Save the Last Dance
Save the Last Dance is a 2001 American dance film produced by MTV Films, directed by Thomas Carter and distributed by Paramount Pictures. The film stars Julia Stiles and Sean Patrick Thomas as a teenage interracial couple in Chicago who work together to help Stiles' character train for a Juilliard School dance audition.
For the song, see Save the Last Dance for Me.Save the Last Dance
- Duane Adler
- Cheryl Edwards
Duane Adler
- Robert W. Cort
- David Madden
- Peter Berger
- Jeff Canavan
- Fritz Feick
- MTV Films
- Cort/Madden Productions
- January 12, 2001
112 minutes
United States
English
$13 million[1]
$131.7 million[1]
Released theatrically in the United States on January 12, 2001, the film received mixed reviews from critics but was a box-office success and grossed $131.7 million worldwide against a $13 million budget.
A direct-to-video sequel, Save the Last Dance 2, was released in 2006.
Plot[edit]
Seventeen-year-old Sara Johnson, a promising ballet dancer in suburban Chicago, hopes to be admitted to Juilliard School and implores her mother to attend the audition. She fails the audition and soon learns that her mother was killed in a car accident in her haste to get to it.
Sara is wracked with guilt and gives up ballet. She moves to the South Side to live with her estranged father Roy, a relatively unsuccessful jazz musician who plays the trumpet at nightclubs. Sara moves in with Roy, who lives in a dilapidated home. Sara transfers to a majority-black high school, where she is one of a handful of white students. Sara quickly befriends Chenille Reynolds, a teenage single mother who is having relationship problems with her ex-boyfriend Kenny.
Chenille invites Sara to a dance club called Stepps, where Sara has her first experience dancing to hip hop rhythms. At Stepps, Sara dances with Derek, Chenille's brother. Derek is rare in the community, but is a bright student with dreams of attending Georgetown University to become a pediatrician. Derek likes Sara, and decides to help her develop her dancing an abilities by incorporating more hip hop into her style.
Derek takes a reluctant Sara to the Joffrey Ballet and, afterwards, she confides in him about her mother and her dreams. Later, they return to the club and amaze others with their dancing. While performing, Derek's ex-girlfriend Nikki interrupts them and begins dancing with Derek, making Sara retreat to the bar.
Afterward, Derek returns to Sara and apologizes for pairing up with Nikki; they subsequently make up and return to Roy's apartment. Having achieved his dream of being accepted into Georgetown, Derek convinces Sara to follow her dreams of Juilliard; they eventually begin a romantic relationship.
At school, Nikki picks a fight with Sara during gym. While Chenille is stressed at an urgent doctor visit for her child, Chenille tells Sara that she did not approve of the fight. Chenille states she can sympathize with Nikki’s bitterness since Sara, a white girl, is seemingly "stealing" one of the few decent black boys at school. Because of this conversation, Sara and Chenille's friendship becomes strained, and Sara decides to break up with Derek.
Meanwhile, Derek deals with his friend Malakai, who is heavily involved in the gang lifestyle that Derek is trying to leave. Derek agrees to help Malakai execute a drive-by at the same time as Sara's audition. Roy has a heart-to-heart talk with Sara and encourages her to go through with the audition.
After learning what Chenille said to Sara, Derek confronts her about it, as well as explains his true reasons for dumping Nikki. Remorseful of her actions, Chenille admits that what she did was wrong and apologizes. She also tells Derek that Sara did not want to dump him, but Chenille's words hurt her to the point of feeling forced to.
Chenille also admits that she has been resentful for how Kenny has been treating her, including not helping her raise their son and not being a good boyfriend to her. She unintentionally took it out on Sara since she has been envious of her and Derek's relationship. Chenille encourages Derek to be with Sara, admitting that she knows that Sara is in love with him. She also warns Derek not to follow Malakai, knowing that he may lose his chance to attend Georgetown and his future if he is arrested. Derek meets up with Malakai and does his best to dissuade him from carrying out the attack, but Malakai refuses.
Derek arrives at a crucial point in Sara's performance to offer her encouragement and moral support. Afterward, Sara is accepted into Juilliard and rekindles her relationship with Derek. Meanwhile, the drive-by is botched and Malakai is arrested. The film closes as Sara, Derek, Chenille, and their friends meet at Stepps to celebrate Sara's successful audition.
Production[edit]
Julia Stiles landed the role of Sara when director Thomas Carter saw her dance scene in the 1999 film 10 Things I Hate About You.[2] To prepare for her role, Stiles did two months of training for the ballet scenes while also rehearsing the choreography for the hip hop scenes.[2] Fatima Robinson was the film's hip hop choreographer.
Save the Last Dance
December 19, 2000
2000
DJ Battlecat, Raphael Saadiq, Eddie F, Sean "Puffy" Combs, Stevie J, Darryl Anthony, The Whole 9, Jave & Sweet, Delite
Reception[edit]
On Rotten Tomatoes, the film has a 53% approval rating based on 100 reviews, with an average score of 5.5/10 and a consensus: "This teen romance flick feels like a predictable rehashing of other movies."
Positive reviews praised the performances of Stiles, Thomas, and Washington.[9][10] Desson Howe of The Washington Post called Stiles and Washington appealing performers and concluded, "Thomas is the movie's best element. He puts so much authority in his performance, he makes this controversial romance seem like the best thing that could happen to anyone. That's no easy task."[11]
In a three-star review, Roger Ebert said that despite the film's clichéd story and romance, "the development is intelligent, the characters are more complicated than we expect, and the ending doesn't tie everything up in a predictable way."[12] Charles Taylor of Salon wrote, "for all its dumb clichés it offers the basic appeal of teen movies: the pleasure of watching kids be kids, acting as they do among themselves instead of how parents and teachers expect them to act."[13]
Writing for the Chicago Tribune, Mark Caro wrote, "On paper the movie is full of cliches recently explored elsewhere...Yet in this case the outline is not the story; the people who inhabit it are," and in this way, "Save the Last Dance triumphantly passes the audition."[14]
Negative reviews criticized the editing style of dance scenes, the film's "after-school special"-like subplot, and the script for not delving enough into the issues of interracial relationships.[15] Critic Wesley Morris wrote "the movie combines the worst of urbansploitation with the worst of teensploitation, and outfits them both in makings of the ultimate racial-crossover melodrama -- teen motherhood, deadbeat teen dads, drive-bys, a dangerous ex-girlfriend, speeches straight from the pages of Terry McMillan."[15] Lisa Schwarzbaum of Entertainment Weekly wrote, "director Thomas Carter is afraid to pump up the volume on its own interracial, hip hop Romeo and Juliet story, lest it challenge even one sedated viewer or disturb the peace."[16]
Sequel[edit]
A sequel to the film, titled Save the Last Dance 2, was released direct-to-video on October 10, 2006.