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Robert de Montesquiou

Marie Joseph Robert Anatole, comte de Montesquiou-Fézensac (7 March 1855, Paris – 11 December 1921, Menton) was a French aesthete, Symbolist poet, painter, art collector, art interpreter, and dandy. He is reputed to have been the inspiration both for Jean des Esseintes in Joris-Karl Huysmans' À rebours (1884) and, most famously, for the Baron de Charlus in Marcel Proust's À la recherche du temps perdu (1913–1927).[1] Some believe that he may even have been used by Oscar Wilde in The Picture of Dorian Gray.[2]

Robert de Montesquiou

Marie Joseph Robert Anatole de Montesquiou-Fézensac
(1855-03-07)7 March 1855

11 December 1921(1921-12-11) (aged 66)

Thierry, Comte de Montesquiou-Fézensac

Pauline Duroux

  • Writer
  • poet
  • art collector
  • socialite

Family[edit]

Robert de Montesquiou was a scion of the French Montesquiou-Fézensac family. His paternal grandfather was Count Anatole de Montesquiou-Fézensac (1788–1878), aide-de-camp to Napoleon and grand officer of the Légion d'honneur; his father was Anatole's third son, Thierry, who married Pauline Duroux, an orphan, in 1841. With his wife's dowry, Thierry bought a Charnizay manor, built a mansion in Paris, and was elected vice-president of the Jockey Club. He was a successful stockbroker who left a substantial fortune. Robert was the last of his parents' children, after brothers Gontran and Aymery, and sister Élise.[1] His cousin, Élisabeth, Countess Greffulhe (1860–1952), was one of Marcel Proust's models for the Duchess of Guermantes in À la recherche du temps perdu.[3]

Les Chauves-Souris, Clairs obscurs (Richard, privately published in 1892, commercially published in 1893; illustrated by Madeleine Lemaire, James McNeill Whistler and Antonio de La Gandara).

Le Chef des odeurs suaves, Floréal extrait (Richard, 1893)

Le Parcours du rêve au souvenir (Charpentier et Fasquelle, 1895)

Les Hortensias bleus (Charpentier et Fasquelle, 1896)

Les Perles rouges : 93 sonnets historiques (Charpentier et Fasquelle, 1899)

Les Paons (Charpentier et Fasquelle, 1901)

Prières de tous : Huit dizaines d'un chapelet rythmique (Maison du Livre, 1902)

Calendrier Robert de Montesquiou pour 1903

Calendrier Robert de Montesquiou 1904

Passiflora (L'Abbaye, 1907)

Les Paroles diaprées, cent dédicaces (Richard, 1910)

Les Paroles diaprées, nouvelle série de dédicaces (Richard, 1912)

Les Offrandes blessées : élégies guerrières (Sansot, 1915)

Nouvelles Offrandes blessées (Maison du Livre, 1915)

Offrande coloniale (1915)

Sabliers et lacrymatoires : élégies guerrières et humaines (Sansot, 1917)

Un moment du pleur éternel : offrandes innommées (Sansot, 1919)

Les Quarante bergères : Portraits satiriques..., with a by Aubrey Beardsley (Librairie de France, 1925)

frontispiece

Robert de Montesquiou, mécène et dandy, Patrick Chaleyssin, Somogy, 1992

Robert de Montesquiou, Les Pas effacés, Suivi d'une étude de Thanh-Vân Ton-That, Éditions du Sandre, Paris

Whistler and Montesquiou: The Butterfly and the Bat, New York and Paris: The Frick Collection/Flammarion, 1995

Edgar Munhall

Elegant wits and grand horizontals; a sparkling panorama of "la belle epoque," its gilded society, irrepressible wits and splendid courtesans, Boston: Houghton Mifflin, 1962

Cornelia Otis Skinner

at Olympedia

Robert de Montesquiou