Peter Bogdanovich
Peter Bogdanovich ComSE (Serbian Cyrillic: Петар Богдановић; July 30, 1939 – January 6, 2022) was an American director, writer, actor, producer, critic, and film historian. He started his career as a film critic for Film Culture and Esquire before becoming a prominent filmmaker as part of the New Hollywood movement. He received accolades including a BAFTA Award and Grammy Award, as well as nominations for two Academy Awards and two Golden Globe Awards.
Peter Bogdanovich
July 30, 1939
January 6, 2022 (aged 82)
- Film director
- actor
- writer
- film producer
1958–2022
Cybill Shepherd (1971–1978)
Dorothy Stratten (1980)
2
Bogdanovich worked as a film journalist until he was hired to work on Roger Corman's The Wild Angels (1966). His credited feature film debut came with Targets (1968), before his career breakthrough with the drama The Last Picture Show (1971) which earned him Academy Award nominations for Best Director and Best Adapted Screenplay, and the acclaimed films What's Up, Doc? (1972) and Paper Moon (1973).[2][3] Other films include Saint Jack (1979), They All Laughed (1981), Mask (1985), Noises Off (1992), The Cat's Meow (2001), and She's Funny That Way (2014).
As an actor, he was known for his roles in HBO series The Sopranos and Orson Welles's last film The Other Side of the Wind (2018), which he also helped finish.[4] He received a Grammy Award for Best Music Film for directing the Tom Petty documentary Runnin' Down a Dream (2007).
Bogdanovich directed documentaries such as Directed by John Ford (1971) and The Great Buster: A Celebration (2018). He also published numerous books, some of which include in-depth interviews with friends Howard Hawks, Alfred Hitchcock, and Orson Welles. Bogdanovich's works have been cited as important influences by many major filmmakers.[5]
Early life[edit]
Peter Bogdanovich was born in Kingston, New York, the son of Herma (née Robinson) and Borislav Bogdanovich, a pianist and painter.[6][7] His father was of Serbian descent and his mother was of Austrian Jewish. Bogdanovich was fluent in Serbian, having learned it before English.[8][9] He had an older brother who died in an accident in 1938, at eighteen months of age, after a pot of boiling soup fell on him, though Bogdanovich did not learn about his brother until he was seven and did not know the circumstances of his death until he was an adult.[10] His parents both arrived in the U.S. in May 1939 on visitors' visas, along with his mother's immediate family, three months before the onset of World War II.[7][11] In 1952, when he was twelve, Bogdanovich began keeping a record of every film he saw on index cards, complete with reviews; he continued to do so until 1970.[12][13] He saw up to four hundred films a year.[14] He graduated from New York City's Collegiate School in 1957 and studied acting at the Stella Adler Conservatory.[8]
Career[edit]
1960s[edit]
In the early 1960s, Bogdanovich was known as a film programmer at the Museum of Modern Art in New York City, where he programmed influential retrospectives and wrote monographs for the films of Orson Welles, John Ford, Howard Hawks, and Alfred Hitchcock.[8][15] Bogdanovich also brought attention to Allan Dwan, a pioneer of American film who had fallen into obscurity by then, in a 1971 retrospective Dwan attended.[16][17] He also programmed for New Yorker Theater.[8]
Before becoming a director, he wrote for Esquire, The Saturday Evening Post, and Cahiers du Cinéma as a film critic.[8][15] These articles were collected in Pieces of Time (1973).[18]
In 1966, following the example of Cahiers du Cinéma critics François Truffaut, Jean-Luc Godard, Claude Chabrol, and Éric Rohmer, who had created the Nouvelle Vague ("New Wave") by making their own films, Bogdanovich decided to become a director. Encouraged by director Frank Tashlin, whom he would interview in his book Who the Devil Made It, Bogdanovich headed for Los Angeles with his wife Polly Platt and in so doing, left his rent unpaid.[19][20]
Intent on breaking into the industry, Bogdanovich would ask publicists for movie premiere and industry party invitations. At one screening, Bogdanovich was viewing a film and director Roger Corman was sitting behind him. The two struck up a conversation when Corman mentioned he liked a cinema piece Bogdanovich wrote for Esquire. Corman offered him a directing job, which Bogdanovich accepted immediately. He worked with Corman on Targets, which starred Boris Karloff, and Voyage to the Planet of Prehistoric Women, under the pseudonym Derek Thomas. Bogdanovich later said of the Corman school of filmmaking, "I went from getting the laundry to directing the picture in three weeks. Altogether, I worked 22 weeks – preproduction, shooting, second unit, cutting, dubbing – I haven't learned as much since."[21]
1970s[edit]
Returning to journalism, Bogdanovich struck up a lifelong friendship with Orson Welles while interviewing him on the set of Mike Nichols's Catch-22. Bogdanovich played a major role in reviving Welles and his career with his writings on the actor-director, including his book This is Orson Welles. In the early 1970s, when Welles was having financial problems, Bogdanovich let him stay at his Bel Air mansion for a couple of years.[8]
In 1970, Bogdanovich was commissioned by the American Film Institute to direct a documentary about John Ford for their tribute, Directed by John Ford. The resulting film included candid interviews with John Wayne, James Stewart, and Henry Fonda, and was narrated by Orson Welles. Out of circulation for years due to licensing issues, Bogdanovich and TCM released it in 2006, re-edited it to make it "faster and more incisive", with additional interviews with Clint Eastwood, Walter Hill, Harry Carey Jr., Martin Scorsese, Steven Spielberg, and others.[22]
Much of the inspiration that led Bogdanovich to his cinematic creations came from early viewings of the film Citizen Kane. In an interview with Robert K. Elder, author of The Film That Changed My Life, Bogdanovich explains his appreciation of Orson Welles's work:
Death and legacy[edit]
Bogdanovich died from complications of Parkinson's disease at his home in Toluca Lake, on January 6, 2022, at the age of 82.[12][70] Since his death, many directors, actors, and other public figures paid tribute to him, including Martin Scorsese, Francis Ford Coppola, Jennifer Aniston,[71] Barbra Streisand, Cher, William Friedkin, Guillermo del Toro, James Gunn, Ellen Burstyn, Laura Dern, Joe Dante, Bryan Adams, Ben Stiller, Jeff Bridges, Michael Imperioli,[72] Paul Feig and Viola Davis.[73][74] Peter Bradshaw of The Guardian described him as "a loving cineaste and fearless genius of cinema."[75] The New York Times described Bogdanovich as "[a genius] of the Hollywood system who, with great success and frustration, worked to transform it in the same era."[76]
His work has been cited as an influence by such filmmakers as Quentin Tarantino,[77] David Fincher,[78] Sofia Coppola,[79] Wes Anderson, Noah Baumbach,[80] Richard Linklater,[81][82] Edgar Wright,[83] Brett Ratner,[84] M. Night Shyamalan,[85] David O. Russell,[86] James Mangold,[87] Jon Watts,[88] Rian Johnson,[89][90] and the Safdie brothers.[91]
On September 29, 2022, Louise Stratten announced that she was seeking a publisher for Bogdanovich's memoirs,[69] as well working on putting out episodes of a podcast series Bogdanovich had started called One Handshake Away, where contemporary filmmakers were invited to discuss and listen to archival recordings of classic Hollywood directors whom Bogdanovich had interviewed. Guests include Guillermo del Toro (ep. "Alfred Hitchcock"), Rian Johnson (ep. "Orson Welles"), Quentin Tarantino (ep. "Don Siegel"), and Ken Burns (ep. "John Ford").[68] The episodes eventually aired in February 2024, two years after Bogdanovich's death, through Audacy. Del Toro contributed three additional interviews with Greta Gerwig (ep. "Howard Hawks"), Julie Delpy (ep. "Fritz Lang") and Allison Anders (ep. "Raoul Walsh").[92]