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The Royal Ballet

The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Dame Ninette de Valois.[1] It became the resident ballet company of the Royal Opera House in 1946, and has purpose-built facilities within these premises.[1] It was granted a royal charter in 1956, becoming recognised as Britain's flagship ballet company.

The Royal Ballet

The Royal Ballet

  • Vic-Wells Ballet
  • Sadler's Wells Ballet

1931

Royal Opera House, London, UK

The Royal Ballet was one of the foremost ballet companies of the 20th century, and continues to be one of the world's most famous ballet companies to this day, generally noted for its artistic and creative values. The company employs approximately 100 dancers. The official associate school of the company is the Royal Ballet School, and it also has a sister company, the Birmingham Royal Ballet, which operates independently. The Prima ballerina assoluta of the Royal Ballet is the late Dame Margot Fonteyn.

Artist: the lowest rank in the company. Together with the First Artists, dancers at this level form the . Ballet school graduates entering the company usually do so at this level.

Corps de ballet

First Artist: Dancers at this level have the opportunity to perform some of the Corps de Ballet's more featured rôles, such as the Dance of the Cygnets in . First Artists will occasionally be cast in minor Soloist rôles if they are being considered for promotion.

Swan Lake

Soloist: a rank normally occupied by 15–20 dancers in the company, who perform most of the solo and minor rôles, such as in Romeo and Juliet or one of the Fairies in The Sleeping Beauty.

Mercutio

First soloist: the rank at which dancers are being considered for promotion to Principal. A dancer at this rank will dance a varied repertoire of the most featured soloist rôles, whilst understudying principals and so performing leading rôles when a Principal dancer is injured or unavailable.

Principal character artist: the rank given to members of the company who perform important character rôles in a ballet. These rôles are normally very theatrical and often include and ballet mime. Examples include Carabosse in The Sleeping Beauty or Drosselmeyer in The Nutcracker. Most Principal Character Artists in the Royal Ballet are older, long-serving members of the company who are no longer able to dance the more physically challenging roles.

character dance

Principal: the highest rank in the Royal Ballet. Dancers at this level are the leading dancers in the company, and generally perform the most demanding and prominent rôles in a ballet. Many of the world's most celebrated dancers have been principals with the company.

The Royal Ballet has six ranks of dancers:


The Royal Ballet also has the special ranks of "guest artist" and "principal guest artist". The title of guest artist is given to a visiting dancer who has been cast in a role for a specific ballet or limited season. The title of principal guest artist is sometimes given to guest artists who perform with the company on a longer-term basis.

Director – , a graduate of the Royal Ballet School and former dancer with The Royal Ballet and Birmingham Royal Ballet[10]

Kevin O'Hare

Music Director – , a Belgian conductor

Koen Kessels

Resident Choreographer – , an award-winning choreographer, most noted in the field of contemporary dance and as artistic director of Random Dance company[11]

Wayne McGregor CBE

Artistic Associate –

Christopher Wheeldon OBE

Principal dancer quit the company after a dispute over casting.[15] Stretton had both historically and during his tenure with The Royal Ballet favoured athletic, speedy dancers as opposed to those with a more lyrical style, such as Wildor.

Sarah Wildor

Lady MacMillan threatened to withdraw performing rights to works by her late husband Sir Kenneth MacMillan.

[16]

Stretton's programming was badly received by critics.

[17]

Dancers let it be known they were considering strike action; however, talks between Equity, the dancers' union, and the Royal Opera House's executive director Tony Hall, averted industrial action.

[17]

Rumours and allegations were made that Stretton engaged in sexual liaisons and affairs with various dancers. Royal Opera House spokesman Christopher Millard said "there have been no informal or formal complaints to management of Royal Opera House about this."

[18]

Born in Canberra, Australia, in 1952, Ross Stretton trained at the Australian Ballet School, later becoming a principal dancer with the Australian Ballet company. He then moved to America, where he danced with the Joffrey Ballet and as a principal dancer with American Ballet Theatre before retiring as a dancer in 1990. He was appointed regisseur of American Ballet Theatre, becoming assistant director of the company in 1993. After returning to Australia, he was artistic director of the Australian Ballet from 1997 to 2001.


Following Sir Anthony Dowell's retirement as artistic director of the Royal Ballet in 2001, the board of the Royal Opera House announced Stretton as his successor, with a three-year contract; however, he resigned the post after 13 months, in September 2002. Stretton's appointment and subsequent departure from the Royal Ballet generated an unprecedented level of media attention for the Royal Ballet in recent years, due to controversy caused by his management of the company. Following his resignation, Stretton returned to Australia where he worked as a teacher and consultant until his death from cancer in 2005.


A number of controversial issues and allegations as well as resistance to organisational change lead to Stretton's departure from the Royal Ballet:

Royal Opera House, Manchester[edit]

In 2008 the Royal Opera House and Manchester City Council began the planning stages of a new development known as Royal Opera House, Manchester. The proposal would have seen the Palace Theatre in Manchester receiving an £80 million refurbishment, to allow it to receive productions by both the Royal Ballet and Royal Opera. The proposals would have established the Palace Theatre as a designated base for the Royal Opera House companies in the North of England.[20][21][22]


The proposals were approved by the then Secretary of State for Culture, Olympics, Media and Sport, Andy Burnham MP, and was accepted by a number of public bodies. An independent report suggested that the cost of the project would be £100 million with another £16 million needed annually for running costs of the new site.[23] In 2010 it was announced that the project was being shelved as part of larger arts-funding cuts.[23][24][25]

1978 – Production of the Year in Ballet, for a production of 's A Month in the Country

Sir Frederick Ashton

1980 – Outstanding Achievement of the Year in Ballet, for a production of Gloria

1981 – Outstanding First Achievement of the Year in Ballet, awarded to for her performance in The Royal Ballet's Dances of Albion

Bryony Brind

1983 – Outstanding Individual Performance of the Year in a New Dance Production, awarded to for her performance in the Royal Ballet's Valley of Shadows

Alessandra Ferri

1983 – Outstanding New Dance Production of the Year, for a production of 's Requiem

Sir Kenneth MacMillan

1992 – Outstanding Achievement of the Year in Dance, for a production of 's In The Middle, Somewhat Elevated

William Forsythe

1992 – Society of London Theatre Special Award, awarded to the Royal Ballet's founder and director in recognition of her achievements in dance

Dame Ninette de Valois

1993 – Best New Dance Production, for a production of 's The Judas Tree

Sir Kenneth MacMillan

1995 – Best New Dance Production, for their production of Fearful Symmetries

1995 – Outstanding Achievement in Dance, awarded to lighting designer Peter Mumford for the Royal Ballet's Fearful Symmetries

2007 – Best New Dance Production, for their new production Chroma, choreographed by Wayne McGregor

2008 – Best New Dance Production, for the company premiere of 's ballet Jewels

George Balanchine

2008 – Outstanding Achievement in Dance, for the company premiere of 's ballet Jewels

George Balanchine

2010 – Best New Dance Production, awarded to the Brandstrup-Rojo Project, Goldberg (a collaboration between choreographer and dancer Tamara Rojo)

Kim Brandstrup

2013 - Outstanding Achievement in Dance, awarded to principal dancer

Marianela Núñez

2016 - Best New Dance Production, for their new production Woolf Works, choreographed by Wayne McGregor

2016 - Outstanding Achievement in Dance, for her performances in Chéri and Woolf Works, guest dancer

Alessandra Ferri

2018 – Best New Dance Production, for their new production Flight Pattern, choreographed by

Crystal Pite

The Royal Ballet company is a multiple Laurence Olivier Award winning company. The following is a complete list of awards won by the company and its staff since the awards were established in 1978. These include awards presented to the company for a production of a particular ballet, to individual dancers for their performance in a specific rôle, to designers for their work on a specific production and to other members of the Royal Ballet staff for achievements in dance.

the associate school of English National Ballet

English National Ballet School

List of productions of Swan Lake derived from its 1895 revival

a Leeds-based ballet company

Northern Ballet

a ballet company contemporaneous to the Royal Ballet during the latter's formative years (now a modern dance company)

Rambert Dance Company

the royal ballet company of Belgium

Royal Ballet of Flanders

the royal ballet company of Denmark

Royal Danish Ballet

the royal ballet company of Sweden

Royal Swedish Ballet

the national ballet company of Scotland

Scottish Ballet

The Royal Ballet – Royal Opera House website

Royal Ballet School website

photos by Caridad, Havana Times, 17 July 2009

Royal Ballet Cuba Pics

Birmingham Royal Ballet website

History of the Royal Ballet School

Media related to Royal Ballet at Wikimedia Commons