howard K. Smith, all playing themselves. Gould and Christie were passing through Nashville when Altman added them. Altman plays Bob, an unseen producer who in the beginning of the film is producing Haven Hamilton's song "200 Years". He can be heard on a speaker when Hamilton gets agitated by Frog's inept piano playing.

Release[edit]

Box office[edit]

The film was a box-office success, with theatrical rentals of $6.8 million in North America by 1976.[70] According to a piece in Film Comment, "it is still amazing to me that the impression was so prevalent in the cultural reaches of Manhattan that Nashville was one of the year's commercial blockbusters rather than, as it was, the twenty-seventh highest-grossing film of the year."[71] The film grossed approximately $10 million in the United States.[2]

Legacy[edit]

Plans were discussed for a sequel set 12 years later and titled Nashville 12, and most of the original players agreed to appear. In the script for the sequel, Lily Tomlin's character, Linnea, is running for political office; and Barnett now managing Connie White and obsessed with a Barbara Jean impersonator.[85]


Contemporarily, Nashville is regarded in critical circles as Altman's magnum opus,[4][5] as well as one of the greatest films of all time.[86] In 1992, Nashville was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". In 2007, the movie was ranked No. 59 on AFI's 100 Years... 100 Movies - 10th Anniversary Edition list; it did not appear on the original 1998 list. The song "I'm Easy" was named the 81st Best Song of All Time by the American Film Institute (AFI). In 2013, Entertainment Weekly ranked it the ninth-greatest film in history.[87] Nashville ranked 14th in BBC's 2015 list of the 100 greatest American films.[88]

List of American films of 1975

– A similar satirical comedy drama, released in 1975, set at a state beauty pageant. It was adapted into a musical in 1986.

Smile

List of films featuring the deaf and hard of hearing

Allon, Yoram; Cullen, Del; Patterson, Hannah (2002). . Wallflower Press. ISBN 978-1-903-36452-9.

Contemporary North American Film Directors: A Wallflower Critical Guide

Stuart, Jan (2003). The Nashville Chronicles: The Making of Robert Altman's Masterpiece. New York: Limelight.  978-0-879-10981-3.

ISBN

Nashville essay by David Sterritt on the National Film Registry website

[1]

at IMDb

Nashville

at the TCM Movie Database

Nashville

at AllMovie

Nashville

at Rotten Tomatoes

Nashville

an essay by Molly Haskell at the Criterion Collection

Nashville: America Singing

Nashville essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010  0826429777, pages 715-717 [2]

ISBN