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Sigfrid Karg-Elert

Sigfrid Karg-Elert (November 21, 1877 – April 9, 1933) was a German composer in the early twentieth century, best known for his compositions for pipe organ and reed organ.

Music[edit]

Karg-Elert regarded himself as an outsider. Notable influences in his work include composers Johann Sebastian Bach (he often used the BACH motif in Bach's honour), Edvard Grieg, Claude Debussy, Max Reger, Alexander Scriabin, and early Arnold Schoenberg. In general terms, his musical style can be characterised as being late-romantic with impressionistic and expressionistic tendencies. His profound knowledge of music theory allowed him to stretch the limits of traditional harmony without losing tonal coherence.


His favourite instruments for composition were the Kunstharmonium and the pipe organ. He also composed for small ensembles or the piano, including vocal music. His music for flute became very popular during his lifetime. He also took a considerable interest in the saxophone.

(including no 59 "Nun danket alle Gott") Op 65

66 Chorale improvisations for organ

Passacaglia in E-flat minor for harmonium or organ

Cathedral Windows for organ

Symphony in F-sharp minor op. 143 for organ (orchestral version by Franklin Stöver)

33 Stylistic Studies for

harmonium

Jugend for clarinet, flute, horn & piano

30 Caprices for solo

flute

Sonata for solo

clarinet

20 Chorale Preludes and Postludes for organ

25 Caprices and an Atonal Sonata for

saxophone

The 30 Caprices for flute were written specifically for a friend of Karg-Elert's, a flautist bound for service in the war. These short exercises were designed to challenge linear one-staff thinking and in short, keep the friend from becoming bored. They are now a standard set of technical, dynamic, and phrasing exercises for young flute students all over the world.

'Die Grundlagen der Musiktheorie'. (tr. "The basics of music theory ") Leipzig (1920/1921).

'Orgel und Harmonium. Eine Skizze'. In: Musik-Taschenbuch für den täglichen Gebrauch (Edition Steingräber Nr. 60), Leipzig o. J. (ca. 1920/1925), Pp. 275–301.

[4]

'Wie ich zum Harmonium kam'. In: Der Harmoniumfreund. I/1 (1927), P. 4f.

'Konservatorium und Musikerziehung'. In: Deutsche Tonkünstler-Zeitung. 27/5 (1929), Pp. 433–436.

'Akustische Ton-, Klang- und Funktionsbestimmung'. (tr. "Acoustic tone, tone and function determination"), Leipzig (1930).

[4]

'Polaristische Klang- und Tonalitätslehre (Harmonologik)' (tr. "The logic of harmony"), Leipzig: Leuckart, 1930.[4]

[5]

Karg-Elert published, in addition to articles in Die Musik-Woche, a number of books and papers, latterly including:

Conley, Frank. 2001. "Karg-Elert [Karg], Sigfrid (Theodor)". The New Grove Dictionary of Music and Musicians, second edition, edited by and John Tyrrell. London: Macmillan Publishers.

Stanley Sadie

Media related to Sigfrid Karg-Elert at Wikimedia Commons

at the International Music Score Library Project (IMSLP)

Free scores by Sigfrid Karg-Elert

Extensive catalogue of works by opus numbers.

IMSLP