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Rutland Weekend Television

Rutland Weekend Television (RWT) was a television sketch show written by Eric Idle with music by Neil Innes. Two series were broadcast on BBC2, the first consisting of six episodes in 1975, and the second series of seven episodes in 1976. A Christmas special was broadcast on Boxing Day 1975.

"RWT" redirects here. For other uses, see RWT (disambiguation).

Rutland Weekend Television

Eric Idle

Ian Keill

Neil Innes

United Kingdom

2

14

approx. 30 minutes

12 May 1975 (1975-05-12) –
24 December 1976 (1976-12-24)

It was Idle's first television project after Monty Python's Flying Circus, which had ended the previous year, and was the catalyst for The Rutles. Rutland Weekend Television ostensibly centred on "Britain's smallest television network", situated in England's smallest (and mainly rural) county, Rutland. Rutland had been abolished as a county in April 1974 so, supposedly, there were tax advantages to broadcasting from somewhere that did not legally exist. This framework allowed for a range of sketches and material to be presented, all as part of the fictional network's hosted programming. Nevertheless, even this very loose concept was frequently ignored, and material was presented with a more stream-of-consciousness approach, with no particular tie-in to the RWT framework. Typically, in addition to sketch material, each episode also featured two music videos (a term not yet coined in 1975) of Neil Innes songs, which were woven into the flow of the show.


The show's title alludes to London Weekend Television. A Rutland television station would be pretty small (representing roughly 30,000 people in an area less than 150 square miles), so a Rutland Weekend Television would have to be ridiculously tiny. The joke was doubly meaningful as Idle had to work with the very limited budget of the BBC Presentation department[1] instead of the more lavish budgets associated with light entertainment – so the weekly patter about their inability to buy props and sets reflected reality. Indeed, the last show of the first series featured Idle and Innes, stripped and shivering in blankets under a bare bulb, singing about how the power was about to be cut off. Idle spoke bitterly about these conditions years later but his attempts to overcome them formed the basis of a lot of the show's jokes.


Idle, in a 1975 Radio Times interview, remarked, "It was made on a shoestring budget, and someone else was wearing the shoe. The studio is the same size as the weather forecast studio and nearly as good. We had to bring the sets up four floors for each scene, then take them down again. While the next set was coming up, we'd change our make-up. Every minute mattered. It's not always funny to be funny from ten in the morning until ten at night. As for ad-libbing, what ad-libbing? You don't ad-lib when you're working with three cameras and anyway the material goes out months after you've made it."[2]

A typical episode[edit]

The episode begins with the in-vision announcer, usually with something going wrong or with something unusual, from announcements catching fire to open auditions for the announcer itself. Occasionally the announcement was sung or performed by more than one person. In one episode, the announcements are performed by "The Ricochet Brothers" (spelled Ricochet but pronounced Rick-ot-chet) who begin the episode as a pair, and expand to a full cast, each group speaking the announcement in unison.


The role of the announcer was to announce the "programmes" (typically sketches) – many programmes would lead into, or announce, one of many songs and accompanying strange vignettes by Neil Innes. Innes recalled that the cheaper-looking sets added to the show; "It was sometimes a problem but that was in fact the whole raison d'etre of the programme. It was such a cheap budget programme that it worked in our favour. You could actually show how cheap and cheerful it was because it was Rutland Weekend Television. It was made in a studio at the BBC called Presentation B, which is where they do the weather from."[3]

Eric Idle - As the star of the show, Idle plays many of the lead roles in the series. He is also the first person to appear in the show, as an interviewer in the first sketch, "Gibberish", in which Idle and Woolf talk in completely nonsensical sentences:

Santa Doesn't Live Here Any More. Supposedly a play by Arthur Serious, this sketch parodies a typically miserable family Christmas, with complaining about everything and suggesting "a nice game of suicide". Eric Idle relates a charming childhood memory that quickly turns nasty, and Neil Innes arrives as a postman, with an unusual present in the shape of a sexy showgirl, prompting Battley's remark "they make lovely presents, women". This segues into Innes's doleful song, "I Don't Believe in Santa Any More".

David Battley

Being Normal. A spoof documentary about one man's completely uneventful life. Despite having had lunatic parents and a miserable childhood, Arthur Sutcliffe () remains depressingly ordinary, going to "straight pubs" and feeling at home in the company of "other normals". The documentary's narrator decides that "the little man from the off-licence" (Woolf) is to blame, not just for Sutcliffe's misfortune, but for everything, including Leicester City Football Club's failure to win the FA Cup, racial prejudice and the unequal distribution of wealth. This segues into Innes's song Lie Down and Be Counted.

David Battley

Expose. What begins as an investigation into the notorious 'Massed Flashers of ' is quickly overtaken by the revelation that the police force are moonlighting as shop assistants and builders, and a commune for policemen (and women) is raided by hippies looking for drugs. The documentary also highlights how few people believe in Sir Keith Joseph, before Eric Idle is informed that he's getting a bad review. Idle rants about the uselessness of television critics for a while, but Henry Woolf informs him that his satirical invective has won him a rave review. Idle changes tack and begins praising TV critics, but the cast rebel against him and talk about putting in for their own series as the credits roll.

Reigate

The Cretin Club. A man () is despondent after he scores zero in an IQ test, but since he managed to get his name right at the top of the paper, the examiner (Eric Idle) gives him two points and membership to the Cretin Club, whose perks include cufflinks, a club tie and an "I Am A Cretin" T-shirt. (This sketch was expanded upon in The Rutland Dirty Weekend Book.)

David Battley

Ill Health Food Store. Eric Idle runs a shop selling both unappetising fare such as tins of acne, the ' delight'- and the chance to take a vegetarian home and force-feed him meat.

diarrhoea

Twenty-four Hours In . An extremely low-budget spoof of the Gene Kelly / Frank Sinatra film On the Town, shown as part of Rutland Weekend Television's season of Classically Bad American Films.

Tunbridge Wells

Ron Badger / Satan's Electrical Shop. The Devil () is found in reduced circumstances, running a small electrical shop. He complains that people's souls are no good to him ("they just sit there, soulfully...if people sold me their privates, it'd be more interesting") but reluctantly decides to buy just one more. The customer (Eric Idle) has not taken Satan's economic downturn into account though, and the promise to make love to Helen of Troy turns out to be a seedy one-night stand with "Helen of bleeding Edgbaston, more like" in a grubby seaside hotel room.

David Battley

Man Alive – Suburban Prisons. A spoof of the BBC has housewives running maximum security prisons from their bungalows. Mrs Harris's prison is the most unpopular, as she has reintroduced hanging. However, Mrs Fletcher's prison is a big hit, because she had Johnny Cash (Neil Innes) perform a concert for the inmates.

current events series

The Old Gay Whistle Test. A parody of , featuring Idle as the host, speaking in a permanent whisper (parodying the real show's host "Whispering" Bob Harris). It featured Stan Fitch, "the world's first all-dead singer", and supposed rock star Mantra Robinson talking about a concert where "we did over seven million dollars' worth of damage, so it was rather good", even though only five people turned up.

The Old Grey Whistle Test

Python influence[edit]

Aside from the first appearance of the Rutles, the show features some surreal humour in the style associated with Monty Python. One sketch features the Lone Ranger (Idle) transformed into the Lone Accountant, with Innes as Tonto accidentally murdering holdup victims while trying to rescue them ("too many gin-and-tonic at lunch... You think it easy to be Indian and accountant?"). Another scene features Gwen Taylor visiting the doctor to complain of her constantly changing costume and surroundings and being diagnosed with "bad continuity." The prescribed treatment is editing out two weeks of her life, after which she says she feels well, and a bit hungry... though her soundtrack is still off. She then becomes a victim of recurring film flashbacks, eventually disappearing back into her childhood.


Innes subsequently created and starred in The Innes Book of Records, a pre-MTV show that wove together strange guests and music videos in a bewildering array of musical styles and visual styles.


The premise of Rutland Weekend Television is superficially similar to that of the Canadian comedy series Second City Television (SCTV), as both are comedic shows about a small independent low-budget TV network. However, the shows were created independently around the same time in 1975 and 1976, and neither show had been seen by the creators of the other at the time of their initial airings—and indeed, for years after.

at IMDb

Rutland Weekend Television

at the BFI's Screenonline

Rutland Weekend Television