Walter Scott
Sir Walter Scott, 1st Baronet FRSE FSAScot (15 August 1771 – 21 September 1832), was a Scottish novelist, poet and historian. Many of his works remain classics of European and Scottish literature, notably the novels Ivanhoe (1819), Rob Roy (1817), Waverley (1814), Old Mortality (1816), The Heart of Mid-Lothian (1818), and The Bride of Lammermoor (1819), along with the narrative poems Marmion (1808) and The Lady of the Lake (1810). He had a major impact on European and American literature.
For other people named Walter Scott, see Walter Scott (disambiguation).
Walter Scott
15 August 1771
Edinburgh, Scotland
21 September 1832
Abbotsford, Roxburghshire, Scotland
- Historical novelist
- Poet
- Advocate
- Sheriff-Depute
- Clerk of Session
British Militia
1797–1802
Quartermaster
19th century
Charlotte Carpenter (Charpentier)
5
As an advocate, judge, and legal administrator by profession, he combined writing and editing with his daily work as Clerk of Session and Sheriff-Depute of Selkirkshire. He was prominent in Edinburgh's Tory establishment, active in the Highland Society, long time a president of the Royal Society of Edinburgh (1820–1832), and a vice president of the Society of Antiquaries of Scotland (1827–1829).[1] His knowledge of history and literary facility equipped him to establish the historical novel genre as an exemplar of European Romanticism. He became a baronet of Abbotsford in the County of Roxburgh, Scotland, on 22 April 1820; the title became extinct upon his son's death in 1847.
Religion[edit]
Scott was raised as a Presbyterian in the Church of Scotland. He was ordained as an elder in Duddingston Kirk in 1806,[66] and sat in the General Assembly for a time as representative elder of the burgh of Selkirk. In adult life he also adhered to the Scottish Episcopal Church: he seldom attended church but read the Book of Common Prayer services in family worship.[67]
Influence[edit]
On novelists[edit]
Walter Scott had an immense impact throughout Europe. "His historical fiction ... created for the first time a sense of the past as a place where people thought, felt and dressed differently".[89] His historical romances "influenced Balzac, Dostoevsky, Flaubert, Tolstoy, Dumas, Pushkin, and many others; and his interpretation of history was seized on by Romantic nationalists, particularly in Eastern Europe".[90] Also highly influential were the early translations into French by Defauconpret.[90]