Take That
Take That are an English pop group formed in Manchester in 1990. The group currently consists of Gary Barlow, Howard Donald and Mark Owen. The original line-up also featured Jason Orange and Robbie Williams.[2] Barlow is the group's lead singer and primary songwriter, with Owen and Williams initially providing backing vocals, and Donald and Orange serving primarily as dancers.[3][4][5]
For other uses, see Take That (disambiguation).
Take That
The group have had 28 top-40 singles, 20 top-10 and 17 top-5 singles on the UK Singles Chart,[6] 12 of which have reached number one. They have also had nine number-one albums on the UK Albums Chart.[7] Internationally, the band have had 56 number-one singles[8][9] and 42 number-one albums.[10] They have received eight Brit Awards—winning for Best British Group and Best British Live Act.[11][12] In 2012 they received an Ivor Novello Award for Outstanding Contribution to British Music.[13] According to the British Phonographic Industry (BPI), Take That has been certified for sales of 14.4 million albums and 13.2 million singles in the UK.[14]
Williams left the band in 1995, while the four remaining members completed their world tour and released a final single before splitting up in 1996. After filming a 2005 Take That: For the Record about the group and releasing a new greatest hits album, a four-piece Take That without Williams officially announced a 2006 reunion tour around the UK, entitled The Ultimate Tour. On 9 May 2006, it was announced that the group were set to record new material together once again. Their fourth studio album, Beautiful World, was released in 2006 and was followed up with The Circus, in 2008. The group achieved new success as a four-piece, scoring a string of chart hits across the UK and Europe while selling over 45 million records worldwide.[15][16][17] Williams rejoined Take That in 2010 for the band's sixth studio album, Progress. Released on 15 November of that year, it was the first album of new material to feature Take That's original line-up since their 1995 album, Nobody Else. It became the fastest-selling album of the 21st century[18] and the second fastest-selling album in British history.[19]
In 2014, the band recorded a seventh studio album, this time as a trio without Williams and Orange. The album, titled III, was released in November 2014 and became the band's seventh number one. It was preceded by the single "These Days", which became the band's 12th number one single in the UK.[20] In 2011, Take That set the new record for the fastest-selling tour of all time in the UK with Progress Live, beating the previous record set by their Circus Live Tour in 2009.[21] At the 2011 Brit Awards they won Best British Group.[12] In 2012, Forbes named them the fifth highest-earning music stars in the world.[22] The group performed at the London 2012 Olympic Games closing ceremony, playing "Rule the World" while the Olympic Flame was extinguished. In the same year, the Official Charts Company revealed the biggest-selling singles artists in British music chart history with Take That placed 15th overall, making them the most successful boy band in UK chart history.[23] Four of their albums are listed in the best-selling albums of the millennium, with three of them among the 60 best-selling albums in UK chart history.[24]
History
1989–1990: Formation
In 1989, Manchester-based Nigel Martin-Smith sought to create a British male vocal singing group modelled on New Kids on the Block. Martin-Smith's vision, however, was to create a teen-oriented group that could appeal to multiple demographic segments within the music industry. Martin-Smith was then introduced to young singer-songwriter Gary Barlow, who had been performing in clubs since the age of 15. Impressed with Barlow's catalogue of self-written material, Martin-Smith decided to build his new-look boy band around Barlow's musical abilities. A campaign to audition young men with abilities in dancing and singing followed and took place in Manchester and other surrounding cities in 1990. At 22, Howard Donald was one of the oldest to audition, but was chosen after he got time off work as a vehicle painter to continue the process. A budding DJ, he and Barlow had a shared interest in electronic acts such as Orchestral Manoeuvres in the Dark (OMD) and Gary Numan.[25][26] Prior to auditioning, Jason Orange had appeared as a breakdancer on the popular television programme The Hit Man and Her. Martin-Smith also selected 18-year-old bank employee Mark Owen and finally 16-year-old Robbie Williams to round out the group, which initially went by the name Kick It.
1990–1992: Take That & Party
Take That's first TV appearance was on The Hit Man and Her in 1990, where they performed Barlow's self-written, unreleased song, "My Kind of Girl". They later appeared a second time to perform "Waiting Around", which would become the B-side for the first single, "Do What U Like". "Promises" and "Once You've Tasted Love" were also released as singles but were minor hits in the UK. Take That initially worked the same territory as their American counterparts, singing new jack R&B, urban soul, and mainstream pop. However, they worked their way toward Hi-NRG dance music, while also pursuing an adult contemporary ballad direction. As they aimed to break into the mainstream music industry, they worked a number of small clubs, schools, and events across the country building up a fanbase as they travelled to gigs constantly for months.
Take That's breakthrough single was a cover of the 1975 Tavares hit "It Only Takes a Minute", which peaked at number seven on the UK Singles Chart in June 1992. This success was followed by "I Found Heaven", then by the first Barlow ballad "A Million Love Songs", which also reached number seven in October. Their cover of the Barry Manilow hit "Could It Be Magic" gave them their first big success, peaking at number three in the UK in the first chart of 1993. Their first album, Take That & Party, was released in 1992, and included all the hit singles to date.
1993–1995: Everything Changes, Nobody Else and superstardom
1993 saw the release of Everything Changes, based on Barlow's original material. It peaked at number one in the UK and spawned six singles, with four being consecutive UK number one singles – their first number one "Pray", "Relight My Fire", "Babe" and the title track "Everything Changes". The lead single "Why Can't I Wake Up with You" had narrowly missed the top spot in the UK peaking at number two and the sixth and final single "Love Ain't Here Anymore" taken from the album reached number three on the UK charts. Everything Changes saw the band gain international success with the album being nominated for the 1994 Mercury Prize, but it failed to crack the U.S. market, where a U.S.-exclusive remix of "Love Ain't Here Anymore" gained little success.
By 1994, Take That had become radio and television stars across Europe and Asia, but it was not until 1995 that they did their first World Tour. It was during the years 1993–95 that the band fronted scores of magazine covers ranging from Smash Hits to GQ, becoming mass merchandised on all sorts of paraphernalia ranging from picture books, to posters, stickers, their own dolls, jewellery, caps, T-shirts, toothbrushes and even had their own annuals released.[27] The band had also developed a large female teenage fanbase at the time. During this time, they performed at numerous music awards shows and chart shows such as the BRIT Awards and Top of the Pops, also winning the Best Live Act award in 1995 at the MTV Europe Music Awards, having been renowned for their breakdance routines, high energy and creative tour productions.
In 1995, Take That released their third studio album Nobody Else, again based on Barlow's own material which reached number 1 in the UK and across Europe, capturing new audiences along the way, with Take That also able to make inroads in the adult audience in Britain through Barlow's melodic, sensitive ballads. For nearly five years, Take That's popularity was unsurpassed in Britain.[28] The release of the first single from the album, "Sure", achieved yet another number one in the UK charts. It was not until their second release from that album, however, that they would experience what would become their biggest hit single, "Back for Good", which reached number one in many countries including the UK, Germany, Australia, and Norway.[29][30] It was also their only hit in the USA, where it reached number seven.[31]
The song was initially unveiled for the first time via live performance while at the 1995 BRIT Awards, and based on the reception of that performance, the record pre-sold more records than expected and forced the record label to bring the release date forward by an unprecedented six weeks. The album was also noted for its cover, which was a parody of the famed cover of The Beatles' Sgt. Pepper's Lonely Hearts Club Band cover sleeve.
Artistry
Early in their career, Take That were known for party anthems such as "Do What U Like" and more mature ballads such as "A Million Love Songs" and "Back for Good". Since reuniting in 2006, they have become more experimental: their post-2006 albums Beautiful World and The Circus have featured "stadium-filling pop-rock" while Progress largely leaned towards electropop.[45][136] Having been dubbed the "comeback kings" by the media for their highly successful reunion, the group has won widespread praise for their seamless transformation from teen idols to "man band" without overly relying on nostalgia,[137][138] instead showcasing a more mature image and sound[139][140][141][142][143] and reinventing themselves while maintaining their artistic integrity.[144][145] Jude Rogers of The Guardian commented on Take That's post-reunion success, in light of a string of reunions by the group's disbanded counterparts from the 1990s: "Only Take That are penetrating pop's wider consciousness by becoming a man-band rather than a boy-band, singing mature, proper pop songs that cross the generations."[137]
Take That have garnered critical acclaim and popularity as consummate live performers and for their musical output.[146][147][148][45][149] Their domestic concert tours have been described as "some of the most flamboyant, imaginative and extravagant pop tours around".[150] Aside from covers, all of their material is composed by the members themselves; Barlow was initially the principal songwriter who received sole credit but the other members have since taken a more active role in the composition and production process, including playing instruments for the backing track.[45]
Current members
Former members
Timeline