The Story of Art
The Story of Art, by E. H. Gombrich, is a survey of the history of art from ancient times to the modern era.[1]
First published in 1950 by Phaidon, the book is widely regarded both as a seminal work of criticism and as one of the most accessible introductions to the visual arts. It was originally intended for younger readers.[2] Over eight million copies have been sold, and it has been translated into more than 30 languages.[3] As of 2022, The Story of Art is in its 16th edition.[3]
Background[edit]
Art historian Ernst Gombrich had experience with book production before The Story of Art. He collaborated with Ernst Kris on an unpublished book on the history of caricature and published his first book on the history of the world for children in 1936.[4] That same year, Gombrich relocated to London from Vienna for a job synthesizing the late Aby Warburg’s notes for publication at the Warburg Institute.[5] However, with the rise of the Second World War, Gombrich was sent to work as a broadcast translator at a BBC listening post in Evesham.[5] There, he met Béla Horovitz, founder of Phaidon Press, who was lacking materials to publish due to the war and was in search of new material.[5] Gombrich, having already written a few chapters of an art history book for children while in Vienna, offered the work and was given an advance for the work that became The Story of Art, first published by Phaidon in 1950.[5]
Style[edit]
The Story of Art is often described as a work that provides an accessible introduction to the subject of art history.[4][7][8][5] Art historian T.S.R. Boase, in The Times Literary Supplement, observed that Gombrich “writes conversationally and intimately."[7] Gombrich himself notes in the preface of the book that he intends to use “plain language” and to minimize “the art historian’s conventional terms."[9]
Reception[edit]
First published by Phaidon Press in 1950 and in its 16th edition as of 2022, The Story of Art has been a global bestseller with more than 8 million copies sold and translated into more than 30 languages.[3] It is included in Time magazine’s list of 100 best nonfiction books of all time.[10] The first two sentences of the book have become famous: ″There really is no such thing as Art. There are only artists.″[2] Gombrich later elaborated on this statement by saying that he defines "art" based on its Latin root, meaning "skill," and that there is "no disembodied skill."[11]
Upon its release, The Story of Art was noted for its pedagogical potential[8][12] despite Gombrich’s intentions of producing a pleasure read for teenagers.[12] Artist and art history professor H. W. Janson, reviewing the book for College Art Journal, remarked it was “undoubtedly destined for a most successful career in the classroom.”[8] He praised the book for its accessible language and selections free from Gombrich's own preferences, measuring the book against scholarly standards.[8] In his discussion of the book in The Burlington Magazine, artist and writer Wilfrid Blunt noted that The Story of Art reads like a lecture.[12] Though he believed the lecture-like tone would lead masters to prefer the book rather than students, he declared that The Story of Art “fully deserve[s] a place in any educational library."[12]
Criticism has also emerged since the book’s release. One stream of criticism addresses Gombrich’s treatment of contemporary art.[5][13][14] In a 1989 review for Art Journal of the book’s 14th edition, art history professor Bradford R. Collins criticized the work for its lack of depth in its discussion of contemporary art.[13] Collins indicated that Gombrich’s commentary on 20th century art was brief and often dismissive.[13] Elly Miller, daughter of Béla Horovitz, revealed in an interview that Gombrich had not originally intended to include an additional chapter on contemporary art and that “he really didn’t come to terms with what he called modern art.”[5] Art curator Karen Wilkin made similar comments for The Hudson Review, remarking about The Story of Art that “[Gombrich] was never really at ease with anything but illusionistic painting and sculpture."[14]
Gombrich’s omission of international and female artists has also raised criticism,[15][16][17] with none having been included in the first The Story of Art and just one included in the 16th edition.[15] With the intention of offsetting the emphasis on white, male, and Western works in the globally influential book, curator and art historian Katy Hessel responded to the lack of diverse representation by creating a book of works by a range of international female artists titled The Story of Art Without Men, published in 2022.[18][15]