Shattered Glass (film)
Shattered Glass is a 2003 biographical drama film about journalist Stephen Glass and his scandal at The New Republic. Written and directed by Billy Ray in his feature directorial debut, the film is based on a 1998 Vanity Fair article of the same name by H. G. Bissinger[4] and chronicles Glass' fall from grace when his stories were discovered to be fabricated. It stars Hayden Christensen as Glass, alongside Peter Sarsgaard, Chloë Sevigny, and Steve Zahn.[5]
Shattered Glass
Billy Ray
"Shattered Glass"
by H. G. Bissinger
- Craig Baumgarten
- Adam Merims
- Gaye Hirsch
- Tove Christensen
- Cruise/Wagner Productions
- Baumgarten Merims Productions
- Forest Park Pictures
- October 31, 2003 (United States)
94 minutes[1]
- Canada
- United States
English
$6 million[2]
$2.9 million[3]
The film premiered at the 2003 Toronto International Film Festival[6] on September 10, 2003, and received a North American limited release on November 26, 2003. Although a commercial failure, Shattered Glass received acclaim from critics, with particular praise for Christensen and Sarsgaard's performances.[7]
Plot[edit]
In 1998, Stephen Glass is an associate editor at The New Republic. The youngest and least experienced of the magazine's staff, Glass enjoys popularity with his colleagues for his entertaining stories. Glass serves under editor Michael Kelly, who holds loyalty with the writers. However, conflict between Kelly and publisher Marty Peretz results in Peretz firing Kelly. Reporter Charles Lane is promoted by Peretz to replace Kelly, despite being disliked by the staff due to his cold reputation.
Glass writes a story entitled "Hack Heaven" that details a teenage hacker being hired by a large software firm he infiltrated. The story reaches Forbes Digital Tool, where reporter Adam Penenberg finds no corroborating evidence for what Glass described. When contacted by Penenberg about being unable to reach the individuals in his story, Glass provides a number with a Palo Alto area code for the firm that, when dialed, goes immediately to voicemail. Later in the day, Lane receives a brief call from an individual identifying as the firm's chairman. Glass and Lane also partake in a conference call with the Forbes staff, which further erodes the story's credibility and prompts Glass to claim he was tricked by his sources.
Lane, looking to protect Glass from the Forbes staff, has Glass take him to the convention center where the story took place, but learns it closed during the events Glass wrote about. He also finds that the restaurant where the hackers supposedly had dinner afterwards closes in the mid afternoon. With the story contradicted by this information, Glass tells Lane he only relied on sources for information and falsified his first-hand experiences to improve the story. Lane decides to suspend Glass instead of firing him due to his popularity, but upon discovering Glass's brother lives in Palo Alto, he realizes Glass had his brother pose as the firm's chairman. After confronting Glass with this knowledge, Lane re-reads Glass's previous stories and comes to the realization several were also falsified. With his deception exposed, Glass is fired by Lane.
Despite initial pushback, Lane receives support from The New Republic staff for bringing Glass's deception to light, while the magazine's attorney questions Glass over which stories of his were fabricated. Closing titles reveal Penenberg's article on Glass was hailed as a breakthrough for internet journalism, The New Republic determined 27 of Glass's 41 stories were either partially or completely fabricated, Kelly was killed while covering the Iraq War, Glass earned a Juris Doctor degree from Georgetown and wrote a novel paralleling his own life, and Lane joined The Washington Post.
Production[edit]
Producer Craig Baumgarten, working with HBO executive Gaye Hirsch, optioned H.G. Bissinger's Vanity Fair magazine article about Stephen Glass for an HBO original movie. They hired screenwriter Billy Ray based on the script he had written for the TNT film Legalese.[8] Ray grew up with Bob Woodward and Carl Bernstein as his heroes and studied journalism for a year. It was this love for journalism that motivated him to make Shattered Glass.[9]
A sudden change in management put the film into turnaround and it remained inactive for two years until Cruise/Wagner Productions bought it from HBO.[10] They took it to Lionsgate and Ray asked the studio if he could direct in addition to writing it. The challenge for Ray was to make the subject matter watchable because, according to the filmmaker, "watching people write is deadly dull ... in a film like this, dialogue is what a character is willing to reveal about himself, and the camera is there to capture everything else".[8] The breakthrough for Ray came when he realized that the film's real protagonist was not Glass but Chuck Lane. According to Ray, "as fascinating as Stephen Glass is by the end of the movie people would want to kill themselves – you just can't follow him all the way".[8] He used the Bissinger article as a starting point, which gave him a line of dialogue on which to hook the entire character of Glass: "Are you mad at me?" According to Ray, "you can build an entire character around that notion, and we did".[10]
The character of Caitlin Avey is an amalgamation of Glass's friends and The New Republic allies Hanna Rosin and Jonathan Chait.[11][12]
To prepare for the film, Ray interviewed and re-interviewed key figures for any relevant details. He signed some of them as paid consultants and gave several approval over the script.[9] Early on, he spent a considerable amount of time trying to earn the trust of the people who had worked with Glass and get them to understand that he was going to be objective with the subject matter.[13] The real Michael Kelly was so unhappy about how he was portrayed in Bissinger's article that he threatened to sue when Ray first contacted him about the film[9] and refused for two years to read Ray's script,[14] which he eventually approved.[9] Ray attempted to contact Glass through his lawyers but was unsuccessful. Lionsgate lawyers asked Ray to give them an annotated script where he had to footnote every line of dialogue and every assertion and back them up with corresponding notes.[8]
The night before principal photography began in Montreal, Ray screened All the President's Men for the cast and crew.[14] He shot both halves of the film differently – in the first half, he used hand-held cameras in the scenes that took place in the offices of The New Republic, but when the Forbes editors begin to question Glass, the camerawork was more stable.[8]
Ray's original cut of the film was a much more straightforward account of events, but he became dissatisfied while editing the film and raised additional funds to shoot the high school scenes that bookend the film.[8]
On April 3, 2003, a little more than six months before the film was released, Michael Kelly was killed while reporting on the invasion of Iraq. The film is dedicated to his memory.