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Rufino Tamayo

Rufino del Carmen Arellanes Tamayo (August 25, 1899 – June 24, 1991) was a Mexican painter of Zapotec heritage, born in Oaxaca de Juárez, Mexico.[1][2] Tamayo was active in the mid-20th century in Mexico and New York, painting figurative abstraction[3][4] with surrealist influences.[1]

In this Spanish name, the first or paternal surname is Arellanes and the second or maternal family name is Tamayo.

Rufino Tamayo

Rufino del Carmen Arellanes Tamayo

(1899-08-25)25 August 1899

24 June 1991(1991-06-24) (aged 91)

Mexico City, Mexico

María Izquierdo, José Vasconcelos (National Archaeological Museum)

Painting and drawing

Olga Flores

Head of the Department of Ethnographic Drawings, Escuela Nacional de Artes Plasticas, Universidad Nacional Autónoma de México

Early life[edit]

Tamayo was born in Oaxaca, Mexico in 1899 to Manuel Arellanes and Florentina Tamayo.[5] His mother was a seamstress and his father was a shoemaker. His mother died of tuberculosis in 1911.[6] His Zapotec heritage is often cited as an early influence.[3]


After his mother's death, he moved to Mexico City to live with his aunt, where he spent a lot of time working alongside her in the city's fruit markets.[7]


While there, he devoted himself to helping his family with their small business. However, in 1917 Tamayo's aunt enrolled him at Escuela Nacional de Artes Plásticas at San Carlos to study art.[3] As a student, he experimented with and was influenced by Cubism, Impressionism and Fauvism, among other popular art movements of the time, but with a distinctly Mexican feel.[3] Tamayo studied drawing at the Academy of Art at San Carlos as a young adult, he became dissatisfied and eventually decided to study on his own. That was when he began working for José Vasconcelos at the Department of Ethnographic Drawings (1921); he was later appointed head of the department by Vasconcelos.

Outside Mexico[edit]

From 1937 to 1949, Tamayo and his wife Olga lived in New York where he painted some of his most memorable works. He had his first show in New York City at the Valentine Gallery. He gained credibility thereby and proceeded to exhibit works at the Knoedler Gallery and Marlborough Gallery. While in New York, Tamayo instructed Helen Frankenthaler at the Dalton School.[18] Tamayo, while in the United States, attended important exhibitions that influenced his art mechanics. From Ingres to Picasso and French art exhibitions, Tamayo was introduced to Impressionism, Fauvism, and Cubism. Also, at an exhibition in Brooklyn in 1928, Tamayo came into contact with Henri Matisse, the French artist.[9]


In a 1926 exhibition, 39 of Tamayo's works were displayed at the Weyhe Gallery in New York just a month after his arrival into the United States. This stands in stark contrast to the few showings which were held during his early career in México.[12] The artist's sojourn in New York dramatically increased his recognition not only in the United States but in Mexico and other countries also.

Untitled (1926)

Cabeza mujer (1927)

Mujeres con rebozo (1927)

Still life with corn (1928)

Naturaleza muerta con pie (1928)

Still Life (1928)

Interior with an alarm clock (1928)

Frutero Y Domino (1928)

The Window(1932)

Rufino and Olga (1934)

(1934)

Two Bathers

Animals (1941)

Two Women Combing Their Hair (1941)

Lion and Horse (1942)

Woman Spinning (1943)

Children Playing with Fire (1947)

Nacimiento de nuestra nacionalidad (1952)

Mexico de Hoy (1953)

(1954)

El día y la noche (Day and Night)

(1954)

Naturaleza muerta

America (1955)

Matrimonio (1958)

Retrato de niños (Pareja de niños) (1966)

El Perro en la Luna (The Dog on The Moon) (1973)

Watermelons (1977)

Tres personajes cantando (Three Singers) (1981)

Hombre con flor (Man with Flower) (1989)

Luna y Sol (Moon and Sun) (1990)

Death[edit]

On June 12, 1991, Tamayo was admitted to Mexico City's National Institute of Medical Sciences and Nutrition for respiratory and heart failure. He suffered a heart attack and died on June 24, 1991.


Before his death, Tamayo continued creating art pieces in his late years. He was very productive at that stage in life. There were several important exhibitions and publications organized after his death.[19]

Theft and recovery[edit]

Tamayo's 1970 painting Tres Personajes was bought by a Houston man as a gift for his wife in 1977, then stolen from their storage locker in 1987 during a move. In 2003, Elizabeth Gibson found the painting in the trash on a New York City curb.[22] Although she knew little about modern art, Gibson felt the painting "had power" and took it without knowing its origin or market value. She spent four years trying to learn about the work, eventually learning from the PBS website that it had been featured on an episode of Antiques Roadshow. After seeing the Missing Masterpieces segment about Tres Personajes, Gibson and the former owner arranged to sell the painting at a Sotheby's auction. In November, 2007 Gibson received a $15,000 reward plus a portion of the $1,049,000 auction sale price.[22][23][24]

in Fine Arts of Mexico, 1964

National Prize for Arts and Sciences

Honorary Doctor by the National University of Mexico, 1978

[25]

Honorary Doctor of Fine Arts by the University of Southern California, 1985

[26]

of Spain, 1985

Gold Medal of Merit in the Fine Arts

by the Mexican Senate, 1988

Belisario Domínguez Medal of Honor

Grand Officer of the , 1989

Order of Merit of the Italian Republic

Honorary member of the of Mexico, 1991

National College

Exhibitions and retrospectives[edit]

Tamayo: The New York Years, Smithsonian American Art Museum 2017–2018[27]

Acapantzingo, Cuernavaca

List of people from Morelos, Mexico

Museo Rufino Tamayo, Mexico City

Museo Rufino Tamayo, Oaxaca

Ades, Dawn. Art in Latin America: The Modern Era 1820–1980. New Haven: Yale University Press, 2006.  978-0-300-04561-1.

ISBN

Matheos, José Corredor. Tamayo. New York: Rizzoli, 1987.  978-0-8478-0855-7.

ISBN

Sullivan, Edward J. The Language of Objects in the Art of the Americas. New Haven: Yale University Press, 2007.  978-0-300-11106-4.

ISBN

New York Times obituary

Sotheby's: From The Trash Bin To The Auction Block

(in Spanish)

Museo Tamayo

(in French)

Rufino Tamayo: Life, biography and paintings

Rufino Tamayo: The Sources of his Art (documentary)

"Miami Museum of Art (MAM) Tamayo Exhibition (June 24th–Sept 23rd, 2007)"

New York Times

One Person's Trash Is Another Person's Lost Masterpiece