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United Feature Syndicate

United Feature Syndicate, Inc. (UFS) is a large American editorial column and comic strip newspaper syndication service based in the United States and established in 1919. Originally part of E. W. Scripps Company, it was part of United Media (along with the Newspaper Enterprise Association) from 1978 to 2011, and is now a division of Andrews McMeel Syndication. United Features has syndicated many notable comic strips, including Peanuts, Garfield, Li'l Abner, Dilbert, Nancy, and Marmaduke.

Formerly

4

1919 (1919)

United States,

Norris Huse (General Manager, c. 1919–1928)
Monte Bourjaily (General Manager, 1928–c. 1937)[1]

editorial columns and comic strips

E. W. Scripps Company (1919–2011)
Universal Uclick/Andrews McMeel Syndication (2011–present)

E. W. Scripps Company (1919–1978)
United Media (1978–2011)
Andrews McMeel Universal (2011–present)

History[edit]

United Feature Syndicate was formed in 1919.[1][2] From 1922 to 1958, United Features was the column, feature (and comics) division of Scripps' United Press Association.[1] Authors syndicated by United Features in its early years included Frank A. Vanderlip, Octavus Roy Cohen, David Lloyd George, Vicente Blasco Ibáñez, Herbert Hoover, Sinclair Lewis, Benito Mussolini, Édouard Herriot, and Heywood Broun.[3]


It became a dominant player in the syndication market in the early 1930s. In March 1930, United Features acquired the Metropolitan Newspaper Service (ostensibly from the Bell Syndicate).[3] And in late February 1931, Scripps acquired the New York World, which controlled the syndication arms of the Pulitzer company: World Feature Service[3] and Press Publishing Co.[2] (which unlike other syndicates were owned by the paper rather than being separate entities).


The Metropolitan Newspaper Service acquisition brought over the comic strips Tarzan and Ella Cinders. The World Feature Service acquisition brought over the comic strips The Captain and the Kids, Everyday Movies, Fritzi Ritz, Hawkshaw the Detective, Joe Jinks, and Little Mary Mixup.[1] From this point, United Features became a successful distributor of newspaper comics,[4] for the first time distributing color Sunday strips.[3] An April 1933 article in Fortune described United Features as one of the "Big Four" American syndicates (along with King Features Syndicate, Chicago Tribune Syndicate, and the Bell Syndicate).[5]


In 1934, United Features launched its first original strip, Al Capp's Li'l Abner.[1] As Li'l Abner's popularity increased, creator Capp lampooned United Features in his strip-within-a-strip, Fearless Fosdick, which featured the abusive and corrupt "Squeezeblood Syndicate."


Robert M. Hall was a sales manager at United Features starting in 1935; he left in 1944 to start the Post Syndicate.


From 1936 to 1954, United Feature published their own line of comic books, using their comic strip features as characters. Lev Gleason, who in the 1940s and 1950s published a number of popular comics titles, was an editor at United Feature in the beginning, including the company's first title, Tip Top Comics.[6] Three United Feature titles published more than 100 issues: Tip Top Comics (188 issues, Apr. 1936–Sept./Oct. 1954), Sparkler Comics (120 issues, July 1941–Nov./Dec. 1954), and Comics on Parade (104 issues, Apr. 1938–Feb. 1955). The company even created its own original superheroes: Iron Vic, Mirror Man, and Spark Man[1] (none of whom caught on). After ending the United Feature comics line in 1954, a few of their titles would be continued by St. John Publications. The rest of their comic book properties were acquired by Dell Comics in 1958.[1]


In 1968, United Features syndicated about 50 features to 1500 clients.[7]


In 1972, United Features Syndicate acquired and absorbed the North American Newspaper Alliance and the Bell-McClure Syndicate into its operations.[8]


In May 1978 Scripps merged United Feature Syndicate and the Newspaper Enterprise Association to form United Media Enterprises.[9][10] United Media continued to syndicate strips under the United Feature Syndicate brand.


In 1994, Jim Davis's company, Paws, Inc., purchased the rights to Garfield (including the strips from 1978 to 1993) from United Features. The strip is currently distributed by Andrews McMeel Syndication, while rights for the strip remain with Paws.


On February 24, 2011, United Media struck a distribution deal with Universal Uclick (now known as Andrews McMeel Syndication) for syndication of the company's 150 comic strip and news features, which became effective on June 1 of that year.[11][12] While United Media effectively ceased to exist,[13] Scripps still maintains copyrights and intellectual property rights.[14][15] The United Feature Syndicate brand still continues to be used on many strips.

by Kevin Fagan (launched 1979)

Drabble

(launched 2002; entered syndication 2006)

F Minus

by Darby Conley (launched 1999)

Get Fuzzy

originally by Dr. Michael Petti and Jud Hurd; then by Bron Smith (launched 1961)[16]

Health Capsules

by Robb Armstrong (launched 1989)

Jump Start

by Keith Knight (launched 2008)

The Knight Life

by Todd Clark (2005–present) — acquired from Tribune Media Services, where it launched in 1999

Lola

originally by Brad Anderson (c. 1970–present) — acquired from National Newspaper Syndicate where it launched in 1954

Marmaduke

by Jim Meddick (launched 1985)

Monty

originally by Ernie Bushmiller (launched 1938)

Nancy

by Scott Stantis (launched 2004)

Prickly City

by Dan Thompson (launched 2009)

Rip Haywire

(1989–present) — acquired from King Features Syndicate; originally launched 1918

Ripley's Believe It or Not!

originally by Pat Brady (launched 1984)

Rose Is Rose

by Jeff Harris (launched 1999)

Shortcuts

originally by Hal Foster (1932–2001) — acquired from Metropolitan Newspaper Service where it launched in 1929;[2] in reprints

Tarzan

originally by Art Nugent (launched 1933) — acquired from Bell-McClure Syndicate in 1972

Uncle Art's Funland

(17 issues, 1949–1953)

The Captain and the Kids

(104 issues, Apr. 1938–Feb. 1955)

Comics on Parade

Curly Kayoe (7 issues, 1946–1950)

(15 issues, 1949, Mar./Apr. 1953–Sept./Oct. 1954) — continued by St. John Publications

Fritzi Ritz

(8 issues, 1949–1954) — continued by St. John Publications

Nancy and Sluggo

Single Series (30 issues, 1938–1942)

Sparkle Comics (33 issues, Oct./Nov. 1948–Dec. 1953/Jan. 1954)

(120 issues, July 1941–Nov./Dec. 1954)

Sparkler Comics

(188 issues, Apr. 1936–Sept./Oct. 1954) — continued by St. John Publications

Tip Top Comics

Tip Topper Comics (28 issues, Oct./Nov. 1949–Apr./May 1954)

United Comics (19 issues, 1950–Jan./Feb. 1953)

Matt Bors

Bill Day

Jerry Holbert

Mike Lester

Henry Payne

Ed Stein

El Chavo

Precious Moments

Raggedy Ann

Frederick C. by Fred Othman (1948–1949)

by Eleanor Roosevelt (1935–1962)[1]

My Day

(late 1940s–early 1950s)

Robert Ruark

Skolsky's Hollywood by (1930s–c. 1970s)

Sidney Skolsky

Totem Pole by (1940s–1950s)

H. Allen Smith

Washington Calling by (1962–c. 1980s)

Marquis Childs

Washington Merry-Go-Round by (1932–1944)[62] and Jack Anderson

Drew Pearson

at the Grand Comics Database

United Feature

at the Comic Book DB (archived from the original)

United Features