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Ottonian Renaissance

The Ottonian Renaissance was a renaissance of Byzantine and Late Antique art in Central and Southern Europe that accompanied the reigns of the first three Holy Roman Emperors of the Ottonian (or Saxon) dynasty: Otto I (936–973), Otto II (973–983), and Otto III (983–1002), and which in large part depended upon their patronage. The leading figures in this movement were Pope Sylvester II and Abbo of Fleury.[1] Renewed contact between the Ottonian court and Byzantine Constantinople spurred the hybridisation of Eastern-Byzantine and Western-Latin cultures, particularly in arts, architecture and metalwork, while the Ottonians revitalised the cathedral school network which promoted learning based on the seven liberal arts.[2] Ottonian intellectual activity was largely a continuation of Carolingian works, but circulated mainly in the cathedral schools and the courts of bishops (such as Liège, Cologne and Magdeburg), rather than the royal court.[3]

Libraries[edit]

Libraries were created and enriched during the Ottonian Renaissance through the intense activity of the monastic scriptoria and were the subject of further developments in the 10th century, as evidenced by the catalogs that have survived. The catalog of Bobbio Abbey lists almost 600 works,[9] that of Fleury Abbey nearly the same count.[10] Gerbert (the future Pope Sylvester II) played an important role in the acquisition and inventory of the library of Bobbio, and spent his wealth to fund his collection.[11] Adso of Montier-en-Der's book chest included a large number of books such as those of Porphyry, Aristotle, Terence, Cicero, and Virgil.[10]

Logic[edit]

The Logica vetus (consisting of translations of Aristotle by Boethius and Porphyry and the Topica of Cicero) remained the basis of dialectic education; Gerbert, the future Pope Sylvester II was familiar with these books[12] and was noted for his mastery of dialectics during the dispute of Ravenna against Otric in 980,[13] and in his treatise De rationalis et ratione uti (Of the rational and the use of reason), composed in 997 and dedicated to Otto III, Holy Roman Emperor.[14] Abbo of Fleury wrote commentaries on these works through two treatises.[15]


An anthology of dialectical works dating from Fulbert of Chartres and probably from his library, contains the Isagoge of Porphyry, the Categories of Aristotle, the distinction between rhetoric and dialectic of Fulbert himself, the Topica of Cicero, the De Interpretatione of Aristotle, Boethius three comments and de Ratione written by Gerbert in 997.[16][17] The development of dialectics was furthered by Majolus of Cluny.[16]

Bernward of Hildesheim

Hroswitha of Gandersheim

Otto II, Otto III, and Henry II

Otto I

Hermannus Contractus

pope as Sylvester II

Gerbert of Aurillac

Theophanu

author of Historia Ottonis ("The Deeds of Otto")

Liutprand of Cremona

Bruno I, Archbishop of Cologne

author of Res gestae Saxonicae ("The Deeds of the Saxons")

Widukind of Corvey

Adelaide, Abbess of Vilich

Egbert, Archbishop of Trier

(Pre-Romanesque art)

Ottonian art

Ottonian architecture

"Ottonian Renaissance"

Harlie Kay Gallatin, "Western Europe in the High Middle Ages: An Overview From c. 900 to c. 1300":

Hermann Aubin, Otto der Grosse und die Erneuerung des abendländischen Kaisertums im Jahre 962 (1962)