Sauron
Sauron (pronounced [ˈsaʊrɔn][T 2]) is the title character[a] and the primary antagonist,[1] through the forging of the One Ring, of J. R. R. Tolkien's The Lord of the Rings, where he rules the land of Mordor and has the ambition of ruling the whole of Middle-earth. In the same work, he is identified as the "Necromancer" of Tolkien's earlier novel The Hobbit. The Silmarillion describes him as the chief lieutenant of the first Dark Lord, Morgoth. Tolkien noted that the Ainur, the "angelic" powers of his constructed myth, "were capable of many degrees of error and failing", but by far the worst was "the absolute Satanic rebellion and evil of Morgoth and his satellite Sauron".[T 4] Sauron appears most often as "the Eye", as if disembodied.
This article is about the character from J. R. R. Tolkien's Middle-earth writings. For other uses, see Sauron (disambiguation).Sauron
- Mairon (originally)
- Annatar
- The Dark Lord
- The Necromancer
- Lord of the Rings
Tolkien, while denying that absolute evil could exist, stated that Sauron came as near to a wholly evil will as was possible. Commentators have compared Sauron to the title character of Bram Stoker's 1897 novel Dracula, and to Balor of the Evil Eye in Irish mythology. Sauron is briefly seen in a humanoid form in Peter Jackson's film trilogy, which otherwise shows him as a disembodied, flaming Eye.
Appearance[edit]
Physical body[edit]
Tolkien never described Sauron's appearance in detail, though he painted a watercolour illustration of him.[T 1] Sarah Crown, in The Guardian, wrote that "we're never ushered into his presence; we don't hear him speak. All we see is his influence".[2] She called it "a bold move, to leave the book's central evil so undefined – an edgeless darkness given shape only through the actions of its subordinates",[2] with the result that he becomes "truly unforgettable ... vaster, bolder and more terrifying through his absence than he could ever have been through his presence".[2]
He was initially able to change his appearance at will, but when he became Morgoth's servant, he took a sinister shape. In the First Age, the outlaw Gorlim was ensnared and brought into "the dreadful presence of Sauron", who had daunting eyes.[T 32] In the battle with Huan, the hound of Valinor, Sauron took the form of a werewolf. Then he assumed a serpent-like form, and finally changed back "from monster to his own accustomed [human-like] form".[T 33] He took on a beautiful appearance at the end of the First Age to charm Eönwë, near the beginning of the Second Age when appearing as Annatar to the Elves, and again near the end of the Second Age to corrupt the men of Númenor. He appeared then "as a man, or one in man's shape, but greater than any even of the race of Númenor in stature ... And it seemed to men that Sauron was great, though they feared the light of his eyes. To many he appeared fair, to others terrible; but to some evil."[T 34] After the destruction of his fair form in the fall of Númenor, Sauron always took the shape of a terrible dark lord.[T 35] His first incarnation after the Downfall of Númenor was hideous, "an image of malice and hatred made visible".[T 36] Isildur recorded that Sauron's hand "was black, and yet burned like fire".[T 3]
Concept and creation[edit]
Since the earliest versions of the Silmarillion legendarium, as detailed in the History of Middle-earth series, Sauron underwent many changes. The prototype or precursor Sauron-figure was a giant monstrous cat, the Prince of Cats. Called Tevildo, Tifil and Tiberth among other names, this character played the role later taken by Sauron in the earliest version of the story of Beren and Tinúviel in The Book of Lost Tales in 1917.[T 43] The Prince of Cats was later replaced by Thû, the Necromancer. The name was then changed to Gorthû, Sûr, and finally to Sauron. Gorthû, in the form Gorthaur, remained in The Silmarillion;[T 11] both Thû and Sauron name the character in the 1925 Lay of Leithian.[T 44]
The story of Beren and Lúthien also features the heroic hound Huan and involved the subtext of cats versus dogs in its earliest form. Later the cats were changed to wolves or werewolves, with the Sauron-figure becoming the Lord of Werewolves.[T 45]
Before the 1977 publication of The Silmarillion, Sauron's origins and true identity were unclear to those without access to Tolkien's notes. In 1968, the poet W. H. Auden conjectured that Sauron might have been one of the Valar.[3]
Interpretations[edit]
Wholly evil will[edit]
Tolkien stated in his Letters that although he did not think "Absolute Evil" could exist as it would be "Zero", "in my story Sauron represents as near an approach to the wholly evil will as is possible." He explained that, like "all tyrants", Sauron had started out with good intentions but was corrupted by power, and that he "went further than human tyrants in pride and the lust for domination", being in origin an immortal (angelic) spirit. He began as Morgoth's servant; became his representative, in his absence in the Second Age; and at the end of the Third Age actually claimed to be 'Morgoth returned'".[T 46]
Classically reptilian[edit]
The classicist J. K. Newman comments that "Sauron's Greek name" makes him "the Lizard", from Ancient Greek σαῦρος (sauros) 'lizard or reptile', and that in turn places Frodo (whose quest destroys Sauron) as "a version of Praxiteles' Apollo Sauroktonos", Apollo the Lizard-killer.[4]
Destructive Dracula-figure[edit]
Gwenyth Hood, writing in Mythlore, compares Sauron to Count Dracula from Bram Stoker's 1897 novel Dracula. In her view, both of these monstrous antagonists seek to destroy, are linked to powers of darkness, are parasitical on created life, and are undead. Both control others psychologically and have "hypnotic eyes". Control by either of them represents "high spiritual terror" as it is a sort of "damnation-on-earth".[5]