Early life[edit]
Peiko began his music education at the Academic Music College from 1933 through 1937 where his teachers included Igor Sposobin (harmony) and Genrik Litinsky (composition). This was followed by three years of training at the Moscow Conservatory where his teachers included Nikolai Myaskovsky (composition), Nikolai Rakov (orchestration), and Viktor Zukkerman (analysis). He graduated in 1940.[3]
Career[edit]
Peiko worked in a military hospital during World War II and taught at the Moscow Conservatory from 1942 to 1949. After working since 1941–1943 in Ufa at a military hospital, Peiko partly worked with and was influenced by Dmitri Shostakovich. From 1959 until retirement Peiko was professor of composition at the Gnessin State Musical College where his students included Sofia Gubaidulina, Alexander Arutiunian, and Inna Zhvanetskaya. Peiko taught his students twelve-tone technique.
Peiko's first successful work was From the Legends of Yakuta (1940). During World War II, he worked in a military hospital and composed several patriotic pieces, including Dramatic Overture (1941) and Symphony I (1944-1946). They were appreciated by Myaskovsky and Shostakovich. His classical archives include Moldavian Suite for Orchestra (1950), Tsar Ivan's Night, Jeanne d'Arc, Ballada, for piano, Piano Sonata No.1, Variations for piano, Sonatina for piano No.2, Bylina, for Piano, Piano Sonata No. 2, and Concert Triptych for 2 pianos. Peiko worked on a genre of "pure" sympathy composed music for theater plays.
Peiko was more of a traditional composer who absorbed folk music in his musical language. His music is known for a harsh, distant sound. His music has been described as driving march-rhythms with good humor, decorated with the sound of bells. In 1964 he was honored as an Honored Art Worker of the RSFSR. Peiko began working with 12-note scales in the 1960s.
Recognition[edit]
Peiko won many awards, including two Stalin Prizes for his Symphony No. 1 (1947) and Moldavian Suite (1950–51).