Tanna (film)
Tanna is a 2015 Australian-Ni-Vanuatu[4] film set on the island of Tanna in the South Pacific, depicting the true story of a couple who decided to marry for love, rather than obey their parents' wishes.[7] Starring Marie Wawa and Mungau Dain, the film is based on an actual marriage dispute.[8]
Tanna was the first film to be shot entirely on location in Vanuatu.[9] The film won the Audience Award Pietro Barzisa at the 72nd Venice International Film Festival.[10] It was selected as the Australian entry for the Best Foreign Language Film at the 89th Academy Awards,[8][11] and was nominated for the award in January 2017, the first time Australia's submission received a nomination[12]
Plot[edit]
On the island of Tanna, people following the Kastom have always enforced arranged marriages. The people of Kastom Road face sporadic conflicts with the Imedin tribe, while two followers of Kastom, Dain and Wawa, continue a secret love affair. Wawa's young sister Selin is impudent, stealing a penis sheath and running into the wilderness, berated for entering the forbidden zone where the Imedin once massacred their people. To teach Selin respect, her grandfather, who is also the tribe's shaman, takes her to the spiritual site of Yahul and the volcanoes. There, the Imedin attack the shaman, clubbing him, leaving him mortally wounded. Selin escapes and runs back to her people, who retrieve the shaman, afraid that his inevitable death will leave them vulnerable. The Imedin are summoned to the village to make peace. They trade pigs, which the shaman's murderers club to death just as they had the shaman, and Wawa is promised for marriage into the Imedin tribe.
Despite the arranged marriage, Wawa and Dain continue their affair. The elders learn of this and plead with Wawa to give up the relationship. The elder women sympathize with Wawa for having to go through an arranged marriage but tell her that respect for her elders and the law will lead to happiness. Her peers also tell Wawa that she is not the only one whose interests are at stake. If the Imedin lose Wawa as a promised bride, they will likely seek revenge. Wawa reveals that she has already had sex with Dain, meaning she will be unacceptable to the Imedin anyway. Disgraced, Dain is exiled from the village. The elders continue to urge Wawa to accept her arranged marriage, pointing to Prince Philip to prove that arranged marriage means love.
Wawa joins Dain in the wilderness and hides on the side of the volcano while their people and the Imedin both search for them. The two eat poison mushrooms. Their people bury them, and the elders agree that recognition of love marriage must be added to the Kastom to keep their culture alive.[13]
Production[edit]
The film was shot entirely on location in and around the village of Yakel on Tanna Island.[14] Co-director Bentley Dean lived with his family for seven months in Tanna. Most of the cast played their own roles in the film,[15][A] and Dain was cast because he was considered the village's most handsome man.[15] The film's dialogue is shot in the Southwest Tanna (Nivhaal dialect) and Nafe (Kwamera, South Tanna) languages, which are used in Yakel.[14][16] The cast members did not regard the filming as being difficult because their roles were "performing what we were used to in our daily life."[17] A copy of Ten Canoes was screened as an example for the actors.[18]
This is Martin Butler and Dean’s third collaboration, after the documentaries Contact and First Footprints.[19] Dean came to Vanuatu in 2003 to research a story on the John Frum movement for Dateline and wanted to return there to create something larger. Dean wanted to tell a local story and give his children a chance to live in the village, and developed the storyline in collaboration with the Yakel people.[20]
Screening[edit]
Just after Cyclone Pam, a special screening was held for the tribe.[23] The film has screened at the 72nd Venice International Film Festival,[24] where it won the Audience Award Pietro Barzisa,[10] and Bentley Dean was awarded Best Cinematographer,[20] at the BFI London Film Festival,[25] and at the 2015 Adelaide Film Festival.[4]