On the Adamant
On the Adamant (French: Sur l'Adamant) is a 2023 French-language documentary film directed by Nicolas Philibert. The work portrays the floating structure L'Adamant Day Center, located on the Seine river in Paris. The structure is a special daycare center for the treatment of people with mental disorders.[2]
On the Adamant
- Céline Loiseau
- Gilles Sacuto
- Miléna Poylo
Nicolas Philibert
- Janusz Baranek
- Nicolas Philibert
- TS Productions
- France 3 Cinéma
- LONGRIDE
- 24 February 2023 (Berlinale)
- 19 April 2023 (France)
109 minutes
- France
French
$814,680[1]
It won the Golden Bear at the 73rd Berlin International Film Festival,[3] where it had its world premiere on 24 February 2023.[4] The film was also nominated for the Berlinale Documentary Film Award.[5] It was released in French cinemas on 19 April 2023.[6]
Content[edit]
The film is a portrait of the L'Adamant Day Center in Paris, France. It is a floating building located at the foot of the Pont Charles-de-Gaulle on the right bank of the Seine. The exclusive day center welcomes people with mental disorders residing in the first four municipal arrondissements of Paris. The team that manages it is one of those that tries to resist as much as possible the decay and dehumanization of psychiatry.
It offers patients a daily routine and helps them regain their footing in everyday life with therapeutic workshops and psychosocial rehabilitation support. This film invites us to come on board to meet the patients and healthcare workers who invent their daily lives day after day. The Adamant team is made up of psychiatrists, psychologists, nurses, occupational therapists, specialized educators, psychomotor specialists, hospital staff and art therapists.[7][8]
Release[edit]
On the Adamant premiered on 24 February 2023 as part of the 73rd Berlin International Film Festival, in competition. As of March 2023, it is scheduled for release in French cinemas on 19 April 2023.[6]
It was invited to Horizons section of 57th Karlovy Vary International Film Festival, where it was screened on 30 June 2023.[10] The documentary also made to 2023 Cinéfest Sudbury International Film Festival held from September 16 to 24, 2023.[11] The film competed at the 2023 Calgary International Film Festival in 'International Documentary Competition' for Best International Documentary Feature award and had screening on September 22.[12]
The film was screened at the 28th Busan International Film Festival in 'Icon' section on 6 October,[13] and was screened at the 2023 BFI London Film Festival in 'Strand' section under 'Debate' theme on 12 October, 2023.[14]
The documentary was also invited to the 2023 Vancouver International Film Festival in 'Insights' section and screened on 5 October 2023.[15] It was selected as European Documentary for the 36th European Film Awards held on 9 December 2023.[16]
On 23 March 2024, it will be screened at the Sofia International Film Festival in European Parliament LUX Prize section.[17]
Reception[edit]
On the review aggregator Rotten Tomatoes website, the film has an approval rating of 95% based on 20 reviews, with an average rating of 7.3/10.[18] On Metacritic, it has a weighted average score of 75 out of 100 based on 5 reviews, indicating "generally favorable reviews".[19]
Jordan Mintzer, for The Hollywood Reporter, stating that the film presents "an artful look at outsider artists", opined that "On the Adamant ultimately becomes a moving testament to what people are capable of, if they could just find the right place to do it."[20]
Guy Lodge, reviewing at the Berlin Film Festival for Variety, wrote, "On the Adamant might not achieve the crossover success Philibert has found in the past, but it’s a warm reminder of his perceptive gifts...."[21] Fabien Lemercier reviewing for Cineuropa praised the director: "Philibert's is a supple and natural approach, both methodical and poetic, which demonstrates great human and cinematographic understanding and which smoothly and modestly establishes contact in an environment where you have to find the right keys to connect."[22]
Jonathan Romney for ScreenDaily wrote in a review that the film is "engaging and affirmative". Romney stated that, in contrast to the more detached observational approach of the Frederick Wiseman school, "The film is more about character and human presence, as opposed to depicting the overall functioning of this institution."[23]
David Robb reviewing on Slant Magazine rated the film with two and a half out of four stars and opined that, "The task of representing mental illness and those afflicted by it can be a precarious tightrope walk for a documentarian ...", and appreciating the director's presentation, Robb wrote, "... and it’s to Nicolas Philibert's credit that he mostly avoids tumbling into sensationalism or mawkish sentimentality."[24]