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Rose Féart

Rosalie Gautier (26 March 1878 – 5 October 1954), Rose Féart on stage, was a Franco-Swiss singer (soprano) and singing teacher.

Rose Féart

26 March 1878

5 October 1954(1954-10-05) (aged 76)

Geneva

  • Operatic singer (soprano)
  • Music educator

Biography[edit]

Rose Fréart was born in Saint-Riquier. Her father was a sugar industrialist. Shortly after the birth of his daughter, he returned to his hometown of Argenton-sur-Creuse, where Rose Féart spent her entire childhood. She was introduced to music by the organist of Église Saint-Sauveur d'Argenton-sur-Creuse, Anselme Picardeau, who detected the child's vocal qualities. Sent to Paris to continue her musical studies, she won the first prize of the Conservatoire de Musique in lyrical declamation on 2 August 1902, at the age of 24.


Her soprano voice was noticed by the Opéra de Paris who immediately engaged her.[1] Rose Féart became one of the most important opera singers for the great repertoire, especially in Wagnerian roles, and worked with composers of her time such as Massenet, Fauré, Debussy, César Franck, and André Caplet. Her career developed quickly, in operas and concerts, and lasted 20 years, in France and Switzerland as well as in other major opera houses in Europe.


She died in Geneva on 5 October 1954 aged 76.

1902: , Mozart (Donna Anna), Opéra de Paris

Don Giovanni

1903: , Meyerbeer (Valentine), Opéra de Paris; Tannhäuser, Wagner (Elisabeth), Opéra de Paris; Le prophète, Meyerbeer (Berthe), Opéra de Paris

Les Huguenots

1904: , Verdi (Leonora), Opéra de Paris

Il trovatore

1904/1905: , Wagner (Brangäne), stage creation at the Paris Opera House

Tristan und Isolde

1905: , Gluck (La Haine), Opéra de Paris; Ariane, Massenet (Phèdre), Opéra de Paris

Armide

1906: La Gloire de Corneille (cantata), ; Armide (La Haine), Messager conductor, at Covent Garden; Lohengrin, Wagner (Ortrude), Opéra de Paris; Die Walküre, Wagner (Brünhilde), Opéra de Paris

Saint-Saëns

1908: Prométhée, Fauré (Bia), direction Fauré, premiered in Paris at the hippodrome de Paris then Opéra de Paris; , Verdi, Opéra de Paris; Rédemption, Édouard Blanc (L'Ange), direction Messager, Conservatoire de Paris

Aida

1908/1909: , Wagner (Gutrune), direction Messager, stage premiere at the Opéra de Paris; Lohengrin (Elsa), Opéra de Paris

Götterdämmerung

1909 : , Debussy (Mélisande), premiere at Covent Garden[2] septuor pour quatuor à cordes et trois voix féminines, André Caplet, premiere, Criquebeuf-en-Caux

Pelléas et Mélisande

1910: , Debussy, direction Messager

La Damoiselle élue

1911: Rose Féart was chosen by Debussy to create his Martyre de Saint Sébastien (La Vierge Érigone) at the but, at the last moment, she abandoned the production which provoked religious tinted controversy, and was replaced by her double, a debutant lyrical soprano spotted by Debussy, Ninon Vallin, who was successful at the premiere and thus began her great international career, which led Rose Féart to take over her role when she witnessed Vallin's success; Lohengrin (Elsa)

Théâtre du Châtelet

1913: , Carl Maria von Weber, conductor Felix Weingartner, Théâtre des Champs-Élysées; Boris Godunov, Mussorgsky, conductor Inghelbrecht, Théâtre des Champs-Élysées; Poèmes Indous pour soprano et dix instruments, Maurice Delage, premiere

Der Freischütz

1914: Le Vieux Coffret, pour voix et piano, , premiere, Yport

André Caplet

1914/1918: Rose Féart multiplied patriotic recitals during the war, including at Argention-sur-Creuse where she stayed with her family

1916: Mélodie pour harpe, André Caplet, premiere, at

Les Éparges

1918: Détresse, for voice and piano, André Caplet, premiere. Called by Albert Paychère to make a replacement for the by Gluck at the Grand Théâtre de Genève, she won a triumph and conquered the public's admiration and affection. She moved to Geneva where she stayed for the rest of her life, becoming a Swiss citizen.

Alceste

1919/1920: Pelléas et Mélisande (Mélisande) and Don Giovanni (Donna Anna) in Geneva

Armide, Lohengrin and by Gluck, the three in Geneva

Iphigénie en Tauride

1921: concerts with arias of Armide and a by Maurice Emmanuel including Odelettes Anacréoniques, Conservatoire de Paris

song cycle

1921/1922: last season at the Grand Théâtre de Genève. The soprano was then 44 years old.

1922: Iphigénie en Tauride,

Chorégies d'Orange

1923: Le Martyre de Saint Sébastien, Grand Théâtre de Genève Armide, Chorégies d'Orange.

Rose Féart then devoted herself to a career as a singing teacher at the Conservatoire de Musique de Genève where she taught until her death at the age of 76. Mezzo-soprano Hélène Morath was one of her students[3] and succeeded Rose Féart's faculty position at the Haute École de musique de Genève from 1960[4] to 1984.[5]

Iconography[edit]

Many photographs of Rose Féart in stage dress have been preserved.

six poésies dédiées à Rose Féart, 1920, set in music by Arthur Honegger, salle Pleyel, Paris, 1926

Jean Cocteau

Féart, Rose (1918). Exercices vocaux adoptés par Mlle Rose Féart ... : en usage au conservatoire de Genève. Geneva: éditions Henn. p. 8.  79253706.

OCLC

Rose Féart, Christophe Delhoume

Histoire du Grand Théâtre de Genève, Roger de Candolle

"Rose Féart, une diva (p. 37-44), in Personnages ayant marqué la ville d'Argenton-sur-Creuse et sa région, Jean Anatole, 171 pp., Le Trépan, Argenton-sur-Creuse, 2007

"Rose Féart" in Argentonnais connus et méconnus, Cercle d'histoire d'Argenton-sur-Creuse, Argenton, 2010

Encyclopédie Larousse, article sur Maurice Delage

"Rose Féart", , p. 52–55, in Argenton de A à Z en 44 rubriques historiques, 175 pp., Imprimerie Bonnamour, Argenton-sur-Creuse, 2013 ISBN 978-2-9546955-0-1.

Pierre Brunaud

on isoldes-liebestod.net

Rose Féart