The Winter's Tale
The Winter's Tale is a play by William Shakespeare originally published in the First Folio of 1623. Although it was grouped among the comedies,[1] many modern editors have relabelled the play as one of Shakespeare's late romances. Some critics consider it to be one of Shakespeare's "problem plays" because the first three acts are filled with intense psychological drama, while the last two acts are comic and supply a happy ending.[2]
This article is about Shakespeare's play. For other uses, see Winter's Tale (disambiguation).The play has been intermittently popular, having been revived in productions and adaptations by some of the leading theatre practitioners in Shakespearean performance history. In the mid-18th century, after a long interval without major performances, David Garrick premiered his adaptation Florizel and Perdita (first performed in 1753 and published in 1756). The Winter's Tale was revived again in the 19th century, when the fourth "pastoral" act was widely popular. In the second half of the 20th century, The Winter's Tale was often performed in its entirety, drawn largely from the First Folio text, with varying degrees of success.
Analysis and criticism[edit]
Title of the play[edit]
A play called "The Winter's Tale" would immediately indicate to contemporary audiences that the work would present an "idle tale", an old wives' tale not intended to be realistic, and that it would offer the promise of a happy ending. The title may have been inspired by George Peele's play The Old Wives' Tale of 1590, in which a storyteller tells "a merry winter's tale" of a missing daughter.[9][10] Early in The Winter's Tale, the royal heir, Mamillius, warns that "a sad tale's best for winter".[11] His mother is soon put on trial for treason and adultery – and his death is announced seconds after she is shown to have been faithful and Leontes's accusations unfounded.