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Nazarene movement

The epithet Nazarene was adopted by a group of early 19th-century German Romantic painters who aimed to revive spirituality in art. The name Nazarene came from a term of derision used against them for their affectation of a biblical manner of clothing and hair style.

For other uses of "Nazarene", see Nazarene (disambiguation).

Legacy[edit]

The programme of the Nazarenes—the adoption of what they called honest expression in art and the inspiration of artists before Raphael—was to exert considerable influence in Germany upon the Beuron Art School,[2] and in England upon the Pre-Raphaelite movement.[3] They were also direct influences on the British artists William Dyce and Frederick Leighton and Ford Madox Brown.[4]

Gabriel Wüger

German Romanticism

Middle Ages in history

Pre-Raphaelite Brotherhood

Purismo

Mitchell Benjamin Frank. Romantic Painting Redefined: Nazarene Tradition and the Narratives of Romanticism. Ashgate Publishing, 2001;  0-7546-0477-2

ISBN

Cordula Grewe. Painting the Sacred in the Age of German Romanticism. Aldershot: Ashgate Books, 2009.

. Making of a Romantic Icon: The Religious Context of Friedrich Overbeck's 'Italia und Germania'. American Philosophical Society, 2007. ISBN 0-87169-975-3. [1]

Lionel Gossman

. "Unwilling Moderns: The Nazarene Painters of the Nineteenth Century" in Nineteenth-Century Art Worldwide – Volume 2, Issue 3, Autumn 2003.

Lionel Gossman

Nazarenes in the "History of Art"