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The Human League

The Human League is an English synth-pop[1] band formed in Sheffield in 1977. Initially an experimental electronic outfit, the group signed to Virgin Records in 1979 and later attained widespread commercial success with their third album Dare in 1981 after restructuring their lineup. The album contained four hit singles, including the UK/US number one hit "Don't You Want Me". The band received the Brit Award for Best British Breakthrough Act in 1982. Further hits followed throughout the 1980s and into the 1990s, including "Mirror Man", "(Keep Feeling) Fascination", "The Lebanon", "Human" (a second US No. 1) and "Tell Me When".

Not to be confused with The Humane League.

The Human League

The Future (1977), the Men, the League, the League Unlimited Orchestra (1982)

1977–present

The only constant band member since 1977 has been lead singer and songwriter Philip Oakey. Keyboard players Martyn Ware and Ian Craig Marsh both left the band in 1980 to form Heaven 17, leaving Oakey and Adrian Wright to assemble a new line-up. The Human League then evolved into a commercially successful new pop band,[2] with the line-up comprising Oakey, Wright, vocalists Joanne Catherall and Susan Ann Sulley, bassist and keyboard player Ian Burden and guitarist and keyboard player Jo Callis. Wright, Burden and Callis all left the band by the end of the 1980s, since which time the band has essentially been a trio of Oakey, Catherall and Sulley with various sidemen.


Since 1978, the Human League have released 9 studio albums, a remix album, a live album, 6 EPs, 29 singles and 13 compilation albums. They have had 6 top 20 albums and 13 top 20 singles in the UK and had sold more than 20 million records worldwide by 2010.[3][4] As an early techno-pop[5] act that received extensive MTV airplay, they are regarded as one of the leading artists of the 1980s Second British Invasion of the US.[6]

History[edit]

1970s: Early years[edit]

Before adopting the name the Human League, the band briefly had two previous incarnations.[7] In early 1977, Martyn Ware and Ian Craig Marsh, who had met at youth arts project Meatwhistle, were both working as computer operators. Their musical collaboration combined pop music (such as glam rock and Tamla Motown) with avant-garde electronic music. With the price of electronic components dropping in the mid-1970s, equipment became more affordable for the average consumer; Ware and Marsh purchased a Korg 700S synthesizer together and learned how to play it. Their musical reputation spread, and they were invited to play at a friend's 21st birthday party. For the party, Ware and Marsh formed themselves into an informal band called The Dead Daughters. Their live highlight was a rendition of the theme of the British TV series Doctor Who.[7]


After a few more low-key, private performances, Ware and Marsh decided to officially form a band. Joined by their friend Adi Newton and another synthesizer (a Roland System-100), they formed The Future and began to create music in their own rehearsal facility in a disused cutlery workshop in the centre of Sheffield. Although The Future was never signed and did not release material commercially at the time, a collection of demos from this period was released retrospectively on CD in 2002 titled The Golden Hour of the Future, mixed by Richard X.[7] The association with Adi Newton was short; Newton left The Future and went on to form Clock DVA. Ware at this point decided that he needed a singer rather than another keyboard player. The reason for this was twofold: record companies had been reluctant to sign The Future, as they could not offer any "marketable" songs, and therefore a talented singer was required for any chance of commercial success; also the group only owned two synthesizers and could not afford a third.[7]


Ware and Marsh searched for a vocalist, but their first choice, Glenn Gregory, was unavailable (Gregory eventually became the lead singer of their subsequent band Heaven 17). Ware then decided to invite an old school friend, Philip Oakey, to join the band. Oakey was working as a hospital porter at the time and was known on the Sheffield social scene for his eclectic style of dress. Although he had no musical experience, Ware thought he would be ideal as lead singer for The Future as "he already looked like a pop star".[8] When Ware called on Oakey, he found he was out, so asked him to join the Future by leaving a note stuck to his front door.[7] He accepted the invitation, but early sessions were awkward. Oakey had never sung in front of an audience before, could not play keyboards and only owned a saxophone (which he could barely play). Listening to one of Ware and Marsh's demos, Oakey was inspired to write some lyrics which later became the single "Being Boiled".


With a new line-up, sound, and vocalist, Ware decided that the band needed a new name. It would also allow them to approach record companies again from a different angle. Ware suggested "The Human League", after a group in the science-fiction board game StarForce: Alpha Centauri. In the game, the Human League arose in 2415 A.D. and were a frontier-oriented society that desired more independence from Earth. Oakey and Marsh agreed on the new name, and in early 1978 The Future became The Human League.[7]

Legacy and influence[edit]

The Human League has influenced many electropop, other synth-pop, and mainstream performers, including Pet Shop Boys. Moby and Little Boots are longtime fans of the group.[46][47] They have been sampled and covered by various artists, including Ladytron, Utah Saints, George Michael, Robbie Williams and LCD Soundsystem.


In 2000, the tribute album Reproductions: Songs of The Human League was released. It contains cover versions of 16 of the Human League's songs, including performances by Ladytron, Lali Puna, Momus, Future Bible Heroes, Stephin Merritt and The Aluminum Group.[48]


Nightshift identified the Human League, and fellow late 1970s debutants Gary Numan and Orchestral Manoeuvres in the Dark (OMD), as "the holy trinity of synth-pop".[49] The history of the band's Fast Product era is covered in a 2015 documentary, Big Gold Dream.[50]

(1979)

Reproduction

(1980)

Travelogue

(1981)

Dare

(1984)

Hysteria

(1986)

Crash

(1990)

Romantic?

(1995)

Octopus

(2001)

Secrets

(2011)

Credo

Ross, Alaska. Story of a Band Called "The Human League". Proteus July 1982.  978-0-86276-103-5

ISBN

Nash, Peter. Human League (Perfect pop). Star 21 October 1982.  978-0-352-31151-1

ISBN

Lilleker, Martin. Beats Working for a Living: Sheffield Popular Music 1973–1984. Juma March 2005.  978-1-872204-26-0

ISBN

Reynolds, Simon. Rip It Up and Start Again: Postpunk 1978–1984. Faber and Faber, 2005.  978-0571215706

ISBN

Official Website

– Fan site: History of the original Human League (pre-1981).

"Blind Youth"

– Interview with Philip Oakey of the Human League – Rocker magazine, 2011

"Philip Oakey of The Human League: Here Comes The Mirror Man"