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Trova

Trova [ˈtɾoβa] is a style of Cuban popular music originating in the 19th century. Trova was created by itinerant musicians known as trovadores who travelled around Cuba's Oriente province, especially Santiago de Cuba, and earned their living by singing and playing the guitar.[1] According to nueva trova musician Noel Nicola, Cuban trovadors sang original songs or songs written by contemporaries, accompanied themselves on guitar, and aimed to feature music that had a poetic sensibility.[2] This definition fits best the singers of boleros, and less well the Afrocubans singing funky sones (El Guayabero) or even guaguancós and abakuá (Chicho Ibáñez). It rules out, perhaps unfairly, singers who accompanied themselves on the piano.[3]

For the wine grape 'Trova', see Merseguera, poetic form, and Trova (poetry).

Trova musicians have played an important part in the evolution of Cuban popular music. Collectively, they have been prolific as composers, and have provided a start for many later musicians whose career lay in larger groupings. Socially, they reached every community in the country, and have helped to spread Cuban music throughout the world.[4]

Salvador Adams ("Me causa celos")

Ángel Almenares ("Por qué me engañaste?")

José (Pepe) Banderas ("Boca roja")

Emiliano Blez Garbey ("Besada por el mar")

Julio Brito ("Flor de ausencia")

Miguel Companioni ("Mujer perjura")

Juan de Dios Hechavarria ("Mujer indigna", "Tiene Bayamo", "Laura")

José (Pepe) Figarola Salazar ("Un beso en le alma")

Graciano Gómez Vargas ("En falso", "Yo sé de esa mujer")

Rafael Gómez (aka Teofilito) ("Pensamiento")

("Ella y yo", "La Rosa roja")

Oscar Hernández Falcón

Ramón Ivonet ("Levanta")

Eulalio Limonta

Manuel Luna Salgado ("La cleptómana")

Nené Manfugás

Rafael Saroza Valdés ("Guitarra mía")

The musicians featured here are a few notables amongst hundreds of excellent musicians living the same kind of life. No complete list exists, though the musicians listed below have been mentioned in at least one source.[19] After the name, one or two of their best compositions are noted:

1977 Del hondo del corazón. 20min film, Dir. Constante Diego. Figures of the traditional trova talk and sing.

1974 Chicho Ibáñez. 11min film, Dir. Juan Carlos Tabío. Short film on the trovador José 'Chicho' Ibáñez (1875–1981), who talks and sings at the age of 99.