The Woman in the Window (1944 film)
The Woman in the Window is a 1944 American film noir directed by Fritz Lang and starring Edward G. Robinson, Joan Bennett, Raymond Massey, and Dan Duryea. It tells the story of a middle-aged psychology professor[2] who murders in self-defense the lover of a young femme fatale he just met while his family is on vacation.[3]
The Woman in the Window
Once Off Guard (1942)
by J. H. Wallis
Nunnally Johnson
- November 3, 1944 (United States)[1]
99 minutes
United States
English
Based on J. H. Wallis' 1942 novel Once Off Guard, the story features two surprise twists at the end. Screenwriter Nunnally Johnson, having written the script for The Grapes of Wrath (1940), was invited by International Pictures to a picture deal, and The Woman in the Window was chosen as its premiere project. There have been rumours that Lang substituted the film's dream ending in place of the originally scripted suicide ending to conform with the moralistic Production Code of the time. However, Lang claimed that it was his idea when asked directly in an interview.[4]
The term "film noir" originated as a genre description in part because of The Woman in the Window.[5]
Plot[edit]
After college professor Richard Wanley sends his wife and two children off on vacation, he goes to his club to meet friends. Next door, Wanley sees a striking oil portrait of Alice Reed in a storefront window. He and his friends talk about the beautiful painting and its subject. Wanley stays at the club and reads Song of Songs. When he leaves, Wanley stops at the portrait and meets Reed, who is standing near the painting watching people gaze at it. Reed convinces Wanley to join her for drinks.
Later, they go to Reed's home, but an unexpected visit from her rich clandestine lover Claude Mazard, known to Reed initially only as Frank Howard, leads to a fight in which Wanley kills Mazard in self-defense. Wanley and Reed conspire to cover up the murder, and Wanley disposes of Mazard's body in the country. However, Wanley leaves many clues, and there are a number of witnesses. One of Wanley's friends from the club, district attorney Frank Lalor, has knowledge of the investigation, and Wanley is invited back to the crime scene as Lalor's friend but not as a suspect. On several occasions, Wanley slips and says things that seem to indicate that he may know more about the murder than he should, but Lalor does not suspect Wanley.
As the police gather more evidence, Reed is blackmailed by Heidt, a crooked ex-cop who had been hired to follow Mazard. Wanley and Reed discuss the problem, and he concludes that the best way to deal with a blackmailer is to kill him. Wanley gives Reed prescription medicine in powder form for the murder. When Heidt arrives to collect his extorted payment, he suggests that she leave the country with him in exchange for forgetting about the crime. Reed plays along, but Heidt is suspicious when she insists he drink from his tainted cocktail. He angrily takes the money and leaves after deducing her plan. Reed calls Wanley to tell him of the failed attempt, causing him to overdose on the remaining prescription powder in a suicide attempt.
Meanwhile, Heidt is killed in a shootout immediately after leaving Reed's home, and police believe that Heidt is Mazard's murderer. Reed, seeing that the police have killed Heidt, races to her home to call Wanley, who is slumped over in his chair and apparently dies. In a match cut, Wanley awakens in his chair at his club, and he realizes that the entire ordeal was a dream in which employees from the club were the main characters. As he steps out on the street in front of the painting, a woman asks Wanley for a light. He adamantly refuses and runs down the street.