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One-act play

A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival.

The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon.[1] One act plays became more common in the 19th century and are now a standard part of repertory theatre and fringe festivals.


One act plays were very popular in the 20th century and it is regarded by many to be a modern product.

Cyclops

Euripides

The Flying Doctor (1659)

Moliere

The Goat, or Who Is Sylvia? (2002)

Edward Albee

Krapp's Last Tape (1958)

Samuel Beckett

A Marriage Proposal (1890)

Anton Chekhov

Clevinger's Trial (1973)

Joseph Heller

Line (1974)

Israel Horovitz

The Bald Soprano (1950)

Eugène Ionesco

A Memory of Two Mondays (1955)

Arthur Miller

Pariah (1889)

August Strindberg

The Long Christmas Dinner (1931)

Thornton Wilder

The Sunset Limited (2006)

Cormac McCarthy

- No Exit (1944)

Jean-Paul Sartre

- "Master Harold"...and the Boys (1982)

Athol Fugard

- Art (1994)

Yasmina Reza

- ‘’Salome’’ (1891 [French] 1894 [English])

Oscar Wilde

List of one-act plays by Tennessee Williams

Monodrama

Murray, Stephen. Taking Our Amusements Seriously. LAP, 2010.  978-3-8383-7608-0.

ISBN

One Act Play Depot