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The Legend of the True Cross

The Legend of the True Cross or The History of the True Cross is a sequence of frescoes painted by Piero della Francesca in the Basilica of San Francesco in Arezzo. It is his largest work, and generally considered one of his finest, and an early Renaissance masterpiece.

The Legend of the True Cross

c. 1452–1466

Its theme, derived from the popular 13th century book on the lives of saints by Jacobus de Voragine, the Golden Legend, is the triumph of the True Cross – the legend of the wood from the Garden of Eden becoming the Cross on which Jesus Christ was crucified. This work demonstrates Piero's advanced knowledge of perspective and colour, his geometric orderliness and skill in pictorial construction.

Death of Adam (390 x 747 cm). According to the legend, the tree from which the cross was made was planted, at the urging of angels, at the burial of by his son, using a branch or a seed from the apple tree of the garden of Eden.

Adam

The in Adoration of the Wood and The Meeting of Solomon and the Queen of Sheba (336 x 747 cm). According to the legend, the Queen of Sheba worshiped the beams made from the tree, and informed Solomon that the Saviour would hang from that tree, and thus dismember the realm of the Jews. This caused Solomon to hew it down and bury it, until it was found by the Romans.

Queen of Sheba

Exaltation of the Cross (390 x 747 cm).

Constantine's Dream (329 x 190 cm) Emperor , before the battle of Milvian Bridge, is awakened by an angel who shows him the cross in heaven. With the cross on his shield, he slew the enemy, and later converted to Christianity.

Constantine the Great

Discovery and Proof of the True Cross (356 x 747 cm). , finds the cross in Jerusalem. It was not easy to get information and "when the queen had called them and demanded them the place where our Lord Jesus Christ had been crucified, they would never tell... her. Then commanded she to burn them all" or cast them into a dry pit for seven days and there torment them with hunger. The Jew is shown in one fresco being pulled from the pit by a rope, whereupon he confessed that Jesus was his lord and where the cross was located. The proof of the cross was that it was used to resurrect a dead man.

Helena, Constantine's mother

The main episodes depicted are:


Piero diverged from his source material in a few important respects, including the story of King Solomon's meeting with the Queen of Sheba in a chronologically inaccurate place and giving greater emphasis to the two battles in which Christianity triumphs over paganism.


The cycle ends with a depiction of the Annunciation, not strictly part of the Legend of the True Cross but probably included by Piero for its universal meaning.

Belton, Robert, and Kersten, Bernd (2010). "Vision and Visions in Piero della Francesca’s Legend of the True Cross,

excerpt in Glimpse Journal Blog

(1991). Piero della Francesca: Tradition and Innovation in Renaissance Art, pp. 84-117, HarperCollins Publishers.

Cole, Bruce

The Elene of . Yale Studies in English. Vol. XXI (1904). Translated into English prose by Lucius Hudson Holt.{{cite book}}: CS1 maint: others (link) In Project Gutenberg.

Cynewulf

Lavin, Marilyn Aronberg (1994). Piero della Francesca: San Francesco, Arezzo, New York: George Braziller.

Maetzke, Anna Maria, ed. (2000), Piero della Francesca: The Legend of the True Cross in the Church of San Francesco in Arezzo, with Giovanna Melandri, Stefano Casciu, and Carla Corsi. Skira.  88-8118-829-5.

ISBN

Maetzke, Anna Maria; Bertelli, Carlo, eds. (2001), , texts by Marilyn Aronberg Lavin et al. Skira. ISBN 978-8884910233.

Piero della Francesca: The Legend of the True Cross in the Church of San Francesco in Arezzo

Turner, Jane Shoaf, ed. (2002). The Dictionary of Art, Grove

Institute for Advanced Studies web site.

All images in series and interactive model

The Legend of the True Cross fresco cycle on YouTube (in Italian): and here.

here

fresco cycle at art-threads.

Legend of the True Cross