The Sound of Music
The Sound of Music is a musical with music by Richard Rodgers, lyrics by Oscar Hammerstein II, and a book by Howard Lindsay and Russel Crouse. It is based on the 1949 memoir of Maria von Trapp, The Story of the Trapp Family Singers. Set in Austria on the eve of the Anschluss in 1938, the musical tells the story of Maria, who takes a job as governess to a large family while she decides whether to become a nun. She falls in love with the children, and eventually their widowed father, Captain von Trapp. He is ordered to accept a commission in the German navy, but he opposes the Nazis. He and Maria decide on a plan to flee Austria with the children. Many songs from the musical have become standards, including "Do-Re-Mi", "My Favorite Things", "Edelweiss", "Climb Ev'ry Mountain", and the title song "The Sound of Music".
This article is about the stage musical. For the 1965 film adaptation, see The Sound of Music (film). For the song, see The Sound of Music (song). For other uses, see The Sound of Music (disambiguation).The Sound of Music
Maria von Trapp's autobiography The Story of the Trapp Family Singers
The original Broadway production, starring Mary Martin and Theodore Bikel, opened in 1959[1] and won five Tony Awards, including Best Musical, out of nine nominations. The first London production opened at the Palace Theatre in 1961. The show has enjoyed numerous productions and revivals since then. It was adapted as a 1965 film musical starring Julie Andrews and Christopher Plummer, which won five Academy Awards, including Best Picture. The Sound of Music was the last musical written by Rodgers and Hammerstein, as Oscar Hammerstein died of stomach cancer nine months after the Broadway premiere.
History[edit]
After viewing The Trapp Family, a 1956 West German film about the von Trapp family, and its 1958 sequel (The Trapp Family in America), stage director Vincent J. Donehue thought that the project would be perfect for his friend Mary Martin; Broadway producers Leland Hayward and Richard Halliday (Martin's husband) agreed.[2] The producers originally envisioned a non-musical play that would be written by Lindsay and Crouse and that would feature songs from the repertoire of the Trapp Family Singers. Then they decided to add an original song or two, perhaps by Rodgers and Hammerstein. But it was soon agreed that the project should feature all new songs and be a musical rather than a play.[3]
Details of the history of the von Trapp family were altered for the musical. The real Georg von Trapp did live with his family in a villa in Aigen, a suburb of Salzburg. He wrote to the Nonnberg Abbey in 1926 asking for a nun to help tutor his sick daughter, and the Mother Abbess sent Maria. His wife, Agathe Whitehead, had died in 1922. The real Maria and Georg married at the Nonnberg Abbey in 1927. Lindsay and Crouse altered the story so that Maria was governess to all of the children, whose names and ages were changed, as was Maria's original surname (the show used "Rainer" instead of "Kutschera"). The von Trapps spent some years in Austria after Maria and the Captain married and he was offered a commission in Germany's navy. Since von Trapp opposed the Nazis by that time, the family left Austria after the Anschluss, going by train to Italy and then traveling on to London and the United States.[4] To make the story more dramatic, Lindsay and Crouse had the family, soon after Maria's and the Captain's wedding, escape over the mountains to Switzerland on foot.
Synopsis[edit]
Act I[edit]
In Salzburg, Austria, just before World War II, nuns from Nonnberg Abbey sing the Dixit Dominus. One of the postulants, Maria Rainer, is on the nearby mountainside, regretting leaving the beautiful hills ("The Sound of Music"). She returns late to the abbey where the Mother Abbess and the other nuns have been considering what to do about the free-spirit ("Maria"). Maria explains her lateness, saying she was raised on that mountain, and apologizes for singing in the garden without permission. The Mother Abbess joins her in song ("My Favorite Things"). The Mother Abbess tells her that she should spend some time outside the abbey to decide whether she is suited for the monastic life. She will act as the governess to the seven children of a widower, Austro-Hungarian Navy submarine Captain Georg von Trapp.
Maria arrives at the villa of Captain von Trapp. He explains her duties and summons the children with a boatswain's call. They march in, clad in uniforms. He teaches her their individual signals on the call, but she openly disapproves of this militaristic approach. Alone with them, she breaks through their wariness and teaches them the basics of music ("Do-Re-Mi").
Rolf, a young messenger, delivers a telegram and then meets with the eldest child, Liesl, outside the villa. He claims he knows what is right for her because he is a year older than she ("Sixteen Going on Seventeen"). They kiss, and he runs off, leaving her squealing with joy. Meanwhile, the housekeeper, Frau Schmidt, gives Maria material to make new clothes, as Maria had given all her possessions to the poor. Maria sees Liesl slipping in through the window, wet from a sudden thunderstorm, but agrees to keep her secret. The other children are frightened by the storm. Maria sings "The Lonely Goatherd" to distract them.
Captain von Trapp arrives a month later from Vienna with Baroness Elsa Schrader and Max Detweiler. Elsa tells Max that something is preventing the Captain from marrying her. He opines that only poor people have the time for great romances ("How Can Love Survive"). Rolf enters, looking for Liesl, and greets them with "Heil". The Captain orders him away, saying that he is Austrian, not German. Maria and the children leapfrog in, wearing play-clothes that she made from the old drapes in her room. Infuriated, the Captain sends them off to change. She tells him that the children need him to show his love for them, and he angrily orders her back to the abbey. As she apologizes, they hear the children singing "The Sound of Music", which she had taught them, to welcome Elsa Schrader. He joins in and embraces them. Alone with Maria, he asks her to stay, thanking her for bringing music back into his house. Elsa is suspicious of her until she explains that she will be returning to the abbey in September.
The Captain gives a party to introduce Elsa, and guests argue over the Anschluss (the Nazi German annexation of Austria). Kurt asks Maria to teach him to dance the Ländler. When he fails to negotiate a complicated figure, the Captain steps in to demonstrate. He and Maria dance until they come face-to-face; and she breaks away, embarrassed and confused. Discussing the expected marriage between Elsa and the Captain, Brigitta tells Maria that she thinks Maria and the Captain are really in love with each other. Elsa asks the Captain to allow the children to say goodnight to the guests with a song, "So Long, Farewell". Max is amazed at their talent and wants them for the Kaltzberg Festival, which he is organizing. The guests leave for the dining room, and Maria slips out the front door with her luggage.
At the abbey, Maria says that she is ready to take her monastic vows; but the Mother Abbess realizes that she is running away from her feelings. She tells her to face the Captain and discover if they love each other, and tells her to search for and find the life she was meant to live ("Climb Ev'ry Mountain").
Act II[edit]
Max teaches the children how to sing on stage. When the Captain tries to lead them, they complain that he is not doing it as Maria did. He tells them that he has asked Elsa to marry him. They try to cheer themselves up by singing "My Favorite Things" but are unsuccessful until they hear Maria singing on her way to rejoin them. Learning of the wedding plans, she decides to stay only until the Captain can arrange for another governess. Max and Elsa argue with the Captain about the imminent Anschluss, trying to convince him that it is inevitable ("No Way to Stop It"). When he refuses to compromise on his opposition to it, Elsa breaks off the engagement. Alone, the Captain and Maria finally admit their love, desiring only to be "An Ordinary Couple". As they marry, the nuns reprise "Maria" against the wedding processional.
While Maria and the Captain are on their honeymoon, Max prepares the children to perform at the Salzburg Festival. Herr Zeller, the Gauleiter of the region, demands to know why they are not flying the Flag of Nazi Germany now that the Anschluss has occurred. The Captain and Maria return early from their honeymoon before the Festival. In view of the Nazi German occupation, the Captain decides the children should not sing at the event. Max argues that they would sing for Austria, but the Captain points out that it no longer exists. Maria and Liesl discuss romantic love; Maria predicts that in a few years Liesl will be married ("Sixteen Going on Seventeen (Reprise)"). Rolf enters with a telegram that offers the Captain a commission in the German Navy, and Liesl is upset to discover that Rolf is now a committed Nazi. The Captain consults Maria and decides that they must secretly flee Austria. German Admiral von Schreiber arrives to find out why Captain von Trapp has not answered the telegram. He explains that the German Navy holds him in high regard, offers him the commission, and tells him to report immediately to Bremerhaven to assume command. Maria says that he cannot leave immediately, as they are all singing in the Festival concert; and the Admiral agrees to wait.
At the concert, after the von Trapps sing an elaborate reprise of "Do-Re-Mi", Max brings out the Captain's guitar. Captain von Trapp sings "Edelweiss", as a goodbye to his homeland, while using Austria's national flower as a symbol to declare his loyalty to the country. Max asks for an encore and announces that this is the von Trapp family's last chance to sing together, as the honor guard waits to escort the Captain to his new command. While the judges decide on the prizes, the von Trapps sing "So Long, Farewell" (reprise), leaving the stage in small groups. Max then announces the runners-up, stalling as much as possible. When he announces that the first prize goes to the von Trapps and they do not appear, the Nazis start a search. The family hides at the Abbey, and Sister Margaretta tells them that the borders have been closed. Rolf comes upon them and calls his lieutenant, but after seeing Liesl he changes his mind and tells him they aren't there. The Nazis leave, and the von Trapps flee over the Alps as the nuns reprise "Climb Ev'ry Mountain".
Television adaptations[edit]
A live televised production of the musical aired twice in December 2013 on NBC.[65] It was directed by Beth McCarthy-Miller and Rob Ashford.[66] Carrie Underwood starred as Maria, with Stephen Moyer as Captain von Trapp, Christian Borle as Max, Laura Benanti as Elsa, and Audra McDonald as the Mother Abbess.[67] The production was released on DVD the same month.[68]
British network ITV presented a live version of its own on December 20, 2015. It starred Kara Tointon as Maria, Julian Ovenden as Captain von Trapp, Katherine Kelly as the Baroness and Alexander Armstrong as Max.[69][70]
Reception[edit]
Most reviews of the original Broadway production were favorable. Richard Watts Jr. of the New York Post stated that the show had "strangely gentle charm that is wonderfully endearing. The Sound of Music strives for nothing in the way of smash effects, substituting instead a kind of gracious and unpretentious simplicity."[71] The New York World-Telegram and Sun pronounced The Sound of Music "the loveliest musical imaginable. It places Rodgers and Hammerstein back in top form as melodist and lyricist. The Lindsay-Crouse dialogue is vibrant and amusing in a plot that rises to genuine excitement."[71] The New York Journal American's review opined that The Sound of Music is "the most mature product of the team ... it seemed to me to be the full ripening of these two extraordinary talents".[71]
Brooks Atkinson of The New York Times gave a mixed assessment. He praised Mary Martin's performance, saying "she still has the same common touch ... same sharp features, goodwill, and glowing personality that makes music sound intimate and familiar" and stated that "the best of the Sound of Music is Rodgers and Hammerstein in good form". However, he said, the libretto "has the hackneyed look of the musical theatre replaced with Oklahoma! in 1943. It is disappointing to see the American musical stage succumbing to the clichés of operetta."[71] Walter Kerr's review in the New York Herald Tribune was unfavorable: "Before The Sound of Music is halfway through its promising chores it becomes not only too sweet for words but almost too sweet for music", stating that the "evening suffer[s] from little children".[71]
Cast recordings[edit]
Columbia Masterworks recorded the original Broadway cast album at the Columbia 30th Street Studio in New York City a week after the show's 1959 opening. The album was the label's first deluxe package in a gatefold jacket, priced $1 higher than previous cast albums. It was No. 1 on Billboard's best-selling albums chart for 16 weeks in 1960.[72] It was released on CD from Sony in the Columbia Broadway Masterworks series.[73] In 1959, singer Patti Page recorded the title song from the show for Mercury Records[74] on the day that the musical opened on Broadway. The 1961 London production was recorded by EMI and released on the HMV label and later re-issued on CD in 1997, on the Broadway Angel label.[75]
The 1965 film soundtrack was released by RCA Victor and is one of the most successful soundtrack albums in history, having sold over 20 million copies worldwide.[76][77] RCA Victor also released an album of the 1998 Broadway revival produced by Hallmark Entertainment and featuring the full revival cast, including Rebecca Luker, Michael Siberry, Jan Maxwell and Fred Applegate.[78] The Telarc label made a studio cast recording of The Sound of Music, with the Cincinnati Pops Orchestra conducted by Erich Kunzel (1987). The lead roles went to opera stars: Frederica von Stade as Maria, Håkan Hagegård as Captain von Trapp, and Eileen Farrell as the Mother Abbess.[19] The recording "includes both the two new songs written for the film version and the three Broadway songs they replace, as well as a previously unrecorded verse of "An Ordinary Couple"".[79] The 2006 London revival was recorded and has been released on the Decca Broadway label.[80] There have been numerous studio cast albums and foreign cast albums issued, though many have only received regional distribution. According to the cast album database, there are 62 recordings of the score that have been issued over the years.[81]
The soundtrack from the 2013 NBC television production starring Carrie Underwood and Stephen Moyer was released on CD and digital download in December 2013 on the Sony Masterworks label. Also featured on the album are Audra McDonald, Laura Benanti and Christian Borle.[82]