Suzanne Farrell
Suzanne Farrell (born August 16, 1945) is an American ballerina and the founder of the Suzanne Farrell Ballet at the Kennedy Center in Washington, D.C.
Suzanne Farrell
Ballerina; dance teacher
1960–1989
Dance career
Kennedy Center Honors (2005)
Presidential Medal of Freedom (2005)
Farrell began her ballet training at the age of eight. In 1960, she received a scholarship to the School of American Ballet. Her first leading roles in ballets came in the early 1960s. A muse of George Balanchine, she left the New York City Ballet in 1969 and subsequently moved to Brussels to dance for Maurice Bejart's Ballet of the 20th Century.
In 1975, Farrell moved back to the United States, where she collaborated with Balanchine until his death in 1983; she retired from ballet six years later after a hip surgery she had due to arthritis. Farrell had an unusually long career as a ballet performer, and since her retirement in 1989 has acted as a teacher in numerous ballet schools. She held a teaching position with the New York City Ballet until 1993, and has been a professor of dance at Florida State University since 2000; the same year, she founded her own company, the Suzanne Farrell Ballet, which disbanded at the end of 2017.[1]
The recipient of several honorary degrees, Farrell remains well-known and respected in the world of ballet and has been recognized for her influence on dance with several awards and honors, including Kennedy Center Honors and the Presidential Medal of Freedom, the latter being the highest civilian honor in the United States. She was presented in 1987 with the Golden Plate Award of the American Academy of Achievement at a ceremony in Scottsdale, Arizona.[2][3] She was also elected to the American Philosophical Society in 2016.[4]
Early life[edit]
Farrell was born Roberta Sue Ficker in Cincinnati, Ohio. She received her early training at the Cincinnati Conservatory of Music. In 1960, she was selected to study at choreographer George Balanchine's School of American Ballet with a Ford Foundation scholarship. In 1961, she joined the New York City Ballet (NYCB) and became Balanchine's muse for many of his ballets.
Career[edit]
Early career at NYCB[edit]
Initially part of the corps de ballet at NYCB, Farrell soon moved on to dancing featured roles. The first ballet choreographed for her was Passage, now Arcade, by John Taras in 1963. Balanchine first paired her with Jacques d'Amboise to choreograph his Meditation, which debuted in December 1963. One of her most notable roles was Dulcinea in Balanchine's Don Quixote, which premiered in May 1965; Balanchine's creation of that ballet was thought to be a valentine to his newest "muse", and Balanchine performed in the role of Don Quixote on opening night.[5] In 1968, he cast her as the lead in the "Diamonds" section of his three-act plotless ballet Jewels.
She re-scaled many ballets and expanded them to a new level of technique.[6] In 1965, she was promoted to principal dancer. Her first role in her new title was Agon with Arthur Mitchell at the Paris Opera. George Balanchine quickly fell in love with his "alabaster princess" and created many roles for her. Farrell described learning choreography from Balanchine as a collaborative process, saying, "When Mr. B was working on a ballet, something would just spill out of his body; he could rarely duplicate it, so I tried to see precisely what he wanted the first time."[7]
Balanchine was married to the polio-stricken former ballerina Tanaquil Le Clercq, however, and Farrell was a Catholic. Though Balanchine divorced LeClercq to pursue Farrell, she instead married fellow dancer Paul Mejia. This caused the relationship of Farrell and Balanchine to fracture. There was enormous tension between them, which caused Farrell and husband Mejia to leave the company.[8] Mejia and Farrell were married from 1969 to 1997.[9]