Till the End of the Night
Till the End of the Night (German: Bis ans Ende der Nacht) is a 2023 German thriller film directed and co-written by Christoph Hochhäusler. Starring Timocin Ziegler, Thea Ehre and Michael Sideris, the film is about an undercover agent who is supposed to gain the trust of a criminal through a fictitious relationship with a contact person.[1] It is selected to compete for the Golden Bear at the 73rd Berlin International Film Festival, where it had its world premiere on 24 February 2023.[2][3] The film is also nominated for Best Feature Film Teddy Award.[4]
Till the End of the Night
- Christoph Hochhäusler
- Florian Plumeyer
Bettina Broker
- Timocin Ziegler
- Thea Ehre
- Michael Sideris
Stephen Stabenow
Grandfilm GmbH [en]
- 24 February 2023 (Berlinale)
- 6 July 2023 (Theatres)
120 minutes
Germany
German
It was released in Germany on 6 July 2023.[5]
Synopsis[edit]
Undercover agent Robert is given the task to infiltrate the drug organization as the partner of the trans woman Leni, with the aim of gaining the trust of a big dealer. For Robert, who is gay, the love story becomes an unpleasant task as he is equally attracted to and repelled by Leni. The success of the mission will determine whether she must resume the prison sentence or not. It is, of all people, the dealer they are spying on who makes Robert confront his conflicting feelings.
Release[edit]
Till the End of the Night had its premiere on 24 February 2023 as part of the 73rd Berlin International Film Festival, in Competition. It was released in cinemas on 6 July 2023.[5]
Reception[edit]
On the review aggregator Rotten Tomatoes website, the film has an approval rating of 20% based on 5 reviews, with an average rating of 2/10.[7]
David Rooney for The Hollywood Reporter stating that it is "Not worth investigating", concluded writing, "There’s possibly a good story buried in here, but the filmmakers can’t get out of their own way long enough to tell it."[8] Nicholas Bell in IonCinema.com graded the film 1/5 and wrote, "Somehow, Florian Plumeyer’s tediously inept script sabotages not only these themes but also what could have been a striking quartet of viciously unhappy but needy humans."[9]