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Religious music

Religious music (also sacred music) is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as ritual. Religious songs have been described as a source of strength, as well as a means of easing pain, improving one's mood, and assisting in the discovery of meaning in one's suffering. While style and genre vary broadly across traditions, religious groups still share a variety of musical practices and techniques.

Religious music takes on many forms and varies throughout cultures. Religions such as Islam, Judaism, and Sinism demonstrate this, splitting off into different forms and styles of music that depend on varying religious practices.[1][2][3] Religious music across cultures depicts its use of similar instruments, used in accordance to create these melodies. The use of drums (and drumming), for example, is seen commonly in numerous religions such as Rastafari and Sinism, while wind instruments (horn, saxophone, trumpet and variations of such) can be commonly found in Islam and Judaism.[4][5]


Throughout each religion, each form of religious music, within the specific religion, differs for a different purpose. For example, in Islamic music, some types of music are used for prayer while others are used for celebrations.[6] Similarly, a variation like this is shared between many other religions.


Music plays a significant role in many religions. In some religions, such as Buddhism, music helps people calm their minds and focus before meditation. In Sikh music, known as Kirtan, the music helps people connect with the teachings of the religion and with God.[7] Some other religions, such as Islam, use music to recite the word of their holy book.[8] Some religions relate their music to non-religious musicians. For example, Rastafarian music heavily relates to reggae music.[9] Religious music helps those of all religions connect with their faith and remember their religious values.

Hindu music[edit]

Hindu music is music created for or influenced by Hinduism. It includes Carnatic music, Indian classical music, Hindustani classical music, Kirtan, Bhajan and other musical genres. Raagas are a common form of Hindu music in classical India. Vedas are also in Hindu music.


A bhajan is a Hindu devotional song, often of ancient origin. Bhajans are often simple songs in lyrical language expressing emotions of love for the Divine, whether for a single God and Goddess, or any number of divinities. Many bhajans feature several names and aspects of the chosen deity, especially in the case of Hindu sahasranamas, which list a divinity's 1008 names. Great importance is attributed to the singing of bhajans with Bhakti, i.e. loving devotion. "Rasanam Lakshanam Bhajanam" means the act by which we feel more closer to our inner self or God, is a bhajan. Acts which are done for the God is called bhajan.


A raga[15] or raag (IAST: rāga; also raaga or ragam; literally "coloring, tingeing, dyeing") is a melodic framework for improvisation akin to a melodic mode in Indian classical music.

or stringed instruments

Chordophones

Zornā and gayta as aerophones, or wind instruments

Būq, or horn

, or long trumpet

Nafīr

Idiophones, membranophones, tambourines, or frame drums

Rastafarian music[edit]

Origin[edit]

Rastafari appeared in Jamaica in the 1930s as an energetic and spirited movement. It is classed as a religion, by non-rastafarians, due to the principles the movement is built upon. Nevertheless, some Rastafarians viewed their movement as a way of life for their supporters. The Rastafarian way of life represents the identity recreation of being African. As the movement spread to South Africa and Jamaica, this caused confusion about what Rastafarians believed due to the combination of other ideologies and religions being incorporated into the religion. However, Christianity being the structure for the religion, interpreted parts of the Bible differently


Rastafarian music is persistently tied to reggae music, an earlier form of Jamaican music. As reggae continues to be spread throughout the world, creators are beginning to change the original reggae sound and Rastafarian ideology incorporated.[33] Various reggae songs representing Rastafarian culture through lyrics, themes, and symbolism.[34]

Rastafarian Drumming[edit]

Earlier origins of Rastafarian music connected to the high usage of drums. The play of drums represents a form of communication between Rastafarian gods and their supporters. Drumming would commonly take place during a reasoning session, the gathering of Rastafarians to chant, pray, and sing in the home of a Rasta or a community center. Count Ossie, a Rastafarian drum player revealed various rhythmic patterns after noticing the escalated sensation of drumming during prayer.[5] Incorporation of the drums in spiritual sessions stems from the African drumming and Africans and Rastafarians seek for cultural identity. Majority of slaves not having religious belief, coincidentally Rastafarians having no music led to the integration of the groups. This increased the spread of the Rastafarian religion as slaves gained a new religion, and Rastafarians enjoyed Buru music, Afro-Jamaican rhythm music.[35]

Expansion[edit]

The global spread of the Rastafarian movement has been significantly facilitated by reggae music, attracting a diverse following worldwide. This has been especially resonant among communities experiencing social and economic hardships, providing them with a source of identity, pride, and resistance against perceived oppressive systems.[36]


The Rastafarian Bob Marley was a significant reason for the spread of Rastafarian music around the world. Through religious messages portrayed in his lyrics, the religion was beginning to become more popular. Marley expressing his opinions on political matters, justice, and peace, increased awareness of the unique beliefs of Rastafari. North Americans were able to identify distinctive features of Rastafarians such as dreadlocks, manner of speaking, and the consumption of marijuana. Marley remains an essential figure within Rastafarian music, and Nyabinghi drums continue to be played at his museum.[37]

Janggu (장구), Hourless drum

Bara (바라), Small cymbals

Piri (피리), Reed flute

Jeotdae (젓대) / Daegeum (대금), Large bamboo flute

Haegeum (해금), Two-stringed zither

Kkwaenggwari (꽹과리), Small gong

Buk (북), Small drum

Magical sword

Water jar

Muyu

Dangzi

Yinqing, Guiding chime

Choir music

Cantor

Gospel music

Islamic music

Liturgical music

Music and politics

Secular music

Spiritual (music)

World Sacred Music Festival

Conomos, Dimitri (2003). "". Monachos.net (February). Reprinted Archdiocesan School of Byzantine Music: Greek Orthodox Archdioces of America, 15 November 2012 (accessed 7 October 2016).

Early Christian and Byzantine Music: History and Performance

Foley, Edward (2008). From Age to Age: How Christians Have Celebrated the Eucharist. Liturgical Press; Collegeville.  978-0-8146-3078-5.

ISBN

Taruskin, Richard; Christopher Gibbs (2013). The Oxford History of Western Music (College ed.). New York: Oxford University Press.

Fertonani, Cesare; Raffaele Mellace; Cesare Toscani, eds. (2014). La Musica Sacra nella Milano del Settecento. Atti del convegno internazionale. Milano, 17–18 maggio 2011. Cantar sottile 3. Milan: LED Edizioni Universitaire.  978-88-7916-658-4.

ISBN

Gregorian chant, liturgical music (CD, scores, learning)

The Gregorian chant of the abbeys of Provence in France (fr. with Translator)

New England religious music

Hibba's Web Anthology of Traditional Jewish Music

Religious Music – Greek