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Thomas Adès

Thomas Joseph Edmund Adès CBE (born 1 March 1971) is a British composer, pianist and conductor. Five compositions by Adès received votes in the 2017 Classic Voice poll of the greatest works of art music since 2000: The Tempest (2004), Violin Concerto (2005), Tevot (2007), In Seven Days (2008), and Polaris (2010).[1]

"Adès" redirects here. For other uses, see Adès (surname).

Biography[edit]

Adès was born in London to art historian Dawn Adès and poet Timothy Adès. His surname is of Syrian Jewish origin.[2] Adès is gay and identified his sexuality closely with the Russian composer Pyotr Ilyich Tchaikovsky in his youth.[3]


Adès studied piano with Paul Berkowitz and later composition with Robert Saxton at Guildhall School of Music and Drama, London. After attending University College School, he achieved a double starred first in 1992 at King's College, Cambridge, studying with Alexander Goehr and Robin Holloway.[4] He was appointed Britten Professor of Composition in the Royal Academy of Music and in 2004 was awarded an honorary doctorate by the University of Essex.[5]


In 2007, a retrospective festival of Adès's work was presented at the Barbican Arts Centre in London and he was the focus of Radio France's annual contemporary music festival, "Présences", and Helsinki's "Musica Nova" festival. The Barbican festival, "Traced Overhead: The Musical World of Thomas Adès", included the UK premiere of a new work for Simon Rattle and the Berlin Philharmonic, Tevot. Journalist Tom Service wrote of the piece, "Of any piece of new music I've heard at its premiere, this is one of the most immediately, richly powerful."[6] In the spring of 2007, The Tempest returned to the Royal Opera House.


In 2009, Adès was the focus of Stockholm Concert Hall's annual Composer Festival, and in 2010 he was appointed foreign member of the Royal Swedish Academy of Music.


On 8 October 2015, Adès was elected into the Board of Directors of the European Academy of Music Theatre.[7]


For 2022 he was awarded the BBVA Foundation Frontiers of Knowledge Award in Music and Opera.[8]


Adès won an Ivor Novello Award at The Ivors Classical Awards 2023.[9] Növények, for mezzo-soprano and piano sextet won the award for Best Chamber Ensemble Composition.[10][11]

Other musical activities[edit]

Pianist[edit]

In 1993, at age 22, Adès gave his first public piano recital in London as part of the Park Lane Group series of recitals.


Adès was a runner-up in the BBC's Young Musician of the Year competition in 1990. EMI has released a CD of Adès as a solo performer, "Thomas Adès: Piano", and several CDs as an accompanist, frequently with Ian Bostridge, Steven Isserlis and others. As a student Adès was a percussionist, at one point playing percussion in Stravinsky's "Les noces" under Sir Simon Rattle.

Musical Director[edit]

Adès was the first Music Director of the Birmingham Contemporary Music Group from 1998 to 2000.[37]


He served as Artistic Director of the Aldeburgh Festival from 1999 to 2008, succeeded in 2009 by the pianist Pierre-Laurent Aimard.


In 2000, he was composer-in-residence of the Ojai Festival in California (along with Mark-Anthony Turnage), under the artistic direction of Ernest Fleischmann. While there, performances included:

He was resident with the Los Angeles Philharmonic during their 2005/6 and 2006/7 seasons as part of the orchestra's "On Location" series at Walt Disney Concert Hall and other locations.


Adès is the Deborah and Philip Edmundson artistic partner with the Boston Symphony Orchestra, a position he has held for three years, 2018/2019, 2019/2020, and 2020/2021. The position was created specifically for him.[38]

Powder Her Face was made into a film by and shown on Christmas Day 1999 in the UK. The film was released on DVD in the UK for Christmas 2005, including a documentary film about Adès made by Gerald Fox in 1999. It is also available in the US.

Channel 4

Asyla (along with ) formed Sir Simon Rattle's opening concert as Music Director with the Berlin Philharmonic. The two concerts given were recorded and released as a DVD in 2002.

Mahler's 5th Symphony

"The Tempest": the Metropolitan Opera production from 2012, conducted by Adès, was issued on DG. Prospero: Simon Keenlyside; Ariel: Audrey Luna; Caliban: Alan Oke; Miranda: Isabel Leonard; Ferdinand: Alek Shrader; King of Naples: William Burden; Antonio: Tony Spence; Stefano: Kevin Burdette; Trinculo: Iestyn Davies; Sebastian: Christopher Feigum; Gonzalo: John Del Carlo. The production was by Robert Lepage. Winner of the 2014 .

Grammy Award for Best Opera Recording

DVD


Audio CD


as composer


as performer

Venn, Edward (March 2014). "Thomas Adès's 'Freaky, Funky Rave'". . 33 (1): 65–98. doi:10.1111/musa.12020. JSTOR 43864525.

Music Analysis

Venn, Edward; Stoecker, Philip, eds. (2021). . Cambridge: Cambridge University Press. ISBN 978-1-108-78726-0.

Thomas Adès Studies

(Winter 2009). "About Some Music of Thomas Adès". Perspectives of New Music. 47 (1): 165–173. doi:10.1353/pnm.2009.0011. JSTOR 25652404. S2CID 258129555.

Barkin, Elaine R.

Culshaw, Peter (1 March 2007). . The Daily Telegraph. Archived from the original on 4 March 2007. Retrieved 6 September 2022. (subscription required)

"Don't call me a messiah"

(Autumn 2004). "Tempestuous Times: The Recent Music of Thomas Adès". The Musical Times. 145 (1888): 41–56. doi:10.2307/4149112. JSTOR 4149112.

Fox, Christopher

Massey, Drew (2020). . Oxford: Oxford University Press. ISBN 978-0-19-937497-7.

Thomas Adès in Five Essays

Roeder, John (2006). "Co-operating Continuities in the Music of Thomas Adès". . 25 (1/2): 121–¡54. doi:10.1111/j.1468-2249.2006.00235.x. JSTOR 25171365.

Music Analysis

Weber, Moritz (26 August 2022). . Schweizer Radio und Fernsehen (SRF) (in German). Retrieved 18 November 2022.

"Lucerne Festival 2022 - Früher gemobbt, heute berühmt: Thomas Adès steht für Vielfalt"

(18 October 1998). "Roll Over, Beethoven". The New Yorker.

Ross, Alex

(24 February 2007). "'Writing music? It's like flying a plane'". The Guardian.

Service, Tom

(17 November 2008). "Ades, For Mature Audiences Only". Los Angeles Times.

Swed, Mark

Tommasini, Anthony (23 February 2004). . The New York Times.

"Royal Opera Review; Noises, Sounds, Sweet Airs From Young British Hope"

Wells, Dominic (April 2012). "Plural Styles, Personal Style: The Music of Thomas Adès". . 66 (260): 2–14. doi:10.1017/S0040298212000125. JSTOR 23263083. S2CID 144902702.

Tempo

See Venn & Stoecker 2021, pp. 283–298 and Venn 2014, pp. 95–97 for extensive bibliographies

– official site

Thomas Adès

(in French and English). IRCAM.

"Thomas Adès (biography, works, resources)"

profile at Faber Music

Thomas Adès

discography at Discogs

Thomas Adès