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The Godfather Part II

The Godfather Part II is a 1974 American epic crime film. The film is produced and directed by Francis Ford Coppola, loosely based on the 1969 novel The Godfather by Mario Puzo, who co-wrote the screenplay with Coppola. It is both a sequel and a prequel to the 1972 film The Godfather, presenting parallel dramas: one picks up the 1958 story of Michael Corleone (Al Pacino), the new Don of the Corleone family, protecting the family business in the aftermath of an attempt on his life; the prequel covers the journey of his father, Vito Corleone (Robert De Niro), from his Sicilian childhood to the founding of his family enterprise in New York City. The ensemble cast also features Robert Duvall, Diane Keaton, Talia Shire, Morgana King, John Cazale, Marianna Hill, and Lee Strasberg.

"The Godfather II" redirects here. For the video game, see The Godfather II (video game).

The Godfather Part II

The Godfather
by Mario Puzo

Francis Ford Coppola

Paramount Pictures

  • December 12, 1974 (1974-12-12) (New York City)
  • December 20, 1974 (1974-12-20) (United States)

202 minutes[1]

United States

  • English
  • Sicilian

$13 million[2][3]

$93 million[N 1]

Following the success of the first film, Paramount Pictures began developing a follow-up, with many of the cast and crew returning. Coppola, who was given more creative control, had wanted to make both a sequel and a prequel to The Godfather that would tell the story of the rise of Vito and the fall of Michael. Principal photography began in October 1973 and wrapped up in June 1974. The Godfather Part II premiered in New York City on December 12, 1974, and was released in the United States on December 20, 1974, receiving divisive reviews from critics; its reputation, however, improved rapidly, and it soon became the subject of critical re-appraisal. It grossed $48 million in the United States and Canada and up to $93 million worldwide on a $13 million budget. The film was nominated for eleven Academy Awards, and became the first sequel to win Best Picture. Its six Oscar wins also included Best Director for Coppola, Best Supporting Actor for De Niro and Best Adapted Screenplay for Coppola and Puzo. Pacino won Best Actor at the BAFTAs and was nominated at the Oscars.


Like its predecessor, Part II remains a highly influential film, especially in the gangster genre. It is considered to be one of the greatest films of all time, as well as a rare example of a sequel that rivals its predecessor.[4] In 1997, the American Film Institute ranked it as the 32nd-greatest film in American film history and it retained this position 10 years later.[5] It was selected for preservation in the U.S. National Film Registry of the Library of Congress in 1993, being deemed "culturally, historically, or aesthetically significant".[6] The Godfather Part III, the final installment in the trilogy, was released 16 years later in 1990.

Release[edit]

Theatrical[edit]

The Godfather Part II premiered in New York City on December 12, 1974, and was released in the United States on December 20, 1974.

Home media[edit]

Coppola created The Godfather Saga expressly for American television in a 1975 release that combined The Godfather and The Godfather Part II with unused footage from those two films in a chronological telling that toned down the violent, sexual, and profane material for its NBC debut on November 18, 1977. In 1981, Paramount released the Godfather Epic VHS box set, which also told the story of the first two films in chronological order, again with additional scenes, but not redacted for broadcast sensibilities. Coppola returned to the film again in 1992 when he updated that release with footage from The Godfather Part III and more unreleased material. This home viewing release, under the title The Godfather Trilogy 1901–1980, had a total run time of 583 minutes (9 hours, 43 minutes), not including the set's bonus documentary by Jeff Werner on the making of the films, "The Godfather Family: A Look Inside".


The Godfather DVD Collection was released on October 9, 2001, in a package[24] that contained all three films—each with a commentary track by Coppola—and a bonus disc that featured a 73-minute documentary from 1991 entitled The Godfather Family: A Look Inside and other miscellany about the film: the additional scenes originally contained in The Godfather Saga; Francis Coppola's Notebook (a look inside a notebook the director kept with him at all times during the production of the film); rehearsal footage; a promotional featurette from 1971; and video segments on Gordon Willis's cinematography, Nino Rota's and Carmine Coppola's music, the director, the locations and Mario Puzo's screenplays. The DVD also held a Corleone family tree, a "Godfather" timeline, and footage of the Academy Award acceptance speeches.[25]


The restoration was confirmed by Francis Ford Coppola during a question-and-answer session for The Godfather Part III, when he said that he had just seen the new transfer and it was "terrific".

Reception[edit]

Box office[edit]

Although The Godfather Part II did not surpass the original film commercially, it grossed $47.5 million in the United States and Canada.[2] and was Paramount Pictures' highest-grossing film of 1974, and the seventh-highest-grossing picture in the United States. According to its international distributor, the film had grossed $45.3 million internationally by 1994,[29] for a worldwide total of $93 million.[N 1]

Critical response[edit]

Initial critical reception of The Godfather Part II was divisive,[33] with some dismissing the work and others declaring it superior to the first film.[34][35] While its cinematography and acting were immediately acclaimed, many criticized it as overly slow-paced and convoluted.[36] Vincent Canby of The New York Times viewed the film as "stitched together from leftover parts. It talks. It moves in fits and starts but it has no mind of its own ... The plot defies any rational synopsis."[18] Stanley Kauffmann of The New Republic cited what he called "gaps and distentions" in the story.[37] William Pechter of Commentary, while admiring the movie, regretted what he saw as its archness and self-importance, calling it an "overly deliberate and self-conscious attempt to make a film that's unmistakably a serious work of art," and professing to "know of no one except movie critics who likes Part II as much as part one."[38]


A mildly positive Roger Ebert awarded three out of four[39] and wrote that the flashbacks "give Coppola the greatest difficulty in maintaining his pace and narrative force. The story of Michael, told chronologically and without the other material, would have had really substantial impact, but Coppola prevents our complete involvement by breaking the tension." Though praising Pacino's performance and lauding Coppola as "a master of mood, atmosphere, and period", Ebert considered the chronological shifts of its narrative "a structural weakness from which the film never recovers".[36] Gene Siskel gave the film three-and-a-half out of four, writing that it was at times "as beautiful, as harrowing, and as exciting as the original. In fact, The Godfather, Part II may be the second best gangster movie ever made. But it's not the same. Sequels can never be the same. It's like being forced to go to a funeral the second time—the tears just don't flow as easily."[40]

Critical re-assessment[edit]

The film quickly became the subject of a critical re-evaluation.[41] Whether considered separately or with its predecessor as one work, The Godfather Part II is now widely regarded as one of the greatest films in world cinema. Many critics compare it favorably with the original – although it is rarely ranked higher on lists of "greatest" films. On Rotten Tomatoes, it holds a 96% approval rating based on 126 reviews, with an average rating of 9.7/10. The consensus reads, "Drawing on strong performances by Al Pacino and Robert De Niro, Francis Ford Coppola's continuation of Mario Puzo's Mafia saga set new standards for sequels that have yet to be matched or broken."[42] Metacritic, which uses a weighted average, assigned the film a score of 90 out of 100 based on 18 critics, indicating "universal acclaim".[43]


Ebert retrospectively awarded it a full four stars in a second review and inducted the film into his Great Movies section, noting he "would not change a word" of his original review but praising the work as "grippingly written, directed with confidence and artistry, photographed by Gordon Willis ... in rich, warm tones."[44] Michael Sragow's conclusion in his 2002 essay, selected for the National Film Registry web site, is that "[a]lthough The Godfather and The Godfather Part II depict an American family's moral defeat, as a mammoth, pioneering work of art it remains a national creative triumph."[45] In his 2014 review of the film, Peter Bradshaw of The Guardian wrote "Francis Coppola's breathtakingly ambitious prequel-sequel to his first Godfather movie is as gripping as ever. It is even better than the first film, and has the greatest single final scene in Hollywood history, a real coup de cinéma."[46]


The Godfather Part II was featured on Sight & Sound's Director's list of the ten greatest films of all time in 1992 (ranked at No. 9)[47] and 2002 (where it was ranked at No. 2. The critics ranked it at No. 4)[48][49][50] On the 2012 list by the same magazine the film was ranked at No. 31 by critics and at No. 30 by directors.[51][52][53] In 2006, Writers Guild of America ranked the film's screenplay (Written by Mario Puzo and Francis Ford Coppla) the 10th greatest ever.[54] It ranked No. 7 on Entertainment Weekly's list of the "100 Greatest Movies of All Time", and #1 on TV Guide's 1999 list of the "50 Greatest Movies of All Time on TV and Video".[55] The Village Voice ranked The Godfather Part II at No. 31 in its Top 250 "Best Films of the Century" list in 1999, based on a poll of critics.[56] In January 2002, the film (along with The Godfather) made the list of the "Top 100 Essential Films of All Time" by the National Society of Film Critics.[57][58]


In 2017, it ranked No. 12 on Empire magazine's reader's poll of The 100 Greatest Movies.[59] In an earlier poll held by the same magazine in 2008, it was voted 19th on the list of 'The 500 Greatest Movies of All Time'.[60] In 2015, it was tenth in the BBC's list of the 100 greatest American films.[61]


Many believe Pacino's performance in The Godfather Part II is his finest acting work. It is now regarded as one of the greatest performances in film history. In 2006, Premiere issued its list of "The 100 Greatest Performances of all Time", putting Pacino's performance at #20.[62] Later in 2009, Total Film issued "The 150 Greatest Performances of All Time", ranking Pacino's performance fourth place.[63]


The Japanese filmmaker Akira Kurosawa cited this movie as one of his 100 favorite films.[64]

Accolades[edit]

This film is the first sequel to win the Academy Award for Best Picture.[65] The Godfather and The Godfather Part II remain the only original/sequel combination both to win Best Picture.[66] Along with The Lord of the Rings, The Godfather Trilogy shares the distinction that all of its installments were nominated for Best Picture; additionally, The Godfather Part II and The Lord of the Rings: The Return of the King are the only sequels to win Best Picture. Al Pacino became the fourth actor to be Oscar-nominated twice for playing the same character.

at IMDb

The Godfather Part II

at the AFI Catalog of Feature Films

The Godfather Part II

at Box Office Mojo

The Godfather Part II

at Rotten Tomatoes

The Godfather Part II

at Metacritic

The Godfather Part II

essay by Michael Sragow on the National Film Registry website. Retrieved November 17, 2022.

The Godfather and The Godfather Part II