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Repetition (music)

Repetition is important in music, where sounds or sequences are often repeated. It may be called restatement, such as the restatement of a theme. While it plays a role in all music, with noise and musical tones lying along a spectrum from irregular to periodic sounds, it is especially prominent in specific styles.

(1973) [1948]. The Philosophy of Modern Music. Translated by Anne G. Mitchell; Wesley V. Blomster. Cited in Fink 2005.

Adorno, Theodor W.

Benward & Saker (2003). Music: In Theory and Practice, Vol. I. Seventh edition.  978-0-07-294262-0.

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Bowen, Nathan. . Nathan Bowen's Blog. Blog Archive. Retrieved 6 March 2011.

"Double Expositions and the use of repetition in Classical Music"

Campbell, Edward (2010). Boulez, Music and Philosophy.  978-0-521-86242-4. Cites Boulez 2005b, 156 and 239.

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& Slatkin, Leonard (2011). What to Listen for in Music. ISBN 978-1-101-51314-9.

Copland, Aaron

Cumming, Naomi (1997). "The Horrors of Identification: Reich's Different Trains" 35, no. I (Winter).

Perspectives of New Music

Fink, Robert (2005). Repeating Ourselves: American Minimal Music as Cultural Practice.  0-520-24550-4.

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(1993). The Fine Art of Repetition: Essays in the Philosophy of Music. ISBN 978-0-521-43598-7.

Kivy, Peter

(2007). This Is Your Brain on Music: The Science of a Human Obsession. ISBN 978-0-452-28852-2.

Levitin, Daniel J.

(1993). Love and Theft: Blackface Minstrelsy and the American Working Class. Oxford University Press. ISBN 0-19-509641-X. Cited in Middleton.

Lott, Eric

Margulis, Elizabeth Hellmuth (2013). Oxford University Press. ISBN 978-0199990825.

On Repeat: How Music Plays the Mind.

Mertens, Wim (1980/1983/1988). American Minimal Music, trans. J. Hautekiet.  0-912483-15-6. Cited in Fink 2005.

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(1990/2002). Studying Popular Music. Philadelphia: Open University Press. ISBN 0-335-15275-9.

Middleton, Richard

Middleton, Richard (1999). "Form". Key Terms in Popular Music and Culture, Horner, Bruce and Swiss, Thomas, eds. Malden, Massachusetts.  0-631-21263-9.

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Miller, Michael (2005). The Complete Idiot's Guide to Music Theory.  978-1-59257-437-7.

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Moravcsik, Michael J. (2001). Musical Sound: An Introduction to the Physics of Music.  978-0-306-46710-3.

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(1982). Introduction to the Theory of Heinrich Schenker (1934: Das Wesen des musikalischen Kunstwerks: Eine Einführung in Die Lehre Heinrich Schenkers). Translator:. John Rothgeb. ISBN 0-582-28227-6.

Jonas, Oswald

Rajagopal, K. (2007). Engineering Physics.  978-81-203-3286-7.

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Schwarz, David (1992). "Postmodernism, the Subject, and the Real in John Adams's Nixon in China" Indiana Theory Review 13, no. 2 (fall). Cited in Fink 2005.

Attali, Jacques (1977/1985). "Repeating" Noise.  0-8166-1287-0.

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Julien, Olivier & Levaux, Christophe (ed.) (2018). Over and Over. Exploring Repetition in Popular Music. Bloomsbury Academic.  9781501324888.

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Margulis, Elizabeth Hellmuth (2014). On repeat: How music plays the mind. Oxford University Press.  978-0199990825.

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