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Organum

Organum[a] (/ˈɔːrɡənəm/) is, in general, a plainchant melody with at least one added voice to enhance the harmony, developed in the Middle Ages. Depending on the mode and form of the chant, a supporting bass line (or bourdon) may be sung on the same text, the melody may be followed in parallel motion (parallel organum), or a combination of both of these techniques may be employed. As no real independent second voice exists, this is a form of heterophony. In its earliest stages, organum involved two musical voices: a Gregorian chant melody, and the same melody transposed by a consonant interval, usually a perfect fifth or fourth. In these cases the composition often began and ended on a unison, the added voice keeping to the initial tone until the first part has reached a fifth or fourth, from where both voices proceeded in parallel harmony, with the reverse process at the end. Organum was originally improvised; while one singer performed a notated melody (the vox principalis), another singer—singing "by ear"—provided the unnotated second melody (the vox organalis). Over time, composers began to write added parts that were not just simple transpositions, thus creating true polyphony.

This article is about a style of music. For the musical instrument, see organum (instrument). For the experimental group, see David Jackman (musician).

beginning of text set to organum: organaliter:

organum purum >> copula >>

discantus >> copula >>

organum purum >> copula >>

discantus >> copula >>

closing lines of text choraliter

Medieval music

Saint Martial school

Apel, Willi. 1949. "From St. Martial to Notre Dame". Journal of the American Musicological Society 2, no. 3 (Autumn): 145–58.

Fuller, Sarah. 1990. "Early Polyphony". In The New Oxford History of Music 2: The Early Middle Ages to 1300, revised edition, edited by Richard Crocker and , 485–556. Oxford and New York: Oxford University Press, 1990. ISBN 9780193163294

David Hiley

Johannes de Garlandia. 1972. De mensurabili musica, edited by Erich Reimer, 2 vols. Supplement to the 10–11. Wiesbaden: Franz Steiner Verlag.

Archiv für Musikwissenschaft

Lewis, Charlton, T. 1890. "". An Elementary Latin Dictionary. New York, Cincinnati, and Chicago. American Book Company. Online access at Perseus Digital Library, Tufts University, Gregory R. Crane, editor-in-chief (Accessed 26 December 2013).

Organum

Lewis, Charlton T., and Charles Short. 1879. "" Freund's Latin Dictionary, revised, enlarged, and in great part rewritten by. Charlton T. Lewis, Ph.D. and., LL.D. Oxford. Clarendon Press. 1879. Online access at Perseus Digital Library, Tufts University, Gregory R. Crane, editor-in-chief (Accessed 26 December 2013).

Organum

Liddell, Henry George, and Robert Scott. 1940. "". A Greek-English Lexicon, revised and augmented throughout by Sir Henry Stuart Jones, with the assistance of Roderick McKenzie. Oxford: Clarendon Press. Online access at Perseus Digital Library, Tufts University, Gregory R. Crane, editor-in-chief (Accessed 26 December 2013).

ὄργανον, τό, (ἔργον, ἔρδω)

William G. Waite. The Rhythm of Twelfth Century Polyphony. New Haven: Yale University Press, 1954. Second edition 1976. Apart from a selective transcription of the organa dupla by Leonin, this dissertation contains many quotations from the contemporary theorists preceding the transcription. Of particular interest is 'The Notation of Organum Duplum, p. 106–27, from which quotes are taken.

Various articles, including "Organum", "Musica enchiriadis", "Hucbald", "St Martial" in The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980.  1-56159-174-2

ISBN

"Ad organum faciendum" (ca. 1100) Jay A. Huff, ed. and trans., Ad organum faciendum et Item de organo, Musical Theorists in Translation, vol. 8 Institute of Mediaeval Music, Brooklyn, NY [1963])

An Old St. Andrews Music Book (W1, the earlier ms. of Notre Dame Polyphony) J. H. Baxter, 1931

Magnus Liber Organi, (F) Pluteo 29.1, Bibliotheca Mediceo-Laurenziana, Firenze, facsimile by Institute of Medieval Music. Brooklyn: Medieval Manuscripts in Reproduction. Vols. 10 and 11, ed. Luther Dittmer.

Richard H. Hoppin, Medieval Music. New York: W. W. Norton & Co., 1978.  0-393-09090-6

ISBN

Magnus Liber Organi, Parisian Liturgical Polyphony from the Twelfth and Thirteenth Centuries, 7 vols., general editor Edward H. Roesner. Monaco: Les , 1988–1993.

Éditions de l'Oiseau-Lyre

Robert Howe. "". Music 3H dissertation (double module). Tutor: Dr Fitch. N.p.: University College, n.d.. Consonance, rhythm and the origins of organum (good bibliography here too) (Archive from 27 September 2007; accessed 25 December 2013).

The Organa of the Winchester Troper

Robert Howe. : Musical transcriptions. (Archive from 27 September 2007; accessed 25 December 2013).

Appendix to "The Organa of the Winchester Troper"

Gustave Reese. Music in the Middle Ages. New York: W. W. Norton & Co.,  0-393-09750-1

ISBN

Donald J Grout & Claude V. Palisca. A History of Western Music. New York: W. W. Norton & Co.,  0-393-97527-4

ISBN

Oliver Strunk. Source Readings In Music History. New York: W. W. Norton & Co., 1950.  0-393-09742-0

ISBN

Claude V. Palisca, ed. Musica enchiridas and Scolica enchiridas. New Haven: Yale University Press, 1995.

Dom Anselm Hughes, ed. The New Oxford History of Music 2: Early Medieval Music to 1300. London, New York, and Toronto: Oxford University Press, 1954.

Richard Crocker and David Hiley, eds. The New Oxford History of Music 2: The Early Middle Ages to 1300. Oxford and New York: Oxford University Press, 1990.  9780193163294

ISBN