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The Rockafeller Skank

"The Rockafeller Skank", often referred to as "Funk Soul Brother" by fans, is a song by English big beat musician and DJ Fatboy Slim. It was released as the lead single from his second studio album, You've Come a Long Way, Baby (1998), on 8 June 1998. The single peaked at number six on the UK Singles Chart in June 1998 and topped the Icelandic Singles Chart for a week the same month. It was the second Fatboy Slim single (after "Praise You") to chart on the US Billboard Hot 100, peaking at number 76. In 2022, Rolling Stone ranked "The Rockafeller Skank" at number 199 on their list of the "200 Greatest Dance Songs of All Time".[2]

"The Rockafeller Skank"

  • "Always Read the Label"
  • "Tweakers Delight"

8 June 1998 (1998-06-08)

Big beat[1]

  • 6:53 (album version)
  • 3:27 (radio edit)
  • 4:03 (short and video version)

Skint

Fatboy Slim

Critical reception[edit]

Larry Flick from Billboard wrote, "Using self-consciously old-school DJ techniques (scratching and repetition of a spoken phrase, dramatic tempo changes), Fatboy Slim has created an organically simple masterpiece. With the accessibility of Beck, the danceability of ska, and the sunny quality of the Beach Boys, the track has a sparse, magnetic beginning that builds in depth and intensity (with the addition of jangly guitar riffs and more complex beats) to a meticulous, frenetic climax. And the wind-down is no less danceable."[3]


Will Hermes from Entertainment Weekly called it a "remarkable splice-rock roller coaster". He added, "Big, dynamic, spectacularly dumb, it grafts Duane Eddy guitar twang (via John Barry) onto Godzilla-goes-Motown beats, adds an MC non sequitur, and presses "frappe" on the digital blender. Result? The most potent DJ pop since "Firestarter". If this won't convert the techno-phobes, nothing will."[4]


A reviewer from Music & Media stated that the track "easily matches the extremely high quality one would expect from a chart veteran with such names as the Housemartins, Beats International, The Mighty Dubcats and Pizzaman on his CV." He explained further, "This time around, he's somehow managed to fuse big beat and dance with surf—seasoned with a slight pinch of punk—and has come up with what is probably the single most infectious sound around on the airwaves right now."[5]