Paycheck (film)
Paycheck is a 2003 American science fiction action film directed by John Woo. Written by Dean Georgaris, it is based on the 1953 short story "Paycheck" by Philip K. Dick. The film stars Ben Affleck, Uma Thurman, Aaron Eckhart, Paul Giamatti, Michael C. Hall, Joe Morton, and Colm Feore. The film was released on December 25, 2003, by Paramount Pictures in North America and DreamWorks Pictures internationally, to negative reviews but was a commercial success, grossing $117.2 million on a $60 million budget.[1]
Paycheck
Dean Georgaris
- John Woo
- John Davis
- Terence Chang
- Michael Hackett
- Paramount Pictures
- DreamWorks Pictures
- Davis Entertainment
- Lion Rock Entertainment
- Paramount Pictures (North America)
- DreamWorks Pictures (through United International Pictures; International)
- December 25, 2003
119 minutes
United States
English
$60 million[1]
$117.2 million[1]
Following Paycheck, Woo would not direct another American feature film for 20 years until Silent Night (2023).[2]
Plot[edit]
In the near future, Michael Jennings is a reverse engineer; he analyzes his clients' competitors' technology and recreates it with improvements. To protect his clients' intellectual property and himself, Jennings undergoes memory wipes to remove knowledge of his engineering with aid of his friend Shorty.
Jennings is contacted by his college roommate James Rethrick, the CEO of technology company Allcom. Rethrick offers Jennings a lengthy three-year job, during which he will be required to stay on Allcom's campus, in exchange for company stock. Jennings is hesitant but agrees. After being injected with the memory marker, Jennings is given a tour of the campus, where he meets and flirts with biologist Dr. Rachel Porter. Rethrick then introduces Jennings to his work partner, physicist William Dekker.
Three years later, Jennings wakes from the memory wipe and is congratulated by Rethrick. Jennings finds that the Allcom stock he earned is valued at over US$92 million, but when he goes to see his lawyer to get the funds, he discovers that he had given all the stock away just weeks ago. Further, he is given an envelope claiming to be his possessions on entering Allcom, but it contains a random assortment of items. Confused, Jennings soon finds himself detained by the FBI. Agent Dodge accuses Jennings of having access to classified government designs that had been taken by Dekker, who is now dead. Jennings cannot answer due to the memory wipe, but finds a means to escape using the items in the envelope. As he evades the FBI, Rethrick's right-hand-man John Wolfe sees Jennings walking away and warns Rethrick they have a problem.
Jennings meets with Shorty to try to figure out what happened, but then sees a lottery number result on a television, the numbers matching those on a fortune cookie message in the envelope. He realizes that he must have built a machine at Allcom to see into the future, planting items in that envelope to help fix things. At Allcom, Rethrick tries to use Jennings' machine, but instead finds that it was jury-rigged to go offline after Jennings had left. Rethrick studies Jennings' habits while at Allcom and discovers that he became romantically involved with Porter and left a secret message to meet her at a cafe later that day. Rethrick sends a body double to try to coerce Jennings to turn over the envelope, but the real Porter shows up and rescues Jennings. The two elude the FBI and Rethrick's men. While hiding, they find that the stamps on the envelopes contain microdot images taken from the device, showing newspaper headlines from the future that while Allcom became incredibly successful with the device, it led to international political strife and the United States launching a pre-emptive nuclear strike. They agree that the machine must be destroyed.
Using the last items in the envelope, Jennings and Porter gain access to Allcom and the machine, while separately the FBI have started to investigate Allcom. Jennings discovers the circuit he rigged and fixes it, while booby-trapping the machine to be destroyed in a few minutes. He uses the machine one last time to see himself being shot at by an FBI agent in the catwalks above the machine. Rethrick, Wolfe, and other men arrive, and Jennings and Porter escape to the catwalks. Wolfe tries to use the machine to help track Jennings, while Rethrick corners the pair on the catwalk. FBI agents storm the lab, and one appears on the catwalk, the same tableau that Jennings had seen. As the FBI fires, a watch from the envelope beeps, and Jennings dodges in time for the bullet to fatally hit Rethrick. Wolfe is killed as Jennings' booby-trap goes off and destroys the machine. After the chaos dies down and the FBI begin a full investigation, Agent Dodge finds the watch Jennings had used, but consequently hides it and declares him dead.
Elsewhere, Jennings, Porter, and Shorty have moved to the countryside. Shorty was able to use his influence to rescue the cage of a pair of lovebirds Porter had been raising at Allcom. Recalling the fortune cookie message from the envelope, Jennings looks in the cage and finds a lottery ticket for the winning jackpot of US$90 million.
Additionally, Krista Allen appears as The Projection in a 3D computer Michael developed.
Production[edit]
The film began development in 1996 when the short story was optioned by Caravan Pictures.[3] Prior to John Woo being selected to direct, Brett Ratner was in talks to direct; Kathryn Bigelow was also considered.[3][4] Matt Damon was offered the role of Michael Jennings, but declined as he didn't want to do another amnesia film.[5]
The film features several of director Woo's trademarks, including two Mexican standoffs, the appearance of a dove and a birdcage similar to the one seen in 1992's Hard Boiled.
Reception[edit]
Critical response[edit]
Rotten Tomatoes gives Paycheck an approval of 27% based on 157 reviews, with an average rating of 4.7/10. The site's critics consensus states, "Though Dick's short story has an intriguing premise, Woo reduces it to a lot of meaningless chases, shoot-outs, and explosions."[6] On Metacritic it has a weighted average score of 43 out of 100 based on 34 critics, indicating "mixed or average reviews".[7] Audiences surveyed by CinemaScore gave the film a grade B− on an A+ to F scale.[8]
Scott Tobias of The A.V. Club gave the film a positive review, calling it a "smart thriller" and praising "Woo's wonderful sense of timing and rhythm."[9] Chris Barsanti of Film Threat also praised Paycheck, calling it "one of the more competent and reassuring action movies to come out for quite some time."[10]
Roger Ebert gave the film two stars (out of four), saying that he "enjoyed the movie" but felt that it "exploits [Philip K. Dick's story] for its action and plot potential, but never really develops it."[11] K. J. Doughton of Film Threat called the film "John Woo lite," and a "neutered variation on his earlier, superior works."[12] James Berardinelli gave the film one and a half stars out of four, calling it "a bad film, complete with lackluster acting, brainless writing, and uninspired direction."[13]
About the movie's reception, John Woo said: "I was fine with the sci-fi in Paycheck because there wasn't too much. I had intended to make an Alfred Hitchcock-style movie out of it, something more about suspense and thrills than guns and shooting, but unfortunately the script wasn't written that way. It didn't work well for the suspense, and it didn't come out the way I wanted it to be, not as Hitchcockian. But at least it was nice working with Ben Affleck."[14]
Awards[edit]
Ben Affleck won a Golden Raspberry Award for Worst Actor for his performance in Paycheck and two others: Gigli and Daredevil. After asking why he did not get his trophy, he was presented the Razzie live on Larry King Live a week later, and promptly broke it.[15] The broken trophy was sold on eBay for enough money to cover the hall rental for the following year's ceremonies.[16] While hosting Saturday Night Live, Ben Affleck joked that he would have walked out of the premiere and asked for his money back until he realized he was in the movie.