Slash fiction
Slash fiction (also known as "m/m slash" or slashfic) is a genre of fan fiction that focuses on romantic or sexual relationships between fictional characters of the same sex.[1][2][3] While the term "slash" originally referred only to stories in which male characters are involved in an explicit sexual relationship as a primary plot element, it is now also used to refer to any fan story containing a romantic pairing between same-sex characters. Many fans distinguish slash with female characters as a separate genre, commonly referred to as femslash (also known as "f/f slash" or "femmeslash").
Not to be confused with Slasher film.Critical and queer attention[edit]
Slash fiction has received more academic attention than other genres of fan fiction.[6] Slash fiction was the subject of several notable academic studies in the early 1990s, as part of the cultural studies movement within the humanities: most of these, as is characteristic of cultural studies, approach slash fiction from an ethnographic perspective and talk primarily about the writers of slash fiction and the communities that form around it. Slashers have been configured as fans who resisted culture.[17] Some studies – for example by Italian anthropologist Mirna Ciconi – focus on the textual analysis of slash fiction itself.
Slash fiction was often ignored by queer theorists.[18] However, slash fiction has been described as important to the LGBT community and to the formation of queer identities, as it represents a resistance to the expectation of heterosexuality.[19] In a society in which heterosexuality is the norm and homosexuality is highly stigmatized, an online forum is sometimes the only space where young members of the LGBTQ community can be out. Young members of the community all go through a time in which they are still exploring their identity, labels, and pronouns. By writing slash fiction, queer youth can use their favorite characters and stories in order to create scenarios that allow them to explore their feelings, thoughts, and selves. Slash fiction, in this sense, offers queer youth a low-risk chance to explore who they are. They can stay anonymous while creating a world in which they can express themselves creatively and freely.[20] However, slash fiction has also been criticized as being unrepresentative of the gay community as a whole,[21] and as being used as a medium to express feminist frustration with popular and speculative fiction.[22]
The predominant demographic among slash fiction readers is female, the majority of whom identify as other than heterosexual. Science fiction writer Joanna Russ (herself a lesbian), author of How to Suppress Women's Writing, is one of the first major science fiction writers to take slash fiction and its cultural and literary implications seriously.[23] In her essay "Pornography by Women for Women, with Love," Russ argues that, in regard to the Kirk/Spock relationship, slash fiction combines both masculine and feminine traits of emotional vulnerability. Such an equal relationship, she contends, negates the power imbalance typically seen in regular fan fiction.
Definition and ambiguity[edit]
Slash fiction fandoms tend to be diverse and segregated, and each has its own rules of style, etiquette, history, and favorite stories and authors.
Slash cannot be commercially distributed due to copyright laws, and, until the 1990s, it was either undistributed or published in zines.[24] Today, slash fiction is most commonly published on Tumblr, LiveJournal accounts and other websites online, such as Archive Of Our Own. Legal scholars promoting copyright reform sometimes use slash fiction as an example of semiotic democracy.[25]
The term slash fiction contains several ambiguities. Due to the lack of canonical homosexual relationships in source media at the time that slash fiction began to emerge, some came to see slash fiction stories as being exclusively outside their respective canons and held that the term "slash fiction" applies only when the characters' same-sex romantic or erotic relationship about which an author writes is not part of the source's canon and that fan fiction about canonical same-sex relationships is therefore not slash.[9] The recent appearance on screen of openly gay and bisexual characters, such as Willow and Tara in the television series Buffy the Vampire Slayer, the characters of Queer as Folk,[9] Jack Harkness in Doctor Who, and numerous characters in Torchwood, has occasioned much additional discussion of this problem. Abiding by the aforementioned definition leaves such stories without a convenient label, so this distinction has not been widely adopted.[9]
Some slash authors also write slash fiction which contains transgender themes and transgender/transsexual or intersex characters. As a result, the exact definition of the term has often been hotly debated within various slash fandoms. The strictest definition holds that only stories about relationships between two male partners ('M/M') constitute 'slash fiction', which has led to the evolution of the term femslash. Slash-like fiction is also written in various Japanese anime or manga fandoms but is commonly referred to as shōnen-ai or yaoi for relationships between male characters, and shōjo-ai or yuri between female characters, respectively.
Due to the increasing popularity and prevalence of slash on the Internet in recent years, some use slash as a generic term for any erotic fan fiction, whether it depicts heterosexual or homosexual relationships. This has caused concern for other slash writers, who believe that, while it can be erotic, slash is not, by definition, so, and that defining all erotic fiction as slash makes such fiction unsuitable for potential underage readers of homoromantic fan fiction. In addition, a number of journalists writing about the fan fiction phenomenon in general seem to believe that all fan fiction is slash, or at least erotic in character.[26][27][28] Such definitions fail to distinguish between erotic and romantic slash, and between slash, het (works focusing primarily on heterosexual relationships) and gen (works which do not include a romantic focus).
The slash mark itself (/), when put between character's names, has come to mean a shorthand label for a romantic relationship, regardless of whether the pairing is heterosexual or homosexual, romantic or erotic.[9]
Slash and the original media sources[edit]
For many people, slash is a controversial subject. In addition to the legal issues associated with traditional fan fiction, some people believe that it tarnishes established media characters to portray them in a way which was never illustrated canonically.[29] But official disapproval of slash, specifically, is hard to find. As early as 1981, Lucasfilm has issued legal notices to fans who wrote sexually explicit stories.[30] J. K. Rowling/Warner Brothers have sent cease and desist letters referencing "sexually explicit" writings on the web, though Rowling approves the writing of fan fiction in general, posting links to fan fiction on her website and openly acknowledging slash fiction while maintaining that pairings such as those between Harry/Draco and Harry/Snape are non-canonical.
Some media creators seem downright slash friendly. In the Angel DVD commentary for "A Hole in the World", Joss Whedon, the creator of Angel, said, "Spike and Angel...they were hanging out for years and years and years. They were all kinds of deviant. Are people thinking they never...? Come on, people! They're open-minded guys!" as well as Spike saying, "Angel and me have never been intimate. Except that one..." to Illyria in the episode "Power Play." Renaissance Pictures invited femslash author Melissa Good to pen scripts for Xena: Warrior Princess. Some people say they see similar evidence of such relationships in other shows such as Smallville,[31] Supernatural[32] and Due South.[33]
Due South's fandom was one of the first to go online, after the show debuted in 1994.[34] In 1999 Due South creator Paul Haggis participated in a question-and-answer panel with an online Due South newsgroup. The newsgroup asked Haggis if he had a problem with fans seeing the characters he created (Detective Ray Vecchio and Constable Benton Fraser) as being in love with each other and having a closeted relationship. Haggis replied, "Absolutely no problem at all. If ever two people loved each other, it's Ray and Fraser."[35]
Furthermore, the YouTubers Daniel Howell and Phil Lester (Daniel Howell and amazingphil) are well known for being very accepting of slash fiction and even wrote some fanfiction about themselves, which was featured in their book The Amazing Book is Not on Fire. In addition, their stage show, The Amazing Tour is Not on Fire, included a section called Fanfiction Live.
In the episode "The Monster at the End of This Book" of the TV show Supernatural, the main characters encounter fictional representations of themselves in a series of books. They find the online fandom, and comment about their activities including the writing of slash fanfiction. This is often referred to by fans of Supernatural as Wincest, based on the characters' surname (Winchester) and the fact that they are brothers (incest).
The revival of Doctor Who led by the openly gay writer Russell T Davies has also seen nods towards the slash fans beyond the omnisexual Captain Jack Harkness and other characters from the spin-off Torchwood. Many fans see exchanges between the Doctor and the Master (played in the new series by John Simm, whose Life On Mars character Sam Tyler is also the subject of a lot of slash fiction) as indicative of a previous relationship, or current attraction. At one point the Master says to the Doctor "I like it when you use my name", and in a Children in Need special, the Tenth Doctor tells the Fifth, after being asked whether the Master still has "that rubbish beard", "No, no beard this time. Well, a wife." – which fans point to as a reference to gay men marrying a woman for public respectability, the wife being referred to as "a beard". The term for shows that seem to be giving material for slash writers to use is "pre-slashed", sometimes "pre-slashed for your convenience".
Slash fandom[edit]
Conventions[edit]
Several slash conventions run throughout the year and across the globe, mostly in the United States, including Escapade in California,[36] REVELcon in Texas,[37] Connexions in Maryland,[38] MediaWest*Con in Michigan,[39] CON.TXT in Washington, D.C.,[40] Con*Strict in Nevada,[41] Connotations in England,[42] Zebracon in Illinois,[43] Yaoi-Con in California,[44] Bascon in California,[45] and others.[46]
Terminology [edit]
Slash fiction has created and appropriated words to denote peculiarities found within the fandom. "Gayfic" is sometimes used to refer to stories focusing on gay male relationships, and "femslash" or "f/f" used to indicate that a work features female characters in slash relationships.
Slash fiction, like other fan fiction, sometimes borrows the MPAA film rating system to indicate the amount of sexual content in the story. Not all slash fiction has explicit sexual content – the interaction between two characters can be as innocent as holding hands or a chaste kiss, or even contain nothing but unfulfilled yearning; stories may be labeled "UST" for "unresolved sexual tension". Some sites require all stories to be rated and have warnings attached, often by using a beta reader.
The term no lemon is sometimes used to indicate fan fiction stories without explicit sexual content. Anything with explicit content, especially with erotic scenes without accompanying romantic scenes, may be labeled "lemon". The term lemon arose from the anime/yaoi fandoms, referring to a hentai anime series, Cream Lemon. The term squick is most often used as a warning to refer to a reader's possible negative reaction to scenes in the text (often sexual) that some might find offensive or distressing, such as those including incest, BDSM, rape, "mpreg" (male pregnancy), gender swapping, and torture. The term originated in the Usenet newsgroup alt.sex.bondage in 1991.[47] Squicks are often listed as a warning in the header of a fanfiction story.
The term "slasher" is used for someone who creates slash fiction, and the term "slashy" is used to mean "homoerotic". "Slashy moments" are those events in the canon storyline which slashers interpret as homoerotic, which in turn form the slashers' depiction of the characters in slash fiction.[17]
Other slash fanworks[edit]
Slash manips[edit]
In recent years, more slash artwork has used widespread availability of imaging software, like Adobe Photoshop, to manipulate photographs of their subjects to produce romantic or erotic images (often referred to as slash manips[69][70][71]) which imply a homosexual relationship, either as static pictures or animated GIFs. When the manipulated photos depict real people instead of media characters, the creation of these images can be as contentious as real person slash, and for many of the same reasons.
Slash vidding[edit]
Vidding has existed in media fandom since the 1980s, and slash vidding is still a popular movement within vidding.[72] Slash vidders take clips of characters (generally ones not written as gay, or in a relationship together), and through juxtaposition, song choice, and other techniques, portray a slash relationship on screen.[73] Vidding used to be very guarded within the slash community, among other reasons, because the songs used in videos are copyrighted. When vidders started putting their videos online, their sites were routinely password protected, etc.
Today, there are thousands of vids, and vid-like projects, available on YouTube and other video sites.[74] Many of these vids are made by slash (and gen) fans, but enormous numbers of them are made by people who have never heard of media fandom. The previous secrecy of vidding fans has come to seem unnecessary, but there is still a community ethos of not freely giving out a vidder's URL.
Slash roleplay[edit]
Sometimes referred to as yaoi (male/male) or yuri (female/female), roleplay involving same-sex characters in relationships can be either with canon or original character creations. There are slash roleplaying based on Dungeons & Dragons, Supernatural, Naruto, World of Warcraft and Dragon Age, among others.
There are many mediums used to approach the act of internet roleplaying including message boards, AIM, IRC and specially created chatrooms on servers. Some roleplay is very strict and requires players to be able to type a paragraph or two per each turn, some use strict guidelines involving roleplay dice and some are combinations of all of the above.
Not every roleplay community accepts slash, however, and some people specifically disallow the use of it in their community as not being canon or simply the operators do not care for slash.