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Sabre (fencing)

The sabre (US English: saber, both pronounced /ˈsbər/) is one of the three disciplines of modern fencing.[1] The sabre weapon is for thrusting and cutting with both the cutting edge and the back of the blade[2] (unlike the other modern fencing weapons, the épée and foil, where a touch is scored only using the point of the blade).[2]

For other uses, see Sabre (disambiguation).

The informal term sabreur refers to a male fencer who follows the discipline; sabreuse is the female equivalent.

Glove: Gloves usually provide the conductive manchette (cuff) used in physical conjunction and contact with the ; usually worn over the lamé. The hand may not be conductive.

lamé

Lamé: The conductive which covers the torso and arms of the fencer. Conductivity of the lamé does not extend past the waistline to meet with the target criteria.

lamé

Mask: The conductive mask, usually directly connected to the through a wire with a crocodile clip on each end.

lamé

The general target area for the discipline, that is, all areas where a valid hit may be scored, comprises the entire torso above the waist, the head, and the arms up to the wrist. The legs, hands and feet are excluded from the target area.


A single circuit for the entire target area used in scoring systems is formed by multiple conductive pieces of equipment:


Because touches can be scored using the edge of the blade, there is no need for a pressure-sensitive head (the "button") to be present on the end of the blade. When fencing "electric" (as opposed to "steam" or "dry") a current runs through the sabre blade. When the blade comes into contact with the lamé, the electrical mask, or the manchette, current flows through the body cord and interacts with the scoring equipment.

If both hits occur and the time difference is greater than the lockout period, one signal is displayed by the judging apparatus. The referee is likely to award the point to the first hit.

If both hits occur within the lockout period, both signals are displayed; in such a situation final judgement of the score is determined by the ''.

right of way

Tierce, high outside, flank: The tierce parry is used to defend against attacks aimed at the upper outside line, specifically the fencer's flank and upper arm. The fencer raises their weapon hand to shoulder level, with the blade angled outward to deflect incoming attacks.

Quarte, high inside, chest: The quarte parry is employed to block attacks directed at the upper inside line, particularly targeting the fencer's chest and upper arm on the inside. The fencer brings their weapon hand across their body, positioning the blade horizontally and inward to intercept the opponent's blade.

Quinte, head: The quinte parry is designed to defend against attacks aimed at the fencer's head. The fencer lifts their weapon hand above their head, angling the blade slightly forward and downward to create a protective shield.

At sabre, it is generally easier to attack than to defend (for example, the timing favours remises) and high-level international sabre fencing is often very fast and very simple, although when required, top sabreurs do display an extended repertoire of tactical devices. In response to the relatively high speed of sabre fencing (sabre is the fastest sport in the world combat wise), the rules for sabre were changed to prohibit the forward cross-over (where the back foot passes the front foot) – it is now a cardable offence. Thus, the flèche attack is no longer permissible, so sabre fencers have instead begun to use a "flunge" (flying lunge). This attack begins like a flèche, but the fencer pushes off from the ground and moves quickly forward, attempting to land a hit before their feet cross over. Similarly, "running attacks" – consisting of a failed flèche followed by continuous remises – have also been eliminated.


Sabre defense comprises the three primary parries:


and three secondary parries:


Another parry, lesser-known, but which works against opponents of the same handedness, is referred to as "the Hungarian". This parry is most useful when both fencers charge off the line towards each other. To perform the Hungarian, a fencer throws a "prime" parry when the opponent is within striking distance and sweeps upward into a "quinte" position, covering (in the process) nearly all target area, and performs the riposte as with a normal "quinte" parry. The Hungarian technique often works best if a step or angle is taken in the opposite direction of the "prime" parry. This technique will not work with two fencers of opposite handedness.


It follows from the nature of sabre parries (they block an incoming attack rather than deflecting it as in foil and épée) that they are static and must be taken as late as possible to avoid being duped by a feint attack, committing to a parry in the wrong line and being unable to change parry (which often involves completely altering the orientation of the blade while moving and rotating the wrist and forearm) to defend against the real attack quickly enough.


Circles, such as Circle 3, 4, and 5, defend against stabs to the body, which an ordinary parry would not block. This is extremely useful, as it is highly versatile, covering much of the target area.


There are variations of the primary and secondary parries where the fencer uses their body along with the blade. The most popular is when the fencer jumps into the air and throws a "Seconde." If done correctly, the defender can block an attack to the "Tierce" sector while taking advantage of the high ground. Another example is when the fencer squats to the floor and takes a "Quinte" to both make themselves a smaller target and block their only weak point.


Each fencing weapon has a different tempo, and the tempo for épée and foil is rather slow with sudden bursts of speed. Sabre is fast throughout the entire touch. However, many coaches are urging pupils to slow down the pace by taking smaller steps instead of larger ones.

Amberger, J. Christoph (1998). The Secret History of the Sword: Adventures in Ancient Martial Arts. Burbank, California: Unique Publications.  1-892515-04-0.

ISBN

: The Art of the Sabre and the Epee. 1936. Reprint 2019. ISBN 978-3-96401-005-6.

Luigi Barbasetti

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