Six Degrees of Separation (film)
Six Degrees of Separation is a 1993 American comedy-drama film released by Metro-Goldwyn-Mayer and directed by Fred Schepisi, adapted from John Guare's Pulitzer Prize-nominated[4] 1990 play of the same name.
Six Degrees of Separation
Six Degrees of Separation
by John Guare
Fred Schepisi
Arnon Milchan
- Maiden Movies
- New Regency
- Metro-Goldwyn-Mayer (United States and Japan)
- Warner Bros. (International)[1]
- December 8, 1993
112 minutes
United States
English
$15 million[2]
$6.4 million[3]
The plot of the film was inspired by the real-life story of David Hampton, a con man and robber who convinced a number of people in the 1980s that he was the son of actor Sidney Poitier. In October 1983, Hampton came to the New York apartment of Inger McCabe Elliott and her husband Osborn Elliott, who allowed him to spend the night in the apartment. The next morning, Inger found Hampton in bed with another man and later called the police. The Elliotts told their friend, writer John Guare, the story, which inspired him to write the play years later.[5][6]
Plot[edit]
Fifth Avenue socialite Ouisa Kittredge and her art dealer husband Flan are parents of "two at Harvard and a girl at Groton." However, the narrow world inhabited by the Kittredges and their public status as people interested in the arts make them easy prey for Paul. A skillful con-artist, Paul mysteriously appears at their door one night, injured and bleeding, claiming to be a close college friend of their Ivy League kids, as well as the son of Sidney Poitier.
Ouisa and Flan are much impressed by Paul's fine taste, keen wit, articulate literary expositions and surprising culinary skill. His appealing facade fades as soon as the Kittredges put him up, lending him money and taking satisfaction in his praise for their posh lifestyle. Paul's scheme continues until, after he brings home a hustler, his actual indigence is revealed. The shocked Kittredges kick him out when it is revealed that they are but the most recent victims of the duplicity with which Paul has charmed his way into many upper-crust homes along the Upper East Side.
Paul's schemes become anecdotes which are bantered about at their cocktail parties. In the end, Paul has a profound effect on the many individuals who encounter him, linking them in their shared experience.