Omara Portuondo
Omara Portuondo Peláez (born 29 October 1930) is a Cuban singer and dancer. A founding member of the popular vocal group Cuarteto d'Aida, Portuondo has collaborated with many important Cuban musicians during her long career, including Julio Gutiérrez, Juanito Márquez and Chucho Valdés. Although primarily known for her rendition of boleros, she has recorded in a wide range of styles from jazz to son cubano. Since 1996, she has been part of the Buena Vista Social Club project, touring extensively and recording several albums with the ensemble. She won a Latin Grammy Award for Best Contemporary Tropical Album in 2009, a Latin Grammy Award for Best Traditional Tropical Album in 2023, a Latin Grammy Lifetime Achievement Award in 2019, and she received three Grammy Award nominations in 2019 and a nomination in 2024.
In this Spanish name, the first or paternal surname is Portuondo and the second or maternal family name is Peláez.
Omara Portuondo
Early life and career[edit]
Born on 29 October 1930 in the Cayo Hueso neighborhood of Havana, Portuondo had three sisters.[1] Her mother, Esperanza Peláez, came from a wealthy family of Spanish ancestry, and had created a scandal by running off with and marrying a black professional baseball player, Bartolo Portuondo.[1] Omara joined the dance group of the Cabaret Tropicana in 1950, following her elder sister, Haydee. She also danced in the Mulatas de Fuego in the theatre Radiocentro, and in other dance groups. The two sisters also used to sing for family and friends, and they also performed in Havana clubs. In 1947, Portuondo and Haydee joined the Loquibambia Swing, a group formed by the blind pianist Frank Emilio Flynn.[2][3]
From 1952–1953, she sang for the Orquesta Anacaona, and later in 1953 both sisters joined (together with Elena Burke and Moraima Secada) the singing group Cuarteto d'Aida, formed and directed by pianist Aida Diestro.[2] The group had considerable success, touring the United States, performing with Nat King Cole at the Tropicana, and recording a 1957 album for RCA Victor.[4] In 1958, pianist and composer Julio Gutiérrez invited Portuondo to sing for his ensemble in a series of recordings bridging jazz and Cuban music for the record label Velvet. The result was Magia Negra, her debut solo album.[5] Haydee left the Cuarteto d'Aida in 1961 in order to live in the US, and Omara continued singing with the quartet until 1967.